Sentences with phrase «from documenta»

Our favorite installation from Documenta 2017 is Marta Minujin's The Parthenon of Books in Kassel.

Our favorite installation from Documenta 2017 is Marta Minujin ’s

Reactivation of the Installation from Documenta IX, 1992 Variable dimensions sheets of glass, ventilator, chicken legs, cloth, duvet, pillows, Venetian blinds, carved wood, feathers, rope, test tubes...

Reactivation of the Installation from Documenta IX, 1992 Variable dimensions sheets of glass, ventilator, chicken legs, cloth, duvet, pillows, Venetian blinds, carved wood, feathers, rope, test tubes with pigment and tobacco, wall - drawing with pigment Collection of the artist photo: Christine Clinckx, M HKA

Besides archival material of Artists Museum from Documenta 5, in the last stage exhibition will present unrealized project Kunst in der Torte by Daniel Spoerri that originally suppose to be the part of documenta 1972.

The immersive installation comes from Documenta 13 and features video projections, sound, and shadow play via rotating cylinders painted with reverse Hindu and Western images.

That's because the artist Ryan Gander — whose breeze you may remember from Documenta 13 — hired two professional... Read More

He created the first iteration of Scaffold through a commission from Documenta 13 in Kassel, Germany, in 2012, the same year that the 150th anniversary of the Dakota execution was commemorated with a solemn horse journey from the Lower Brule Indian Reservation to the hanging site in Mankato.

This has resulted in another response from the documenta team, stating that claims do a disservice to their work by casting «a false shadow of criticism and scandal over documenta 14».

Kahn will present segments from her dOCUMENTA (13) project video, and together with Hwang, will host two public actions during the exhibition.

From Documenta 14.

Spencer Finch's light work Goldberg Variations, new paintings by Art & Language, Michael Rakowitz's What Dust Will Rise project from Documenta, a hanging sculpture by Richard Rezac, and other recent works buttress the exhibition's historical pieces...

Not exact matches

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Through presentations from artists and curators who participated in or visited dOCUMENTA (13), the evening will look at projects and reflect on their relationionship to social practice right now.

1977 Tokyo Gallery Exhibition, Tokyo Gallery, Tokyo, Japan Five Contemporary Artists Drawing and Watercolor, Kaneko Art Gallery, Tokyo, Japan Painting and Photography from 1980 to Today, Kunsthaus Zurich, Zurich, Switzerland Documenta 6, Kassel, Germany Drawings by Five Artists, Minami Gallery, Tokyo, Japan Forms Today Architecture and Sculpture, Tokyo Central Annex, Tokyo, Japan Contemporary Art in Japan Domestic Art and International Art, 5th Anniversary of Tochigi Prefectural Museum of Fine Arts, Tochigi Prefectural Museum of Fine Arts, Japan Artists Today»77 The Richness of Painting, Yokohama Civic Art Gallery, Kanagawa, Japan The 10th Japan Art Festival, Nihonbashi Takashimaya Department Store, Tokyo, Japan

In addition to an internationally oriented program of exhibitions and presentations of artists from Berlin and other German cities, KW regularly cooperates with various partners, including the Venice Biennale (Club Berlin, 1995) and documenta X (Hybrid Workspace, 1997).

Curated by Okwui Enwezor — who has a Documenta under his belt and is currently the director at Munich's Haus der Kunst — «All the World's Futures» comprises 136 artists from 53 countries.

There has been little new to see in Europe from Cady Noland since her remarkable contribution to Documenta IX in 1992.

The work stems from 1992: a pivotal year that saw Richter's breakthrough retrospective at the Tate Gallery, London and his landmark exhibition at Documenta IX.

Found within documenta's title «Learning from Athens», the two organisations agreed for EMST to become the main venue of documenta in Athens and the Museum to exhibit part of its collection to Fridericianum in Kassel.

