In his mature works he included references to the grand sculptural traditions of Western art,
from Classicism to the Baroque.
Invoking art historical references
from classicism, modernist sculpture and popular culture, these artists deal with the monumental and auratic nature of art and culture.
Not exact matches
While it is regrettable that he never made his peace with Italian
classicism» one wonders what Cram might have learned
from the delicate austerity of Florentine arcades or the freewheeling geometric brilliance of Borromini» his early embrace of the Mexican Baroque (spurred by his partner Goodhue), his late interest in the Iberian Renaissance, and his numerous forays into American colonial revival show he was no mere Gothic fanatic.
He proceeds sequentially,
from the sacred architecture of the Old Testament to the early Christian basilicas, then on to the Byzantine and Romanesque cathedrals and churches, and
from there to the Gothic, the
classicism of the Renaissance, the baroque and rococo, the neoclassicism and «revival» styles of the nineteenth century, and on to the present day.
It's a gloriously written film, with jokes that are crafted rather than excavated
from reams of on - set improvisation1; the success of the punchlines is scattershot and up for debate (connoisseurs of the Borscht belt should find much to admire, but a rehash of Lloyd's lovesick daydream flatlines, due in no small part to an overestimation of the comic chops and kitsch appeal of Honey Boo - Boo's mom), yet there is something bracing about its structural
classicism after the last few years of watching the Church of Apatow whack off.
In 1998, under the leadership of Executive Director Steve Jubb, BayCES changed its name to the Bay Area Coalition for Equitable Schools to emphasize our focus on addressing disparities among student groups that we believe arise
from racism,
classicism, language bias, and other forms of systemic bias.
More money will buy magnetorheological dampers and carbon - ceramic front rotors, and the Drive Select system lets you personalize traits such as steering effort, throttle response, shift speed, damping calibration, torque split, and exhaust note, the latter varying in intensity
from Wagner
classicism to Kraftwerk rock to Ramstein Air Force Base.
Architects who design museums have been retreating
from explosive innovation to favor
classicism, tranquillity, and a more restrained Modernism.
In an age of
classicism, Gothic was a minority taste, so why did it attract the attention of significant patrons and leading architects and designers,
from Christopher Wren to Robert Adam?
«Chaos and
Classicism» sees his postwar Neoclassicism in everything
from Magic Realism to collaboration.
Nature served as the inspiration for his sculptural works and his output was devoted to lyrical works of reclining female nudes and elegant stone faces and torsos influenced by Greek
classicism as well as sculpture
from Asia, the Pacific, and Africa.
1999 Afterimage: Drawing Through Process, Museum of Contemporary Art and The Geffen Contemporary, Los Angeles, CA Contemporary
Classicism, Neuberger Museum of Art, State University, Purchase, NY Intimate Expressions: Two Centuries of American Drawings, Columbus Museum, Columbus, GA Rendezvous North Carolina: 20th Century Sculpture and Sculptors» Drawings
from the Weatherspoon Art Gallery and the Ackland Art Museum, Ackland Art Museum, Chapel Hill, NC Drawn Across the Century: Highlights
from the Dillard Collection of Art Paper, Weatherspoon Art Gallery, Greensboro, NC Chronicle, School of Visual Arts, New York, NY
He gains a sense of inherent
classicism and security
from using familiar symbols, yet only with unceasing concentration and focus can a painter's style be used as a tool to give form to abstract reflection, and that still requiring a callous inhibition of ever ‐ present, hovering uncertainty.
Classicism and Romanticism have always been present in Chia's work, but now their presence brings to mind a hint of Matisse, Chagall or Modigliani, with simplified forms and a stillness we haven't seen
from him before.
Classicism, Romanticism, numbers and pornographic sgraffito pop up in a drawing titled «See Naples + Die,» with the outline of a possible temple, a quote
from Keats and crude, sputtering gunlike shapes that evoke Claes Oldenburg's early sculpture.
In the first podcast produced on the occasion of the exhibition Renaissance to Revolution: French Drawings
from the National Gallery of Art, 1500 - 1800, Grasselli talks to host Barbara Tempchin about delicate, rare works
from the 16th century and extraordinary images of French
classicism from the 17th century.
The classy
Classicism of the titles attests to the solid literary education she received at Princeton, where she might have read, with the great Wallace Stevens scholar A. Walton Litz, who chaired the English department in her era, these wonderful lines
from the Stevens poem «Descriptions Without Place»:
Highlights of his multifaceted oeuvre include Basilica di Siponto (2016), a permanent installation that merges contemporary art and archaeology by restoring a Paleo - Christian basilica in Puglia, Italy, Aura, a site - specific, two - part, floating installation that took over the halls of Le Bon Marché, the prestigious Parisian department store in the autumn of 2017, and Archetipo (2017), a sprawling, indoor «piazza» in Abu Dhabi synthesized
from domes, arches, colonnades, and other architectural fragments of Italian
classicism.
1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings
from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and
Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes
from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..
The reclamation of Italian
classicism is also evident in the monumental Winged Victory whose hands surround a laurel wreath
from 1940 by Achille Funi, a member of the Novecento group.
Cornaro is an art historian specialized in sixteenth and seventeenth - century Western art, therefore her work is strongly associated with the forms and compositions
from the past, ranging
from the baroque or
classicism to modernistic abstraction.
Mr. Condo's art can be viewed as a multi-layered experience incorporating art historical references ranging
from European
classicism to American contemporary culture, often combining elements of each to achieve a unique vision informed by all its sources.
Inner Worlds Outside takes its title
from a phrase by poet Rainer Maria Rilke, who championed intuition over the rational and romanticism over
classicism.
In addition to his paintings, which were sometimes dismissed as «high - art graffiti,» he produced sculptures assembled
from found objects, clay, and plaster, painted white to suggest an affinity to
Classicism.