Sentences with phrase «from nocturne»

True to the company's philanthropic roots, 15 percent of total sales from the four - week cameo appearance will go to charities ONEXONE and the H2O Africa Foundation.According to a press release, Edun drew its inspiration from Nocturne, «a musical composition inspired by, or evocative of, the night.»

Gameplay is fun and has the core SMT elements (demon summoning & fusing, conversation, and the press - turn from Nocturne) but feels more reliant on luck than previous games due to the lack of a real defense stat other than your Max HP.

Visuals are nice for the 3DS but the 3D effect is weak and feels forced at times (honestly, it feels like Nintendo is the only developer who really knows how to use the 3D effect well) and overall the visuals feel like a small step down from Nocturne.

The combat system from Nocturne was reused although demon recruitment was no longer an aspect of play.

5 on the other hand, takes its cues from Nocturne and Digital Devil Saga (on the SMT spectrum) on making the final (or semi-final) sections an absolute chore.

I paired it with a necklace Adrian gifted me from Nocturne (it's now on sale at Intermix for an additional 40 % off an already low price... wow) and gold flats.

I completed the look with statement feather earrings from Nocturne Studio.

I also went with a round straw bag to keep with the nature - y vibe of the outfit, as well as a big feather necklace from Nocturne Studio.

The rosé from Nocturne and red nebbiolo from Amato Vino, for example, both show the maritime region of Margaret River can produce brilliant examples of the variety.

Not exact matches

What I'm Wearing: Dress: Sammydress Jacket: Vintage thrifted from Housing Works (similar here) Boots: Nordstrom Rack Necklace: Nocturne Studio Bag: Etsy (similar here)

From 1932 to 1939, he was seen on Broadway in such productions as Nocturne and Our Town.

«Since this is the first title from the original SMT series in a decade, we tapped the best developers from many of Atlus» acclaimed projects including Nocturne, Strange Journey, Persona, and Soul Hackers to create a premium experience that lives up to our fans» and our own expectations.»

Starting in early 2017, the car will be offered with an «all - new» color pallet to choose from that includes colors like Hype White, Metropolis Grey, Skyline Blue, and Nocturne Black.

After a long development cycle, Nocturne marked a major departure from the franchise, introducing a third - person view (though a first - person mode could be unlocked outside of battles) and a new «Press Turn» system that is much closer to what the Persona battle system ended up becoming.

The artist behind characters from Shin Megami Tensei: Nocturne, Devil Summoner, most of the Persona games and Catherine will also be participating in fan Q&A s and signings.

Played from a first - person perspective, you can explore both the real region of Amami, and virtual city of Paradigm X, working through various dungeons as the story progresses, in a fashion reminiscent of more traditional Shin Megami Tensei titles such as Nocturne.

The previous numbered entry in the Shin Megami Tensei series was a departure for Atlus — Lucifer's Call (Nocturne in the US) was a far cry from the sprite - based dungeon - crawlers that lead to its creation.

A decade in the making, the development team boasts the creative talent of staff from such well - known games and series as Persona, SMT: Nocturne, Devil Summoner, Trauma Center, SMT: Strange Journey, Digital Devil Saga, and Soul Hackers.

In 2004 Shin Megami Tensei III: Nocturne was the first SMT game in North America, although «III» was removed from the PlayStation 2 title.

There are other games in which the music doesn't fit the game itself, such as the Nocturne track from the Sonic Chronicles: The Dark Brotherhood which disregards the tone of the game's events entirely.

Aside from the obvious technical overhaul since the SNES days, Nocturne introduced a landmark new feature that has since become a series staple: Press Turns.

From Indalecio, the final boss of Star Ocean: The Second Story, to the brutal surprise of Shin Megami Tensei: Nocturne's Matador fight, tough boss battles have a way of turning casual players into ser...

2013 Summer Group Show, Allegra LaViola Gallery, New York, NY curated by Allegra LaViola, Wendy Olsoff and Stephanie Roach A Family Affair: Selections from the Progressive Art Collection, FAC, Colorado Springs, CO Undertow 3, Sloan Fine Art, New York, NY curated by Alix Sloan Nocturnes, NAC Gallery, New York, NY curated by Michael Gormley

NORTH ADAMS, MASSACHUSETTS — From Rembrandt and The Night Watch to Georges de La Tour's candlelit scenes of the seventeenth century, James McNeill Whistler's woozy Nocturnes, Vincent van Gogh's dizzying Starry Night, and Edward Hopper's lonely Nighthawks, artists have sought to capture the mood of the night.

Ashley Bickerton's Nocturnes is a twisted and darkly humorous departure from previously more wholesome bodies of work.

Some Walls is pleased to present David Rhodes: «Nocturnes,» paintings on linen and paper by the British - born, Berlin - based artist from January 19 - March 31, 2013.

Nocturnes usually include landscapes and the technique has been employed by artists from the Baroque period of the early 17th century to the present.

The Paris Paintings at Nathalie Karg are richly dark works with ripples of white, blue, green, rust, and red running horizontally across their heavily worked surfaces; one exception — a mosaic - like patchwork of earth tones, dark greens, and reds from 1953 — provides a bridge to Held's approach after he returned to NewYork.As the debut works of a major American artist, Held's sensual, mysterious, and dynamic Parisian nocturnes are emblematic of the restlessness and audacity that would become hallmarks of his career.

Ostensibly an homage to Whistler's «Nocturnes,» Hodgkin's work flips back and forth between figuration and abstraction, as the bright, sumptuous lines and dark framing device hint at a distant seashore viewed from a shadowy interior.