Plus: Ei Arakawa work stolen from Skulptur Projekte Münster Mass resignations at Boulder Museum of Contemporary Art Kassel to build permanent Documenta institute and Sylvie Patry to return to Musée d'Orsay

For the 14th Istanbul Biennial, in keeping with her Documenta strategy of hiring agents to advise on the show — she will draft the exhibition with help from various artists, curators and others: «seeking the artistic advice of Cevdet Erek, the intellectual rigor of Griselda Pollock, the sensitivity of Pierre Huyghe, the curatorial imagination of Chus Martinez, the mindfulness of Marcos Lutyens, the acute gaze of Füsun Onur, the political philosophies of Anna Boghiguian, the youthful enthusiasm of Arlette Quynh - Anh Tran, the wise uncertainties of William Kentridge and manifold qualities and agencies to come as the process develops».

Haris Epaminonda: Antidoron - works from the EMST Collection as part of documenta 14 (Group Show), Fridericianum, Kassel

His contribution to Documenta 14, the prestigious international exhibition in Kassel, Germany — and this year also in Athens — is the slyly subversive «Whispering Campaign,» featuring performers who walk the streets of both cities, confiding in strangers the artist's elliptical yet biting aphorisms about race and color from his word - based «Skin Set» drawings.

Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.

Juxtaposing installation photographs, catalog essays, and contemporary press accounts, this book documents and analyzes twenty - five exhibitions from 1962 through 2002: Dylaby, New Realists, Primary Structures, Arte Povera + Azioni Povere, January 5 - 31, 1969, When Attitudes Become Form, 557,087, Information, Sonsbeek 71, Documenta 5, The Bulldozer Exhibition, The Times Square Show, A New Spirit in Painting, Les Immatériaux, Chambres d'Amis, Second Havana Biennial, Freeze, China / Avant - Garde, Magiciens de la Terre, Places with a Past, 1993 Whitney Biennial, Traffic, Cities on the Move, 24th Sao Paulo Biennial, and Documenta 11.

Debuting to international acclaim at Germany's documenta 13 in 2012, The Refusal of Time originated from Kentridge's ongoing conversation with Peter L. Galison, a professor of the history of science at Harvard University, whose research into the work of Albert Einstein and 19th century French mathematicians informed Galison of the concept that lived time is relative rather than universally fixed.

Linda Taylor looks at the confluence of contradictions in the work of the Guatemala - born artist Georgia Sagri Fresh from a demonstration / declaration / breathing chorus plus presentation of sculptures at Documenta in Athens and Kassel simultaneously, in which orgasm was the organising principal, the New York - and Athens - based artist talks to Ross Simonini

Born in 1940 in Genoa, Paolini's first solo exhibition was held at La Salita, Rome 1964, at the invitation of Germano Celant he exhibited in a series of Arte Povera exhibitions from 1967 - 1972 and was included in dOCUMENTA, Kassel in 1972, 77, 82, and 1992.

teaching (he taught at the well - known Städelschule from 1975 to 2002), and through his participation in international exhibitions (Documenta 3, 6 and 13, the 50th Venice Biennial, etc.).

Again, the volume's uncanny foresight was born from its all - star lineup of global nominators, which counted among its experts two future dOCUMENTA curators, the two future Venice Biennale curators, and the heads of the Serpentine Galleries, the Stedelijk, the Studio Museum in Harlem, the Ullens Center for Contemporary Art, and other far - flung luminaries.

Spanning 1962 - 2002, 25 exhibitions that have contributed to shifts in modes of perception, presentation and the practice of art have been selected for investigation, from Dylaby at the Stedelijk Museum in 1962, featuring work by Robert Rauschenberg, Niki de Saint Phalle and others, to Documenta 11 in 2002, curated by Okwui Enwezor and a team of co-curators.

Working independently from the Hi Red Center group, Takamatsu went on to represent Japan at the 1968 Venice Biennale and to exhibit at the 1969 Biennale de Paris and at Documenta 6 in Kassel, West Germany, in 1977.

Her work has also been featured in such international surveys as the Biennale of Sydney (1976); Documenta 6, Kassel, Germany (1977); the Venice Biennale (1978, 1980, 2001), and more recently The Last Freedom: From the Pioneers of Land Art of the 1960s to Nature in Cyberspace, Ludwig Museum, Koblenz, Germany (October 16, 2011); Systems, Actions & Processes: 1965 - 1975, PROA Foundation, Buenos Aires (through September, 2011); Erre: Variations Labyrinthiques, Centre Pompidou, Metz (September 12, 2011 - March 5, 2012); and Light Years: Conceptual Art and the Photograph: 1964 - 1977, Art Institute of Chicago (December 11, 2011 — March 11, 2012).

