Sentences with phrase «from collective culture»

Those affiliated with the CENTURY 21 System receive a great many benefits — both directly and indirectly — from a collective culture that values human interaction to a platform that supports individual growth.

Simon was coached by Henry Wright from 26 Coaching and navigated by Ross Vickers from Collective Culture.

But skiing and snowboarding could disappear from our collective culture in about 50 years, if global - warming forecasts ring true.

Not exact matches

While our culture is one of individuality, it turns out from his research that there's a lot more to be said for happiness as part of a bigger, collective whole of family and your tribe.

38 C. G. Jung has found from his lifelong work with peoples of both sexes and of different religions and cultures that at the level of what he calls the collective unconscious are invariable archetypal symbols: the feminine symbol and the child symbol.

Their collective reach and readership has declined, and they stand at a greater distance from mainstream culture than their equivalents did sixty years ago.

It is from the collective psychosis of our culture that we learn our phony, deadening games.

From the cinematography to the excellent soundtrack, HBO's The Young Pope rocketed to the top of of our collective pop culture conscious earlier this year.

Earlier today, while looking through a social media article at iMedia Connection, I came across a link to a Lakshmi Chaudhry piece in The Nation from a few weeks ago in which she takes some serious potshots at the new culture of online collective creativity.

The right - wing bluster of the Brexit campaign has begun to displace the progressive political culture that emerged from the tattered remnants of Britain's imperial identity in the second half of the twentieth century, built on fairness, equality of opportunity, and collective responsibility.

Many cultures appreciate communal interdependence; meaning the idea that a collective «steals» from the individual is absurd, as the individual's wealth creation is dependent on the collective working together.

Cue justified horror from Dale, much mocking from many bloggers and the moonbats sent a rambling letter collective response to Baroness Buscombe, self - importantly copied to Ben Bradshaw MP, the Secretary of State for Culture, Media and Sport and John Whittingdale MP, Chairman Culture, Media and Sport Select Committee.

Fallon explains that we have a natural craving for live culture sodas: «We offer the theory that the craving for both alcohol and soft drinks stems from an ancient collective memory of the kind of lacto - fermented beverages still found in traditional societies.»

Anyway, POETIC LICENCE is influenced from British culture, urban style, and a collective mix of vintage and world inspiration.

Jeans: Margaret M via Stitch Fix (also seen worn here)(option here) T - Shirt: «Create a Culture of Kindness Tee» from The Root Collective (use this link for 10 % off) Necklace and Ring: Emma J. Co. c / o Clutch: Parker Clay via CAUSEBOX (use code «stillbeingmolly» for $ 10 off your first box!)

It's a cautionary tale of collective malpractice and personal greed all converging at a moment which helped set about the global economic downturn, and the production design (by regular Wong Kar - wai collaborator William Chang) opts to remove all walls from the aesthetic equation as a way to emphasise that, even though it's a culture which thrives on secrets and subterfuge, there really is nowhere to hide your dirty laundry.

The second feature from director Robert Zemeckis and co-writer and producer Bob Gale, Used Cars comes right out of the screen comedy culture of the late 1970s and early 1980s, when the underdogs snubbed their collective noses at authority, propriety, property and privacy laws and anything else that crossed their paths in slobs vs. snobs comedies like Animal House (1978), Caddyshack (1980) and Ghostbusters (1984).

Then, it's onto the DVD Round - Up before curling up in a ball and weeping at the loss of the Twilight films from our collective popular culture.

According to Becky Smerdon and Kathryn Borman, who led the Gates - sponsored research team that evaluated the initiative, by the late 1990s some consensus had emerged among reformers about what made schools successful: «a shared vision focused on student learning, common strategies for engendering that learning, a culture of professional collaboration and collective responsibility, high - quality curriculum, systematic monitoring of student learning, strong instructional leadership (usually from the principal), and adequate resources.»

The OECD PISA framework defines global competence as: «the capacity to examine local, global, and intercultural issues, to understand and appreciate the perspectives and world views of others, to engage in open, appropriate and effective interactions with people from different cultures, and to act for collective well - being and sustainable development.»

