Sentences with phrase «from human imagination»

Both man - made concepts originating from human imagination so similar in that regard; less people die for «art» though.

The stand is a beautiful gift from Human imagination.

Myth therefore employs subjective means derived from the human imagination to describe a reality which utterly transcends consciousness, and which possesses an objective validity in its own right, quite apart from its effects on the disciples and witnesses.

He feels thoroughly satisfied with a religious attitude derived from the human imagination because he believes that all men everywhere are naturally good.

Not exact matches

A holder of more than 600 U.S. patents and one of the world's most prolific living inventors shares his perspective on the history of innovation, with a special look at Chinese artifacts from his personally curated Library of the History of Human Imagination.

What captures Jones's theological imagination is Calvin's riveting descriptions of sin's power to assault a human being «from the outside in,» co-opting the self's resources and eventually destroying the self's integrity.

Human imagination as a whole provides the particular idiomatic and narrative construction of a congregation; its members communicate by a code derived from the totality of forms and stories by which societies cohere.

The human imagination, battered and torn by our fears and limitations, comes from a God who asks us to see ourselves and our world in a new way.

Cf. the manuscripts «Reality as History» (1935) and the so - called B - manuscript, the second unpublished conclusion to IN; the articles «The Historical Imagination» (1936) and «Human Nature and Human History» (1936) and different sections from IN and IH.

Kirk, on the other hand, learned from Irving Babbitt and Paul Elmer More to regard imagination as the essential human quality.

Without imagination there is no self - transcendence, but it is far from being a self - justifying exercise of the human personality unless harnessed to the realm from which it begins its airy journeys into the beyond.

The exceptional powers of sympathetic imagination and of literary expression possessed by this evangelist make his work the most effective of all as a human and, so to speak, secular approach to the «Jesus of History,» but it does not lie on the main classical line of development from the apostolic Preaching.

My own lecture was titled «The Right to Belong Where I Come From,» and dealt with the importance of home in the human imagination, the struggle against placelessness in modern culture, and the cultural forces that come to bear on the human consciousness to weaken attachments between person and home place.

But even more daunting, his own productivity and protean creativity so defy the imagination that one might almost sympathize with the Shakespeare «deniers if the candidates put forward in his stead were not themselves such pathetic blue «blood epicenes» not to mention the fact that the achievement would still remain inexplicable coming from any human being, whatever the color of his blood.

Does the order of the timeless universe and your part in it reflective of the unfathomable Mind which makes and sustains it in ways human mentation can not perceive have any relevance to you or are you so bland and blah, so gray in your imagination that you are blocked by your senses from seeing and knowing the real nature of the present and the beyond which are One?

Richard Viladesau tries to break away from this philosophical impasse by proposing a fundamental theology of the human imagination based on the Logos, the Son of God as Creator.

From what we have already said about prayer, it is clear that the prayer - situation is one which is supremely relevant to the fulfillment of the highest human potentiality (e.g., envisaging of ideal possibilities) and which calls for the exercise of the distinctively human capacities (e.g., imagination, reflection, deep feeling).

Though the roots of this attitude can be found in ancient mythic and religious forms of thought, in the past three centuries the estrangement of human subjects from the natural world in turn has been built up in our imaginations under the influence of certain types of scientific epistemology and cosmology.

A fertilized egg is not a «human life» but not a surprise from someone that makes claims of the supernatural based on their imagination.

As far as the fantasy half - human / half - god (or other «spirit»); those tales are from the fertile human imagination, like fire - breathing dragons, centaurs, boogeymen and numerous other flights of fancy, without a scintilla of evidence of fact.

These glosses called into question the creation of the world in time, the role of the senses and the imagination in human knowing, the individuality (and personal responsibility) of the human intellect and will, the immortality of the human composite of body and soul, the role of divine Providence, the simple standard of one truth governing both theology and philosophy, and other foundations of both Catholic faith and empirical (as distinct from gnostic) reason.

The vivid imagination and the sharp observation of men and nature that marked his mind; his acquaintance with common speech and his joy in the use of proverbs; indeed, his capacity to express in creative speaking with a skill that only a poet and genius possesses the whole range of human emotions from awe in the presence of the numinous to the feelings of the body — all are reflected in his sermons (as also in the commentaries, his work of the lecture room), not consistently, of course, and not every time, yet most impressively in the Church Postil Sermons, one of the products of his exile on Wartburg Castle, written in order to furnish to the preachers of the Reformation examples of Biblical preaching.

While some frown on this aversion to the fantastical, concerned that it discourages children from being imaginative, I would argue that play food endowed with human characteristics, forces the adult's imagination on the child.

Demonstrating that «art is the expression of human creative skill and imagination,» the First Lady explained that «from masters like Michaelango, Leonardo da Vinci, Picasso, Rembrandt to our own Amon Kotei, Ablade Glover, Betty Acquah, Kate Badoe, Victor Butler, Atta Kwami, Larry Otoo, El Anatsui, artists have given us a window of our world that is both pleasurable and intriguing.»

The answers, according to Fox, will come from not only an examination of the science but also the culture of Mars and its place in the human imagination.

That's just one revelation from journalist Jonah Lehrer's latest venture into the human mind, which explores both the science of imagination and the ingenuity - boosting policies of today's most innovative companies.

From capturing wind and wave energy off our shores to harnessing human energy from the floors of Grand Central Terminal or tapping heat under the earth's crust, there are exciting developments on the outer reaches of our imaginatFrom capturing wind and wave energy off our shores to harnessing human energy from the floors of Grand Central Terminal or tapping heat under the earth's crust, there are exciting developments on the outer reaches of our imaginatfrom the floors of Grand Central Terminal or tapping heat under the earth's crust, there are exciting developments on the outer reaches of our imagination.

