Sentences with phrase «from sleights»

Excerpted from Sleights of Mind: What the Neuroscience of Magic Reveals about Our Everyday Deceptions, by Stephen L. Macknik and Susana Martinez - Conde, with Sandra Blakeslee, by arrangement with Henry Holt and Company, LLC (US) and Profile Books (UK).

«I try to stay away from sleight of hand in the campaigns I work on, which is made easier by good candidates that you can believe in.»

Yes, really, the con, the scientific fraud of AGW and TGE is all from that sleight of hand, and, all you «warmists» arguing that backradiation from CO2 exists are pushing this fraud without ever giving any proof that the Greenhouse effect exists, because you can't, there is none.

Not exact matches

Perhaps the greatest collaboration from the minds of director Michel Gondry and screenwriter Charlie Kaufman (so far), this unique love story is powerfully told through amazing performances and incredible sleight - of - hand visuals.

Even the deus ex machina sleight - of - hand that spirits Paris from the field before Menelaos can finish him off is handled like the dazzling stage effect it is, rather than a verbal formula.

This is disguised from some by his sleight of hand in contending that «gay marriage» would bring homosexual excesses under the domesticating influence of a conventional institution.

Yet (with a little sleight of hand that comes from peeking ahead and thinking of Frye's basic distinction), we can already sense that one text is going to emphasize centrifugal meanings and the other, centripetal meanings.

The empty seats are a clear sign the fan base are not too pleased.We ARE a big Club.We sell out for every game (ish) so there is no hiding from the empty seats.They are there for all to see.Its embarrassing for the Club and it can not be ignored any longer.It remains to be seen what happens of it continues but in my mind this is a clear sleight on Wenger AND The Board.

Another adorable and creative idea from Toddler Approved — skiing and bob sleight piste.

We're finally making the pharmaceutical companies pay the damage they have caused but we can't let Albany's sleight of hand tricks keep that money from helping the people it is intended to.»

«Shifting the local cost share to the state is a political sleight of hand — if Republicans steal billions from New York to pay for tax cuts for the wealthy it doesn't matter if taxpayers have to cover the cost at the county or the state level.

Speaking on Adom FM's «Badwam» morning show, the Npp financier said, over the years politicians have used fake employment figures and statistical sleight of hand to protect themselves from the angry mob of voters and sees what the Agric Minister has put out as one of such wicked tricks.

But Representative Louise Slaughter, an upstate Democrat, said Republicans were trying «steal billions from New York to pay for tax cuts for the wealthy,» calling the shift «a political sleight of hand.»

A toothpick floating in mid-air without any support — this may sound like it involves hidden threads, magnets or other sleight - of - hand tricks from magicians.

Instead, they harness heat from the Sun to chill buildings through a neat bit of thermodynamic sleight of hand.

The Apartment is a writer's movie's full of brilliant sleights, such as Bud's unconscious habit of reiterating what others say, not just expression-wise but opinion-wise (that wonderfully irritating suffix learned from David Lewis's Mr Kirkeby, smoothest of the ageing roués).

«LOWRIDERS» (PG - 13) This low - budget family relationship drama starring Damien Bichir and Eva Longoria comes from producer James Blum's BH Tilt studio, which is emerging a standalone distribution studio with this and «Sleight» (Apr. 28).

As the picture lumbers along, shedding sense and invention and gaining an army of the stupid robots from I, Robot that function like the stupid robots from Episode I, it becomes clearer that Total Recall doesn't have anything up its sleeve besides that one sleight of hand.

Or perhaps sometimes it's even the sleight of the camera, a stand - in for the tangible male gaze, as we watch the sway of hips from behind float sinuously in a floral qipao worn by Maggie Cheung in Wong Kar - wai's masterpiece In The Mood For Love.

«Southside With You» B «Sandstorm» B «Frank and Lola» B «Sleight» B «Love and Friendship» «Hunt for the Wilderpeople» B «Complete Unknown» B - «The Fits» B - «The Lovers and the Despot» B - «Goat» B - «Wiener Dog» B - «The Free World» B - «Jacqueline (Argentine)» C + «Other People» C + «Agnus Dei» C «Captain Fantastic» C «Morris from America» C - «Swiss Army Man» C - «Belgica» C - «Yoga Hosers» D +

««Wonderstruck» isn't as magical as it would need to be to pull off the sleight - of - hand that Haynes is attempting,» wrote TheWrap from Cannes.

You can still see the first teaser trailer for Sleight here, to compare footage from these trailers.

Stealing the show are the Four Horsemen themselves Jesse Eisenberg as illusionist Daniel Atlas, Woody Harrelson as hypnotist Merritt McKinney, Dave Franco as sleight of hand expert Jack Wilder, and newest member Lizzy Caplan as Lula who replaces Isla Fisher from the first movie.

From nods to #MeToo and Time's Up to Trainspotting - style sleights of hand, here's what we might get

He blithely flits from the sublime to the ridiculous and back again with such an agile sleight - of - hand that the two eventually merge into a surprisingly coherent amalgam.

Musician Tim agreed that musical performances also require sleight of hand and illusion, saying that most performers he knew were pretty different from their onstage selves.