Leverage tips from real team meetings, classroom interactions, and RTI experts to lead the shift to a culture of collective responsibility.

The 50 stories gathered here, along with hundreds of others, were submitted as part of the Rethink Learning Now campaign, a national grassroots effort to change the tenor of our national conversation about schooling by shifting it from a culture of testing, in which we overvalue basic - skills reading and math scores and undervalue just about everything else, to a culture of learning, in which we restore our collective focus on the core conditions of a powerful learning environment, and work backwards from there to decide how best to evaluate and improve our schools, our educators, and the progress of our nation's schoolchildren.

Choosing Your Voice: Narratives from the Classroom Communing with Chaos: The Real Process of Teacher Research Inside the Kingdom: The Children and Their Classroom Making the Classroom Culture Visible: The Collective Voice of the Teacher Researcher «Did You Write Down All of My Words?»

I should also add that there is no such thing as a collective dislike / hate / love for something from one specific gender / race / culture.

It's a good analogy of a typical GTA game: a raucous mix of crime - caper thrills, cinematic set - pieces and pop - culture humour culled from the team's collective psyche that also gives the player the option to ignore the tightly woven story if they so wish and venture off - piste at any time.

The game draws inspiration from a deep, innate story that we all carry in our collective subconscious, a universal origin myth that resonates across cultures.

YOSHIZO YOSHIMURA and SHINICHIRO KITAI (Tokyo) from designer collective Devilrobots are among the most charming representatives of Japanese digital pop culture.

From the founding of the Louvre in 1793 to the emergence of the Underground Museum in Los Angeles in 2012 to the start in 2013 of GCC, a collective focusing on contemporary Gulf culture, this timeline tracks guided and misguided... Read More

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

2013 Reflections: African American Life from the Myrna Colley - Lee Collection, International Arts & Artists, Washington, DC; Kalamazoo Institute of Arts, Kalamazoo, MI Ashé to Amen: African - Americans and Biblical Imagery, Museum of Biblical Art, New York, NY; Reginald F. Lewis Museum of Maryland African American History & Culture; Dixon Gallery & Gardens, Memphis, TN Etched in Collective History, Birmingham Museum of Art, Birmingham, AL

On view from January 26 through March 16, 2018, this site - specific exhibition visually materialized and meshed memories of the past and present in Red Star's investigation of her Apsáalooke (Crow) Indian father's life in rock music, a site of familial importance and popular culture that has informed the artist's practice and individual and collective identities as an Apsáalooke (Crow)- Irish American woman.

Fresh Acconci collapses Acconci's canonical performances with Hollywood movies and the private rituals of countercultural collectives, conflating multiple contemporary mythologies from otherwise unrelated sectors of the culture.

Based in Vietnam and Los Angeles, the art collective extends its reach to address global phenomena, from street culture to international commerce to traditions shared across cultures.

The most comprehensive exhibition to date of work by American artist Keith Edmier, the exhibition explores the artist's distinctive fusion of autobiography, popular culture, and collective consciousness in more than 40 works selected from key periods in Edmier's oeuvre.

2015 «Atsushi Kaga at Jack Hanley Gallery», New York Art Tours, July Mason, Shana Beth, «Atsushi Kaga at Jack Hanely, New York», International Arts and Culture, July «New York: Atsushi Kaga, «I am here with you» opens», New York Events, June «Friend of the Devil», The Lookout, Art in America, April 2014 Sansom, Anna, «Up in Armory: The Art Fair Unzipped», Damn ° 44 magazine, March Yasuhara, Shayna, «Armory Art Fair Highlights — Top 5», The Paint Pens Collective, March «2014 Armory Show», NYC Aesthetic, March Sutton, Benjamin, «Humorous Artworks Ease Fairtigue at 2014 Armory Show», artnet news, March 2013 O'Dwyer, Rebecca, «Happily Skipping Backwards (2013 — 1978)», mother's annual 2013 «Rabbiting on», CARA Magazine, December Abbott, Rosa, «Atsushi Kaga, Happily Skipping Backwards», Totally Dublin, December 2012 Blount, Mai, «The Sign of the Broken Sword», mother's annual 2012 Servin, James, «Rising Stars», Sea of Desire, Art Basel Miami Beach, December Chayka, Kyle, «A Mother - Son «Nerd Bag» Sweatshop @ Art Basel Miami Beach», Hyperallergic, Dec Cohen, David, «The Mother of All Invention», artcritical, December Battista, Kathy, «The highlights from Miami Art Week», Phaidon, December «Art Basel Miami Beach 2012 Preview: Part 5», Gallerist NY, December Cembalest, Robin, «Snapshots from Miami», ARTnews, December Duhon, Peter & Zwimpfer, Nathalie, «Art Basel Miami Beach 2012», Art Comments, December Halperin, Julie & Corbett, Rachel, «Art Basel Miami Beach Sees Strong Lower - Market Buys, With Notable Standouts», Blouin Artinfo, December Mason, Shana Beth, «Miami Nice?