Compositionally, the paintings range from compressed layers to airy patterns, such as Nocturne with Architectural Fragments (2014), with its layered structure of geometrical lines.

Four additional works from the artist's Nocturne series (1999) will also feature at Sophia Contemporary's booth at Frieze Masters Collections, a section of the fair featuring galleries selected by Sir Norman Rosenthal, from 6 — 9 October.

Atmos Sala Alcalá 31, Madrid (catalogue) Hemispheres and Continents Matthew Marks Gallery, New York 2012 All Things Pass Galerie Max Hetzler, Berlin (catalogue) Patricia Low Contemporary, Gstaad Fullmoon and Night + Fog Domaine de Chaumont - sur - Loire, Chaumont - sur - Loire 2011 Landscape with Path The High Line, New York Xippas, Montevideo L'Abbaye de la Chaise Dieu, Chaise Dieu Nocturne Villa Merkel, Esslingen (catalogue)... between here and the surface of the moon FRAC Auvergne, Clermont Ferrand; traveled to: FRAC Haute - Normandie, Sotteville - lès - Rouen 2010 As it is Alfonso Artiaco, Naples The Principle of Moments Whitecube, London Fullmoon@Eifel Weidingen, Eifel Matthew Marks Gallery, New York PKM Trinity Gallery, Seoul 2009 Sommer Gallery, Tel Aviv Xippas Gallery, Athens Sometimestill Galerie Max Hetzler, Berlin 2008 Nail to Nail David Patton, Los Angeles SCAI The Bathhouse, Tokyo In The Between Eye of Gyre, Omotesando Substitute Galleri K, Oslo Fire under snow Parasol unit, London (catalogue) Moons of the Iapetus Ocean White Cube, London (catalogue) 2007 Galleria Alfonso Artiaco, Naples Day Return Castle Ujazdowski — Center for Contemporary Art, Warsaw (catalogue) Night + Fog Galerie Max Hetzler, Berlin (catalogue) In the Between Musée d'art contemporain, Montreal SITE Santa Fe, Santa Fe Matthew Marks Gallery, New York 2006 Day Return Museum Folkwang, Essen (catalogue) Darren Almond and Janice Kerbel: Impossible Landscapes The Horticultural Society of New York, New York If I had you Domus Artium 2002 — Center for Contemporary Art, Salamanca Darren Almond / Albert Oehlen: Time 2 Kill Galerie Max Hetzler, Berlin 2005 Take Me Home Matthew Marks Gallery, New York Alfonso Artiaco, Naples Isolation K21 - Kunstsammmlung Nordrhein - Westfalen, Düsseldorf Only Sound Needs Echo and Dreads its Lack Galerie Chantal Crousel, Paris 2004 Live Sentence Lentos Kunstmuseum Linz, Linz (catalogue) If I Had You Galerie Max Hetzler, St. Johannes Evangelist Church, Berlin 2003 11 miles... from Safety White Cube, London (catalogue) If I Had You Fondazione Nicola Trussardi, Palazzo della Ragione, Milan Mine, A Galleri K, Oslo A Galerie Max Hetzler, Berlin Full Moon Sommer Contemporary Art, Tel - Aviv 2002 A National Theatre, London; Yorkshire Sculpture Park, commissioned by Public Art Development Trust, London at speed (with Sarah Morris) Galerie Max Hetzler, Berlin 2001 Coming up for air Matthew Marks Gallery, New York Kunsthalle Zürich, Zurich (catalogue) Night as Day Tate Britain, London (catalogue) De Appel Foundation - Center for Contemporary Art, Amsterdam Galerie Max Hetzler, E-Werk, Abspannwerk Buchhändlerhof, Berlin 2000 Mean Time Matthew Marks Gallery, New York Geisterbahn The Approach, London Traction Chisenhale Gallery, London 1999 Galerie Max Hetzler, Berlin The Renaissance Society, University of Chicago, Chicago 1997 ICA - Institute of Contemporary Arts, comissioned by Toshiba Art & Innovation, London Fan White Cube, London 1995 KN120 Great Western Studios, London 1991 Crawford Art College, Cork

This catalog includes three insightful essays discussing Remington's series of 70 nocturnes within the literary, historic, aesthetic, and technological context of his time, as well as large reproductions of these stunning paintings, excerpts from Remington's personal diaries and letters, and commentary from contemporary critics.

And as a departure from Wilner's self imposed representational parameters of the year, Making History: September 2009 made use of selections from musical scores to create a kind of soundtrack to the cinematic visuals of the rest of the year, a nocturne composed from the detritus of daily events.

For example, although the exhibition focuses exclusively on paintings from the last ten years, echoes of earlier works, such as those from the mid-1980s that pay homage to abstract artists Bridget Riley and Barnett Newman, can be seen in Rose Nocturne (2002) and Port of Saints (2007).

Delaney's work has consistently had a presence in gallery and museum group exhibitions; in recent years these have included: Blues for Smoke at the Museum of Contemporary Art, Los Angeles, CA, which traveled to the Whitney Museum of American Art, New York, NY, and Wexner Center for the Arts, Ohio State University, Columbus, OH (2012); Face Value: Portraiture in the Age of Abstraction at the National Portraiture Gallery, Smithsonian Institution, Washington, DC (2014); Glenn Ligon: Encounters and Collisions at the Nottingham Contemporary, Nottingham, England; In Profile: Portraits from the Permanent Collection at The Studio Museum in Harlem, New York, NY (2015); Night Visions: Nocturnes in American Art, 1860 - 1960 at the Bowdoin College Museum of Art, Brunswick, ME (2015); and I Got Rhythm: Art and Jazz since 1920, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany (2015).