I looked at projects such as Dan's 2003 Istanbul Biennial, Okwui Enwezor's Documenta 11, Carolyn Christov - Bakargiev's Documenta 13, and the São Paulo biennale from 1998.

Over the past five years, the artist's large sculptures, often built from repurposed materials found in blighted urban neighborhoods, have featured in a rash of major surveys that gather the world's most progressive work — 2010's Whitney Biennial, 2013's dOCUMENTA, and 2015's Venice Biennale.

Plus: The Met receives $ 80m gift from the Irving family City of Kassel will cover Documenta's financial deficit Darsie Alexander is appointed chief curator of the Jewish Museum and Art for Justice makes its first round of grants

Oldenburg's contribution to Documenta V was The Mouse Museum (1977), an archive of tchotchkes and industrial samples sourced from the wholesalers of New York's East Village.

From the mid-1960s until Ossorio's death in 1990, his work was included in numerous exhibitions in the United States and abroad, including Documenta III in Kassel, Germany (1964); Contemporary American Sculpture at the Whitney Museum of American Art, New York (1966); Dada, Surrealism, and their Heritage, atraveling exhibition organized by the Museum of Modern Art in New York (1968); 30 Years of American Art at the Whitney Museum (1977); and Alfonso Ossorio 1940 - 1980 at the Guild Hall Museum in East Hampton (1980).

The BAFC participating in British survey exhibitions such as «From Two Worlds» in Whitechapel Gallery (1986), The British Art Show in Hayward Gallery (1990), as well as international exhibitions such as Documenta X (1997) and Documenta XI (2002).

Apart from the rhetorics of the European and Western debt towards Greek culture, it is time to see what is really happening and move away from political clichés, because this time again Documenta seems to be too influential for something, and too irrelevant for other things.

The international recognition accorded to his abstract - gestural canvases from this creative period is also reflected in his three appearances at documenta: I (1955), II (1959) and III (1964).

The Documenta show in Germany this year included many historic works, ranging from ancient stone figures to still lives by the 20th - century Italian painter Giorgio Morandi.

Since then Portnoy has refined his work to an audience - unnerving discipline of what he calls «Relational Stalinism» — a critique of the idea that art is always a democratic, liberalizing force and not a totalitarian tool — and become a favorite of the curatorial elite, appearing in dOCUMENTA 13, the Taipei Biennial, the Baltic Triennial, and shows from the Kitchen to KW Berlin.

Responding to a series of significant commissions from museums and organizations including Whitechapel Gallery, London (2009); the Zachęta National Gallery of Art, Warsaw (2011); the Walker Art Center, Minneapolis, MN (2011); and dOCUMENTA (13), Kassel, Germany (2012), Macuga evolved a practice in which she delves deep into archives to unearth the politics, peculiarities, and overlooked histories of the institutions where her work is shown.

This concept began with Attia's work The Repair from Occident to Extra Occidental Cultures (2012), presented at the international art survey dOCUMENTA (13), Kassel, Germany.

Chosen to exhibit in the British Pavilion at the Venice Biennial in 1952, 1954, 1960, 1964 and 1968, and at the documenta in 1959, 1964, 1968, 1977 and decorated with a Knighthood in 1989, following his appointment as Her Majesty's Sculptor in Ordinary for Scotland, Paolozzi received many national and international accolades; his works are collected in international institutions from the Tate in London to Berlin's Nationalgalerie, to the Museum of Modern Art in New York.

I want to start from here, and from my personal answer (through others» words) to a question that posed us all when Adam Szymczyk chose Learning from Athens as working title for this Documenta 14: What is the legacy of this Documenta 14, and what will be of Athens after all these days?

Douglas Gordon: I had nowhere to go, 2016, digital video transferred from Super 8 film and video, installation view, Municipal Cinema Stella, Athens © Douglas Gordon / VG Bild - Kunst, Bonn 2017, documenta 14, photo: Stathis Mamalakis

In its accumulative nature and its presentation of seemingly random objects, Shelf Lifedraws significant inspiration from a number of Oldenburg's most iconic exhibitions, particularly The Mouse Museumoriginally created for documenta 5 (1972) and the pioneering Pop art exhibition The Store (1961).