Sentences with phrase «freestanding painted installation»

A freestanding painted installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design Conference of the same year, led to the development of Smith's renowned Kite paintings.

Not exact matches

Amanda Ross - Ho's installations feature lengths of painted and pierced drywall creating freestanding partitions, stages, and sculptural niches that assert conditions of «studio and store.»
Large freestanding paintings will simultaneously act as objects, sculpture, collage, installation, and decoration as they are successively moved and re-installed within the exhibition space.
The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design Conference of the same year, led to the development of his renowned «Kite» paintings.
The mid-career survey, Laura Owens at the Whitney Museum of American Art (November 10, 2017 — February 4, 2018), presents around 70 paintings in different sizes — from wall - mounted works, to installations, to carefully arranged freestanding canvases painted on both sides.
This exhibition includes a suite of 12 oil - on - lead works titled The Newport Paintings, five freestanding bronze steles, six bronze reliefs, and an environmental installation executed specifically for SFMOMA.
The exchange of movement and interplay in the installation will be navigated through freestanding frame - like structures fashioned into geometric patterns and abstract paintings.
It includes Naming the Money, the largest installation to make use of Himid's signature «cut - outs» — paintings made on freestanding, shaped boards that viewers can walk among.
Comfortably filling the spacious, irregular proportions of the center's main gallery, the installation is composed of three distinct elements: freestanding abstract sculptures; color photographs of the artist's hands (palms out and partially covered in paint); and black - and - white videos appropriated from vintage films of competitive stone lifters (which is where the pun comes in).
Naming the Money (2004) is the largest installation to make use of Himid's signature «cut - outs» — paintings made on freestanding shaped boards that viewers can walk amongst.
His exhibitions often include site - specific installations created with tape, similar to his public interventions, which complement his paintings and freestanding sculptures.
This conceptual underpinning is newly experienced with this body of work, which includes a series of multi-part installations that are composed of drawings, paintings, and mixed - media panels as well as freestanding steel and light sculptures.
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