Casting MAP and MRP policies as something of a Trojan horse, Frattini suggests that these policies could be construed as «sleight of hand» that diverts brick - and - mortar retailers» attention away from the attractive wholesale pricing that pet food manufacturers are offering to online retailers.

Mark Stephens The exhibition will also include a series of anonymous testimonies from leading industry professionals, revealing some of the hidden tricks and sleights of hand often employed by television in «getting the story.»

In her wall works, many of which play, sleight - of - hand - style, with the shifts between two - to three - dimensionality — inviting the viewer to enter their world while at the same time sealing themselves off from engagement — Rafferty prints photographic imagery on thin, clear film, often mixed with paint and solvents, and attaches these to irregularly rectangular clear acrylic sheets.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Matthew Smith's (b. 1976, Wakefield) sculptural work is predominantly made from everyday objects, which he them manipulates or transforms with a sleight hand.

Select group exhibitions featuring her work include SUPERPOSITION: Equilibrium & Engagement, 21st Biennale of Sydney (2018); Screen: Virtual Material, DeCordova Sculpture and Park Museum, Lincoln, MA; (2018); All things being equal..., Zeitz Museum of Contemporary Art, Cape Town, South Africa (2017); Beyond Boundaries: Feminine Forms, Pennsylvania Academy of Fine Arts, Philadelphia; Women's Work, National Gallery, Cape Town, South Africa; Home Land Security, FOR - SITE Foundation, San Francisco (2016); Sleight of Hand: Painting and Illusion, San Jose Museum of Art, San Jose, CA (2014); The Artist's Museum, Museum of Contemporary Art, Los Angeles (2010); and Skin Fruit: Selections from the Dakis Joannou Collection, curated by Jeff Koons, New Museum, New York (2010).

Curated by students from the MFA Curating courses at Goldsmiths College and Chelsea College of Art, the exhibition draws on ideas of sleight of hand and misdirection in both the production and presentation of artworks.

I have given more than sufficient basic explanation from traditional physics to show why the «Greenhouse Effect» is total fiction, pointing out the sleights of hand.

As with the rest of the AGWScienceFiction Greenhouse Effect, your link takes to a page of more joke fake fisics from august bodies of science conned by magic tricks of clever sleights of hand and word play, here's a better link:

First, you pulled the old «sleight of hand» trick on me, by changing the data series from the past 15 years (May 1997 through April 2012), to the past 16 years (starting May 1966 instead).

So, in typical sleight of hand AGWSF uses a description from real physics in which the atmosphere of fluid gases are all greenhouse gases, and misappropriates it to refer only to its version of «greenhouse gases».

I changed my mind when I realised the MWP and LIA (from peer reviewed work) were erased from the graphs and sleight of hand coupled with poorly placed thermometers created the rapid upward slope of the Hockey Stick illusion.

The Greenhouse Effect creates by another interesting sleight of hand the illusion of «backradiation of longwave infrared», by including real world measurements of the direct longwave infrared from the Sun, aka Heat energy, but which they have totally eliminated from their fictional world scenario.

AGWSF Greenhouse Effect fisics is created by sleights of hand, by tweaking real physics, one of the techniques used in this con is to play on word meaning, as I gave example in its use of the word «absorbed», this is deliberately done to confuse further; another is juxtaposition of real physics facts next to word play sleight of hand or a meme from AGWSF.

The «greenhouse gases heat the Earth by 33 °C it would be without them by trapping upwelling heat from the Earth» is a magicians sleight of hand, created by taking out the process of the Water Cycle to get to the 15 °C.

I thought explaining how they have taken out the real heat from the Sun because they had to use its measurements for their «backradiation from greenhouse gases» would be the easiest to explain..., the arguments about the second law are interminable because few understand that physics well enough to counter the AGW tweaking of it by several sleights of hand.

Not sure whether this is good or not, but I got a response from the great man himself accusing me of «using exactly the same sleight of hand» as Patrick Moore.

This sleight of hand has taken the difference between -18 °C of the Earth without any atmosphere at all and the 15 °C of our atmosphere as we have it, and attributed the difference to the imaginary supermolecule properties of our beloved carbon dioxide, without ever giving any details of how this wonderfood for plants and oxygen transporter for our blood can raise the temp of the Earth 33 °C from -18 to +15..?

But this is just more sleight of hand, to distract us from the fact that all of us will be made poorer by abatement efforts.

Firstly, in a sleight of hand it pivots away from its weak absolute emission reductions to trumpet expected per capita emission reductions, claiming Australia will reduce its emissions per person by more than other countries.

This scaremongering claim by Gore is a perfect example of what presenter Marc Morano means by the «Climate Hustle»: just like in a card game where tricksters use sleight - of - hand, distraction techniques, and dirty tricks in order to con the mark (the mug punter) out of his money, so the alarmist establishment is withholding key details and presenting false or distorted information in order to extract vast sums from the gullible public.

There appears to have been a peculiar silence from individual credible climate scientists willing to defend this particularly egregious statistical sleight of hand.

There is no magic, sleight of hand, attenuation from atmosphere or angle of incidence in this number.

Nasif, It appears to me from what you have said is that the AGWers are just doing a sleight of hand by confusing us between the surface of the earth and the «surface» of the atmosphere.