The project aims to explain to the viewer how art investigates and comments on the processes of everyday interactions between people and the world, how contemporary art practices interpret the current condition of disappearing transitions from object to subject, from nature and culture to conceptions of the world as a collective process.

Gema Álava's work will be exhibited in collective exhibitions during the II WORLD SUMMIT OF THE ARTS, from March to June, in the House of Culture of Quito and in the Archaeological Museum of Cochasquí, Ecuador.

Collective Memories: Selections from The Amistad Center for Art & Culture April 22, 2012 - September 23, 2012 There are docent - led tours of Collective Memories on Saturdays and Sundays at 2:30 pm now through September 23.

From 11 February, the Musée d'Art Moderne da la Ville de Paris / ARC presents Haute Culture, a retrospective devoted to the work of the Canadian collective General Idea.

Curated by her son, Ian Campbell, each artist has been pulled from Ian's creative network to not only share their work, but represent themselves as an extension of the collective community produced through creative culture.

Whether from Chicago to Moscow or Los Angeles to Manchester, mass media has opened the possibility for collective simultaneous experiences and a shared (but dissonant) global culture, consequently flattening cultural differences to a homogenous field.

Knight Foundation January 21 - April 8, 2018 - Solo Show The Unavoidable Twilight - AIRIE Nest Gallery - Everglades National Park October 18, 2017 - January 8, 2018 - Solo Show Mythology & Site - Deering Estate - Miami November 19, 2017 - January 5, 2018 - Group Show SIXTH - curated by Jane Hart Bridge Red Studios / Project Space November 30, 2017 - Four Women Show The Reform of Consciousness - curated by Nina Surel Collective 62 October - November 2017 - Artist Residency - Crandon Park September 8 - October 22, 2018 - Group Show Dual Frequency South Florida Cultural Consortium - Art and Culture Center of Hollywood June 28 - Open Studios Fountainhead Studios June - September 2017 - Two of my drawings are featured in the Perez Art Museum's Inside / Out Public Art Program, which brings reproductions of artworks from their collection into Miami neighborhoods.

Garet's pieces, whether conceptual in origin or stemming from his investigation of complex systems and algorithmic translations, are informed by the background noise established not only by mass media culture but also by the collective experience of the world that surrounds him.

This one is for the youth: Fulton County Department of Arts & Culture is offering a month - long summer program, from July 9 to August 3, 2012, for students interested in collaborating on a collective art project.

Both artists appropriated imagery from popular culture and the collective imagination for their work as well.

Art Club 2000, a collective started in 1992 by art dealer Colin de Land and a handful of Cooper Union students, took a more subversive approach to culture's consumeristic attitudes, posing in group shots dressed entirely in clothes from the Gap, mocking both the retail chain's pervasiveness and the willful homogeneity of the retail chain's shoppers.

This exhibition, a curatorial project researched and developed by CAUSA (Collective for Advanced and Unified Studies in the Visual Arts), will address the work of these artists from both cross-cultural and interdisciplinary perspectives — specifically examining their respective contributions to the visual culture of Vancouver during the period 1941 to 1971.