From the psychology and neuroscience around play, creativity, dreaming and sleep, we can as easily derive a picture of human cognition that doesn't recoil from the buzzing, blooming demands of everyday life, but exults in using imagination, stories, abstraction and metaphor to comprehend the woFrom the psychology and neuroscience around play, creativity, dreaming and sleep, we can as easily derive a picture of human cognition that doesn't recoil from the buzzing, blooming demands of everyday life, but exults in using imagination, stories, abstraction and metaphor to comprehend the wofrom the buzzing, blooming demands of everyday life, but exults in using imagination, stories, abstraction and metaphor to comprehend the world.

Rather, it emerged from the imagination of novelist Allegra Goodman, whose recent book, Intuition, may scant the details of inks used in lab notebooks and the appropriateness of statistical measures but probes instead the far more complex and mysterious domain of the human mind and heart.

Ever since scientists realized that humans evolved from a succession of primate ancestors, the public imagination has been focused on the inflection point when those ancestors switched from ape - like shuffling to walking upright as we do today.

From one of the world's most acclaimed comic filmmakers comes an unexpected and unforgettable fable about the power of laughter to move the human heart and the power of the imagination to bolster...

Everyone from Edgar Allan Poe and Oscar Wilde to Rodney Dangerfield and Iggy Pop are framed in a shrine to human imagination that at this point in time Adam is lamenting the «zombies» have lost.

Dir Clive Barker (Andrew Robinson, Clare Higgins, Sean Chapman, Doug Bradley) From the disturbed imagination of gifted British fabulist Clive Barker comes a Faustian pact with a difference, involving a mysterious puzzle - box, a painful rebirth and the diet of human flesh needed to put the skin back on the flayed muscle of jaded sensualist Frank's resurrected body.

A lifeguard (Justin Timberlake) tells us a story that just might be filtered through his vivid imagination: a middle - aged carousel operator (James Belushi) and his beleaguered wife (Kate Winslet), who eke out a living on the boardwalk, are visited by his estranged daughter (Juno Temple)-- a situation from which layer upon layer of all - too - human complications develop.

It takes little imagination to see how these assumptions have guided most realms of human affairs, from policy making to media portrayals of social life.

People often tell children to use their imagination when approaching a task, which comes from the understanding that imagination is a kind of hotbed of potential for learning and creativity in humans.

And if I talk about art, then I guess any person, also you should get that I take this word to bring up my admiration for the work of HP and his partners, believing that this kind of automobile is not far way from a expression of human creativity and imagination, producing a work to be appreciated for beauty and emotional power.

From the ancient mythology of Rome's founding brothers Romulus and Remus, to the adventures of Mowgli in Rudyard Kipling's The Jungle Book and the keen animal perspective in Jack London's classics The Call of the Wild and White Fang, both positive and negative aspects of human nature have been called into question with fascinating imagination.

Missions to Mars - from the past, present, and also some ambitious projects for the future - sparked our imagination about what it would be like to be the first human on Mars.

Ghosts and gods, monsters and maenads, carry Essenhigh's portrayal of the 21st - century human from her brush into the viewer's imagination.

Mr. Faragasso is the author of the well - known and often referenced books, The Student's Guide To Painting and Mastering Drawing the Human Figure from Life, Memory, Imagination.

More recently Cindy Sherman has constructed scenes and photographs showing herself as characters from the grotesque and horror imagination, surrounded by discarded food, human body parts and rubbish.

Lauded painter Lynette Yiadom - Boakye assembles images from scrapbooks, drawings, and her imagination into lush compositions of human figures.

Pozanti expounds on the ideas and themes that motivated 63 (Average number of days it takes to break a bad habit): the effects of technology on humans, culture and the environment, our current transition from a knowledge age to an imagination age, verification of online information, inventing a new alphabet, and envisioning new futures.

With Jurassic Paint, Barsch and Hornig invite the participants to combine painting as a «creative act of the imagination» with the construction of the dinosaurs, whose likeness «emerges from fanciful and narrative processes of the human and scientific mind».

Drawn from life, memory, imagination, or from sources such as films, books, newspapers and magazines, the works in the exhibition reveal a variety of human presences and traces of activity.

Shonibare draws on surrealism as both an artistic and political movement aimed at the liberation of the human being from the constraints of capitalism, the state, and the cultural forces that limit the reign of the imagination.

From totemic wooden sculptures to frank drawings of himself and his wife that expose the vulnerability of the human form, echoes of German Renaissance art haunt the dark forest of this demonic imagination.

Sarah Jaffe Turnbull is a very talented ceramicist and sculptor from Bridgehampton, NY whose figurative pieces and vessels reflect a Japanese aesthetic and palette, and also convey an affinity for the human condition and imagination.

1996 Human Technology, Revolution, Detroit, USA Art in Chicago 1945 - 1995, Museum of Contemporary Art, Chicago, USA Video Sans Titre, Galerie Froment & Putman, Paris, France Selections from the Moral Imagination, Plug In, Winnipeg, Canada Second sight: Printmaking in Chicago 1935 — 1995, Block Gallery, Northwestern University, Evanston, USA Elbow Room, Art Chicago 1996, Chicago, USA Dark Planet, Terrain, San Francisco, USA Untitled, Gallery 312, Chicago, USA Push Pause, Randolph Street Gallery, Chicago and Miami Warehouse Project, Miami, USA