Sentences with phrase «from groundhog day»

We suffer from Groundhog Day here, too.
From Groundhog Day to Cheese Rolling, there is no doubt that we humans have some rather... eclectic ways of doing things.
From Groundhog Day to recent releases like Before I Fall, the idea of having someone relive events has become somewhat of a trend lately.

Not exact matches

So in the end we'd end up hiring the coach from Florida Gulf Coast or whatever and starting this Groundhog Day all over again.
It's not exactly «groundhog day» to go from «you might not get fourth» to «if they play like this next season they'll win the PL».
That is because fans are now weary and accustomed to our club ALWAYS coming up short, fans are tired of the feeling of groundhog day you get with Arsenal... from the perpetual never ending injury nightmares, to the frustrations of losing games we have no business even drawing, to the inevitable underwhelming transfer dealings etc... if there is anything more frustrating it's fans who think their unbridled and borderline delusional belief in the club is enough to win us things, conveniently forgetting that in life you get what you put in and pure luck cam only take you so far....
We will as ever suffer from the same «groundhog day» scenario as always.
Picture this, we don't come out of the gate firing on all cylinders, Wenger speaks of how there wasn't enough time for the first - teamers to build chemistry, several key players aren't even playing because of Wenger's utterly ridiculous policy regarding players who played in the Confed Cup or the under21s and the boo - birds have returned in full flight... if these things were to happen, which is quite possible considering the Groundhog Day mentality of this club, how long do you think it will take for Wenger to recant his earlier statements regarding Europa... I would suggest that it's these sorts of comments from Wenger which are often his undoing... why would any manager worth his weight in salt make such a definitive statement before the season has even started... why would any manager who fashions himself an educated man make such pronouncements before even knowing what his starting 11 will be come Friday, let alone on September 1st... why would any manager who has a tenuous relationship with a great many supporters offer up such a potentially contentious talking point considering how many times his own words have come back to bite him in the ass... I think he does this because he doesn't care what you or I think, in fact he's more than slightly infuriated by the very idea of having to answer to the likes of you and me... that might have been acceptable during his formative years in charge, when the fans were rewarded with an scintillating brand of football and success felt like a forgone conclusion, but this new Wenger led team barely resembles that team of ore... whereas in times past we relished a few words from our seemingly cerebral manager, in recent times those words have been replaced by a myriad of excuses, a plethora of infuriating stories about who he could have signed but didn't and what can only be construed as outright fabrications... it's kind of funny that when we want some answers, like during the whole contract debacle of last season, we can't get an intelligent word out of him, but when we just what him to show his managerial acumen through his actions, we can't seem to get him to shut - up... I beg you to prove me wrong Arsene
There was already going to be protests from the Arsenal fans about how the club and the groundhog day of a season and the need for either Arsene Wenger to change his ways or be replaced.
But it was also of release from the «groundhog day» grind of Arsenal and the opportunity firstly to surf a tide of emotion from now until the end of the season when Wenger goes.
It was the decision from Wenger that ultimately cost his side a chance of winning the Premier League title as they see out the remainder of another Groundhog Day season.
But to those from the small town of Woodstock, Ill., Groundhog Day means much more than a rodent seeing his shadow.
From Feb. 1 - 4, you're invited to come celebrate Woodstock's Groundhog Days.
When Groundhog's Day arrives, Lila is indeed the first to wake up from her long winter's rest and is thrilled to learn the secrets the animals and the earth hold while some spend the dark months asleep.
«It's April Fool's Day, but it feels more like Groundhog Day, the movie,» said Sen. Joe Griffo, a Republican from Oneida County.
Each February for the past 125 years, Punxsutawney Phil — the Pennsylvanian groundhog long considered a living symbol of Groundhog Day — has sauntered from his burrow to cast a shadow on the weeks and montgroundhog long considered a living symbol of Groundhog Day — has sauntered from his burrow to cast a shadow on the weeks and montGroundhog Day — has sauntered from his burrow to cast a shadow on the weeks and months ahead.
On Groundhog Day we found out there's be six more weeks of winter, but that didn't stop me from showing off some cute transitional Spring outfits in the Dressing Room!
Does your love life feel like a scene from «Groundhog Day», that movie with Bill Murray... Where he keeps living the same day over and over until he finally gets it rigDay», that movie with Bill Murray... Where he keeps living the same day over and over until he finally gets it rigday over and over until he finally gets it right?
Best Original Score Come From Away, Music and Lyrics: Irene Sankoff and David Hein Dear Evan Hansen, Music and Lyrics: Benj Pasek & Justin Paul Groundhog Day, Music and Lyrics: Tim Minchin Natasha, Pierre & the Great Comet of 1812, Music and Lyrics: Dave Malloy
Best Book of a Musical Come From Away, Irene Sankoff and David Hein Dear Evan Hansen, Steven Levenson Groundhog Day, Danny Rubin Natasha, Pierre & the Great Comet of 1812, Dave Malloy
Best Direction of a Musical Christopher Ashley, Come From Away Rachel Chavkin, Natasha, Pierre & the Great Comet of 1812 Michael Greif, Dear Evan Hansen Matthew Warchus, Groundhog Day Jerry Zaks, Hello, Dolly!