«We'll Make Out Better than Okay,» The Charlotte Street Foundation la Esquina Gallery, Kansas City, MO, October 25 — December 20, 2013 «Etched in Collective History,» Birmingham Museum of Art, Birmingham, AL, August 18 — November 17, 2013 «The Spirit of Utopia,» Whitechapel Art Gallery, London, UK, July 4 — September 5, 2013 «Labour and Wait,» Santa Barbara Museum of Art, Santa Barbara, CA, July 2 — September 22, 2013; catalogue «Sculpture in the Close,» Jesus College, Cambridge, MA, June 24 — September 22, 2013 «BNKUDRWTR,» Art Basel Unlimited 2013, Basel, Switzerland, June 13 — 16, 2013 «Transforming the Known: Works from The Bert Kreuk Collection,» Gemeente Museum, The Hague, Netherlands, June 8 — September 24, 2013; catalogue «Prima Materia,» Punta della Dogana, Venice, Italy, May 30, 2013 — February 15, 2015; catalogue «Do It,» curated by Hans Ulrich Obrist, organized by Independent Curators International (ICI), Socrates Sculpture Park, New York, NY, May 12 — July 7, 2013; traveled to Gund Gallery at Kenyon College, Gambier, OH, May 12 — August 25, 2013; tranzit, Budapest, Hungary, May 17 — May 19, 2013; MU artspace, Eindhoven, Netherlands, May 17 — July 19, 2013; Manchester Art Gallery, Manchester, UK, July 5 — September 22, 2013; Samek Art Gallery, Lewisburg, PA, September 23 — December 12, 2013; Handwerker Gallery, Ithaca, NY, September 30 — November 1, 2013; Stacion — Center for Contemporary Art Prishtina, Prishtina, Kosovo, November 15, 2013 — January 14, 2014; Utah Museum of Contemporary Art, Salt Lake City, UT, January 17 — May 31, 2014; Musée de la danse, Rennes, France, April 1 — May 17, 2014; Garage Center for Contemporary Culture, Moscow, Russia, May 1 — July 6, 2014; The Episcopal Academy, Newtown Square, PA, September 3, 2014 — April 3, 2015; Michaelis School of Fine Art, University of Capt Town, Cape Town, South Africa, September 4 — 13, 2014; The Galleries at Moore College of Art & Design, Philadelphia, PA, September 13 — December 6, 2014; Denler Art Gallery, Saint Paul, MN, October 16 — November 13, 2014; Anne & Gordon Samstag Museum of Art, Adelaide, Australia, February 13 — April 24, 2015; KKW Kunst Kraft Werk, Leipzig, Germany, May 22 — July 9, 2015; Napa Valley Museum, Yountville, CA, June 19 — August 30, 2015; Kunsthal Rotterdam, Rotterdam, Netherlands, July 4 — August 30, 2015; Numu — El Nuevo Museo de Arte Contemporáneo, Guatemala City, Guatemala, August 8 — October 18, 2015; Kunsthal Aarhus, Aarhus, Denmark, October 2 — November 29, 2015; Bowling Green State University, Bowling Green, OH, October 21 — November 19, 2015; Tallina Kunstihoone, Tallinn, Estonia, November 24, 2015 — January 10, 2016; Verge Center for the Arts, Sacramento, CA, January 9 — March 20, 2016; Galerie de l'UQAM, Montréal, Québec, Canada, January 14 — February 20, 2016; Galerija Umjetnina, Split, Croatia, January 30 — December 31, 2016; Frac des pays de la Loire / HAB Galerie, Nantes, France, February 5 — April 17, 2016; Art Museum of the University of Memphis, Memphis, TN, March 1 — May 10, 2016; Blue Star Contemporary, San Antonio, TX, March 3 — May 8, 2016; Ulrich Museum of Art, Wichita, KS, April 23 — August 28, 2016; Montclair Art Museum, Montclair, NJ, September 9, 2016 — January 1, 2017; catalogue

Incorporating works from many participants in their own online community, the New York — based collective DIS has mounted a Berlin Biennale that simultaneously exploits and critiques trendy digital strategies for marketing culture.

The symposium is developed from Butt's research on post-punk culture and British art schools and focuses on collective creation across art, music, and performance, between the heyday of the Polytechnic until today.