Sentences with phrase «from queer culture»

Oct 26 - Nov 30 EZTV's «Hacking the Timeline v2.0»: An event driven series of five distinctly different evening programs ranging from Queer Culture to Digital Art to Neo-Riot Girl

Not exact matches

Indeed, the book outlines the full gamut of historical periods associated with different kinds of biopic subjects: the classical, celebratory form (melodrama); warts - and - all (melodrama / realism); transition from producer's genre to auteur's genre; critical investigation and atomisation of the subject; parody; culture based on consumerism and celebrity; minority appropriation (queer, feminist, African American, Third World, etc.); and neoclassical biopic, which integrates all of the above.

If you are genuinely curious to learn more about this, most of my knowledge and education on the subject is thanks to the work of Bani Amor, «a queer travel writer, photographer and activist from Brooklyn by way of Ecuador who explores diasporic identities, the decolonization of travel culture, and the intersections of race, place and power in their work.»

It draws upon zine culture from the same time period that helped establish radical queer communities, so now we see games about self - care, prison abolition, safe and consensual sex practices, and many topics we rarely see in epic games.

In this epilogue of «Committing the Perfect Crime: Sexuality, Assemblage and the Postmodern Turn in American Art» (2008) from Phaidon's «Art & Queer Culture,» Johnathan Katz examines the relationship between Rauschenberg's assemblage and homosexuality.

Recent publications explore the work of artists previously marginalised from art discourse and institutions including Otherwise: Imagining queer feminist art histories (Manchester, 2016); Seeing Differently: A History and Theory of Identification and the Visual Arts (Routledge, 2012); The Feminism and Visual Culture Reader (Routledge, new edition 2010); and Irrational Modernism: A Neurasthenic History of New York Dada (MIT, 2004); and numerous articles.

Drawing from the tradition of extreme craft — or the mixing of craft techniques like leather tooling, airbrushing, and stitching with art formats of sculpture, painting or drawing — Odom produces objects that aim to subvert gender roles and question how we stereotype queer culture.

Based on the premise that the cultures of role play, sexual play, and digital play have all flourished beyond the boundaries of art structures, this exhibition provides a gathering place and platform for the exploration of queer play created by individuals and groups from the worlds of game design and theory, performance, kink, and activism.

From their studios to the Bushwig mainstage, these artists are creating culture and community that is unapologetically rebellious, ferociously beautiful and superbly queer.

David appropriates elements from modernist design and contemporary culture in order to deal with issues of identity, queer politics, and complex emotional states.

Carlos Motta invites Chitra Ganesh, Andrea Geyer, Ryan Inouye, Thomas Lax, and Alex Segade to read passages from their favorite texts that have shaped contemporary queer culture.

Allison Smith is a sculptor and installation artist whose body of work often features elements from history, craft, and queer culture.

In contrast to the bleak outlook from the courtroom prior to 1967, queer culture was embraced by the British public in the form of theatre.

Work from 1861 to 1967 by artists with diverse sexualities and gender identities will be showcased, and will range from covert images of same - sex desire such as Simeon Solomon's Sappho and Erinna in a Garden at Mytilene 1864 through to the open appreciation of queer culture in David Hockney's Going to be a Queen for Tonight 1960.

From his groundbreaking work on LGBTQ youth issues during the AIDS crisis, to his subversive writing in mainstream comic book companies such as Milestone Media, DC Comics, and Marvel, in addition to his independent work for queer and multicultural publishing, Ivan Velez: Bronx Haiku offers an engaging survey of one artist's desire to bring change and diversity into an art form that plays an indelible role in American popular culture.

Coming from a background in activism and DIY punk culture, their current research involves critical mysticism, countercultural mythologies, experimental poetics and queer biosemiotics.

(The one exception is a section dedicated to the theatrical world, in which the documentation of cross-dressing in popular culture, from music hall to Danny La Rue, gives a sense of a queer working class tradition.)

In group portraits, the power plays between the represented countries are illustrated through references to sexual scenarios from BDSM culture, with the dominant authority marked with a «D» and the submissive player marked with a «S.» The artist employs queer models of all shapes, sizes, and genders whose anonymous bodies, decidedly distinct from those of the men whose faces they are wearing, peek through holes in their masks and costumes in jarring ways.

From 1997 to 2005, she co-ran Mr. Lady Records and Videos, an independent record label and video - art distribution company that was dedicated to the production and distribution of queer and feminist culture.

In this 1994 essay excerpted from Phaidon's Art & Queer Culture, art historian Ann Gibson examines the legacy of one of the most influential people in the history of postwar American art, and why it's important that we bring her into critical discourse.

In Warholian fashion, Johnson often imbues his work with queer desire and dry melancholy as he mines lowbrow registers of American culture, resituating material drawn from such sources as People magazine, pulp fiction, celebrity auto - biographies, Hollywood histories, and advertisements.

As a founding member of Autograph ABP and OVA, and curator of the recent exhibition When Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh, Whitechapel (2010) amongst others, he has been at the forefront of exploring photography in relation to Indian photography practice, queer culture, and HIV awareness.

From 1997 — 2005 she co-ran Mr. Lady Records and Videos, an independent record label and video art distribution company that was dedicated to the production and distribution of queer and feminist culture.

Furthermore, post-war popular visual culture, from queer iconography to MTV, owes a debt to Anger «s art.

Cruising the Archive: Queer Art and Culture in Los Angeles, 1945 — 1980 explores the relationship between artistic practices and LGBTQ histories through artworks, objects, and archival documents culled from the collections at ONE Archives