Best Choreography Andy Blankenbuehler, Bandstand Peter Darling and Ellen Kane, Groundhog Day Kelly Devine, Come From Away Denis Jones, Holiday Inn Sam Pinkleton, Natasha, Pierre & the Great Comet of 1812
Suffice to say that Timecrimes has been compared to Back to the Future and Groundhog Day, but sharper - eyed viewers will find that Timecrimes has more in common with Back to the Future Part II and Retroactive, a lesser - known sci - fi entry dating from 1997 starring James Belushi (also recommended).
An action - oriented spin on the formula laid out in Groundhog Day, Edge of Tomorrow / Live Die Repeat is a cleverly written crowd - pleaser with two great performances from Tom Cruise and Emily Blunt.
Best Direction of a Musical Christopher Ashley, Come From Away Rachel Chavkin, Natasha, Pierre & The Great Comet of 1812 Michael Greif, Dear Evan Hansen Matthew Warchus, Groundhog Day The Musical Jerry Zaks, Hello, Dolly!
Best Choreography Andy Blankenbuehler, Bandstand Peter Darling and Ellen Kane, Groundhog Day The Musical Kelly Devine, Come From Away Denis Jones, Holiday Inn, The New Irving Berlin Musical Sam Pinkleton, Natasha, Pierre & The Great Comet of 1812
Best Book of a Musical Come From Away (Irene Sankoff and David Hein) Dear Evan Hansen (Steven Levenson) Groundhog Day The Musical (Danny Rubin) Natasha, Pierre & The Great Comet of 1812 (Dave Malloy)
Best Original Score (Music and / or Lyrics) Written for the Theatre Come From Away (Music and Lyrics: Irene Sankoff and David Hein) Dear Evan Hansen (Music and Lyrics: Benj Pasek and Justin Paul) Groundhog Day The Musical (Music and Lyrics: Tim Minchin) Natasha, Pierre & The Great Comet of 1812 (Music and Lyrics: Dave Malloy)
Best Musical Come From Away Dear Evan Hansen Groundhog Day The Musical Natasha, Pierre & The Great Comet of 1812
While I do enjoy the film, I find that Chevy Chase, Bill Murray, and writer / director Harold Ramis would all create stronger, more enduring works in the years to come, from the good Vacation movies and both Ghostbusters films all the way through Groundhog Day.
«Draft Day» is the new film from director Ivan Reitman («Ghostbusters,» «Groundhog Day») and it looks like a real winner.
Like a man trapped in a Groundhog Day loop of blood, strippers, and very mean looks, Robert Rodriguez has once again cast Danny Trejo in From Dusk Till Dawn.
Best Original Score: «Come From Away» — Music & Lyrics: Irene Sankoff and David Hein «Dear Evan Hansen» — Music & Lyrics: Benj Pasek & Justin Paul «Groundhog Day The Musical» — Music & Lyrics: Tim Minchin «Natasha, Pierre & The Great Comet of 1812» — Music & Lyrics: Dave Malloy
After his first feature appearance in Groundhog Day, Shannon's resume evolved to include an eclectic range of roles, appearing in everything from Pearl Harbour to Kangaroo Jack, and World Trade Centre to the upcoming Man of Steel.
February Xala (1975, Ousmane Sembène)-- 5.9 Toni Erdmann (2016, Maren Ade) DP — 8.0 + Groundhog Day (1993, Harold Ramis)-- 5.7 [up from 4.8] +20 th Century Women (2016, Mike Mills) DP — 7.0 [up from 6.9] Kaili Blues (2015, Bi Gan)-- 6.9 I Am Not Your Negro (2016, Raoul Peck) DP — 7.1 Lumumba (2000, Raoul Peck)-- 6.3 John Wick: Chapter 2 (2017, Chad Stahelski) DP — 7.0 The Story of Qiu Ju (1992, Zhang Yimou)-- 5.4 + Moonrise Kingdom (2012, Wes Anderson)-- 7.8 [up from 7.0] Elegy to the Visitor from the Revolution (2011, Lav Diaz)-- 5.3 Hill of Freedom (2014, Hong Sang - soo)-- 7.4 + Toni Erdmann (2016, Maren Ade) DP — 8.0 [same] The Lego Batman Movie (2017, Chris McKay) DP — 5.9 Chocolat (1988, Claire Denis)-- 6.2 To Live (1994, Zhang Yimou)-- 7.3 Daughters of the Dust (1991, Julie Dash) DP — 6.2 + Inside Llewyn Davis (2013, Joel & Ethan Coen)-- 7.4 [same] The Mission (1999, Johnnie To)-- 7.1 The Terrorizers (1986, Edward Yang)-- 9.0 The Unspeakable Act (2012, Dan Sallitt)-- 6.8 The Mend (2014, John Magary)-- 6.8 The Son of Joseph (2016, Eugène Green) DP — 5.8 The Taking of Pelham One Two Three (1974, Joseph Sargent) 35 mm — 6.3 Charley Varrick (1973, Don Siegel) 35 mm — 6.5 Une femme coquette (1955, Jean - Luc Godard) Léolo (1992, Jean - Claude Lauzon)-- 3.0 Sexy Beast (2000, Jonathan Glazer) 35 mm — 6.2 Backyard Theatre (1973, no director credited) As You Are (2016, Miles Joris - Peyrafitte)-- 4.6 + Annie Hall (1977, Woody Allen)-- 7.9 [down from 8.2] Get Out (2017, Jordan Peele) DP — 6.3 A Cure for Wellness (2016, Gore Verbinski) DP — 6.2 Akira (1988, Katsuhiro Otomo) DP — 6.8 + Get Out (2017, Jordan Peele) DP — 6.6 [up from 6.3] To Each His Own Cinema (2007, Zhang Yimou) Kanehsatake: 270 Years of Resistance (1993, Alanis Obomsawin)-- 4.9
Though it borrows heavily from Groundhog's Day, Back to the Future, Just Friends, and even About Time...
