And then there is the pride you feel when you see your child mimic those qualities as they hold doors open for others, console
their friends during rough times, listen to your stories for the zillionth time, and confront inequality head on.
She recalls watching a
rough cut of the picture with the journalist Hanna Krall, a
friend of Kieslowski's, that was in poor shape («I thought it was awful»), but the cloud had a silver lining: Kieslowski had
time for weeks of reshoots,
during which he found the film's «metaphysical dimension,» Holland says.