Sentences with phrase «from aesthetic choices»

Not exact matches

Examining absurd theories around Mad Men and True Detective, Julia Yost characterizes this phenomenon as a shift from the aesthetic to the forensic: «Everything on screen and soundtrack is a clue, and the viewer's challenge is to suss out the secrets encoded by the creators» choices in writing, casting, wardrobe, and art direction.

The second think that was the right aesthetic choice for the story and that the film is not «coy» because it shows Armie Hammer wiping cum from his chest.

The campy and sun bleached aesthetic works well - it is about competitive ski jumping after all - but the camera work is haphazard, leaping from one questionable choice to the next, stealing tricks and tones of other filmmakers without any of the finesse.

Moving directly from weeks spent with Horizon: Zero Dawn's lush and photo - realistic graphics to Breath of the Wild was initially jarring, and while it is abundantly clear that the cel - shaded, painterly art style of Zelda was as much a product of lack of computing horsepower as an aesthetic choice, there were some admittedly beautiful scenes along the way.

I spoke with Hooper (Les Misérables, The King's Speech) about his aesthetic choices for the film and how he felt about the pushback he received from some members in the LGBTQ community for casting Redmayne, a cisgender male actor, in the role of Lili.

Still, this alternately condescending and hazy material doesn't trigger the kind of sharp aesthetic choices Mendes and collaborators made in response to past projects from «American Beauty» to «Revolutionary Road.»

Also on the design front, Acura's efforts to tone down the car's looks are a good aesthetic choice, and the TL SH - AWD doesn't suffer from any ergonomic issues.

As the initial trio gradually shared then delegated the direction of the space to new members — most recently to Caroline Soyez - Petithomme, who codirected the space with Jill Gasparina from 2008, before becoming the sole director in 2013 — the aesthetic choices have slightly shifted from an emphasis on site - specific, installation - based works to more formalist works, with an inclination towards abstract painting and digital art.

2008 Text / Messages: Books by Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Out!

Pulling inspiration and reflection from One Place Understood: Photographs from The Do Good Fund Collection, this color photography workshop will teach participants how to make aesthetic choices to create visual themes, convey emotions and tell stories within their images.

«time / frame,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, January 25 — July 28, 2002 «Fifty Years of Supporting the New: The Charles H Carpenter Jr Collection,» Aldrich Museum of Contemporary Art, Ridgefield, CT, September 22 — December 31, 2002 «In the Spirit of Martin: The Living Legacy of Dr Martin Luther King Jr,» Smithsonian Institution Traveling Exhibition Service (organizer), Charles H Wright Museum of African American History, Detroit, MI, January 12 — August 4, 2002; traveled to Bass Museum of Art, Miami Beach, FL, September 7 — December 1, 2002; Frederick R Weisman Art Museum, Minneapolis, MN, January 19 — April 6, 2003; International Gallery, Smithsonian Institution, Washington, D.C., May 15 — July 27, 2003; Memphis Brooks Museum of Art, Memphis, TN, August 30 — November 9, 2003; and Montgomery Museum of Fine Arts, AL, January 3 — March 28, 2004; catalogue «LIFE DEATH LOVE HATE PLEASURE PAIN: Selected works from the MCA Permanent Collection,» Museum of Contemporary Art, Chicago, IL, 2002 «Structures of Difference,» curated by Nicholas Baume, Wadsworth Atheneum, Hartford, CT, 2002 «Drawings of Choice from a New York Collection,» Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL, curated by Joself Helfenstein: traveled to Arkansas Arts Center, Little Rock, AR; Georgia Museum of Art, Athens, GA; Bowdoin College Museum of Art, Brunswick, ME; Cincinnati Art Museum, Cincinnati, OH «Recent Acquisitions,» Fonds Régional d'Art Contemporain, Reims, France, 2002 «Pushing Aesthetic Boundaries: Contemporary Prints,» Gallery M, New York, NY, 2002 «Charles H Carpenter, Jr Collection: Fifty Years of Supporting the New,» Aldrich Museum of Contemporary Art, Ridgefield, CT, 2002 «New York, New Work, Now!

From this perspective, all the work in this show — whether or not the artist was making aesthetic, conceptual, or practical choices — resonates.

Does the ugly displacement of the pieces obey an aesthetic choice, rather than a lack of expertise from the curator's side?

«By the time the story shifts to a town where people are hanging from trees in overly neat formation, the image of mass suicides has been drained of its shock, and a human calamity is revealed to be an aesthetic choice.

That transparency seemingly mimics the transitions by other OEMs into an UI with more transparencies and «glass - like» behavior, something which is also apparent in Google's choice of default wallpaper, as the dynamic «Aurora Time lapse» background has the kind of blurred aesthetic we'd expect from other OEMs.

Unfortunately, the C213SA's dull aesthetic, so - so performance and cheap cameras hold it back from earning our Editors» Choice award.

From an aesthetic standpoint the use of matte black is a terrible choice, but that's not the point.