And with Dear Evan Hansen doing good business at the Music Box Theater, the show was destined to be a dominant presence at the 71st annual Tony Awards — despite considerable competition from Natasha, Pierre & the Great Comet of 1812, which got 12 nominations, and the popular Come From Away and Groundhog from Natasha, Pierre & the Great Comet of 1812, which got 12 nominations, and the popular Come From Away and Groundhog From Away and Groundhog Day.
Best Original Score Written for the Theatre: Come From Away, Irene Sankoff and David Hein Dear Evan Hansen, Benj Pasek and Justin Paul — WINNER Groundhog Day The Musical, Tim Minchin Natasha, Pierre & The Great Comet of 1912, Dave Malloy
Jr. and Cynthia Erivo, both winners in 2016, as well as the casts of the musicals Bandstand, Come From Away, Dear Evan Hansen, Falsettos, Groundhog Day, Hello, Dolly!
Best Direction of a Musical: Christopher Ashley, Come From Away — WINNER Rachel Chavkin, Natasha, Pierre & The Great Comet of 1812 Michael Greif, Dear Evan Hansen Matthew Warchus, Groundhog Day The Musical Jerry Zaks, Hello, Dolly!
Best Book of a Musical: Come From Away, Irene Sankoff and David Hein Dear Evan Hansen, Steven Levenson — WINNER Groundhog Day The Musical, Danny Rubin Natasha, Pierre & The Great Comet of 1912, Dave Malloy
Also their table guests were the Chicago - born actress Virginia Madsen, a 2004 Oscar nominee for «Sideways,» and her mother Elaine, a former Chicago film critic, and two directors from Chicago: Andrew Davis, whose father Nate was a legendary actor on Chicago stages, who won the DGA award in 1994 for «The Fugitive,» and director Harold Ramis, a Second City veteran, whose «Groundhog Day» (1993) is in Ebert's series of «Great Movies» reviews.
Its DNA is familiar, to some extent, taking the conceit of «Groundhog Day» and layering it on to a sci - fi war picture, with a overwhelming hint of World War II (the film centers around a D - Day style invasion of alien - occupied Europe from the U.K.).
Coming off Saturday Night Live, a string of actors have strived to follow in the footsteps of Bill Murray, who can effortlessly leap from quirky comedies like Groundhog Day to tender dramas like Lost In Translationor Broken Flowers.
Think of «Groundhog Day» morphing from comedy to Science - Fiction and you'll get an idea of the amazing stuff waiting for you in «Edge Of Tomorrow», an incredibly entertaining summer movie from director Doug Liman that is potent enough to make us stop ID» ing him as «that guy from The Bourne Identity».
Danny Rubin, co-writer of Groundhog Day, deconstructs the unconventional romantic comedy's progression from script to screen and reminisces on his unique collaboration with the legendary Harold Ramis.
You wouldn't think that a film about a guy experiencing the same eight minutes over and over again would be very interesting (even «Groundhog Day» took place over the course of a day), but Jones manages to prevent the loop from feeling monotonous by making every trip into the Source Code uniqDay» took place over the course of a day), but Jones manages to prevent the loop from feeling monotonous by making every trip into the Source Code uniqday), but Jones manages to prevent the loop from feeling monotonous by making every trip into the Source Code unique.
From «Labor Day» to «Groundhog Day» and «Chinese New Year» to «Earth Day,» annual holidays and special days are highlighted in the 27 fascinating crossword puzzles found in this book.
The start of the Tennessee legislative session sometimes feels like the movie Groundhog Day, with voucher proponents bringing legislation every year to shift public dollars away from public school budgets and toward private schools.
Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, and even the movie Groundhog Day, he describes the many varieties of «non-reading» and the horribly sticky social situations that might confront us, and then offers his advice on what to do.
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