Sentences with phrase «from architectonic»

The photographers of the New Objectivity took inspiration from architectonic space in devising experimental pictorial concepts that unlocked an enlarged realm of visual impressions.
Two such stars are the sculptor Satoru Abe, who makes elaborate metal constructions in all sizes from a range of materials with the precision of a jeweller, and the painter Tadashi Sato, who progressed from architectonic or cubist - like compositions to more evanescent forms and the spiritual.

Not exact matches

There are a ample amount of manufacturers authoritative and affairs replicas of accoutrements from the top architectonics houses at a actual low price.
The Hotel displays an authentic architectonic Bali Style, representing the fusion of diverse ethnic elements from around the world, creating a high end and comfortable atmosphere for enjoying the tropics.
This unique luxury hotel - a true architectonic dream - is a former noble house from the 13th century, and is enthroned on the hills of the Son Vida villa district.
The Hotel shows a very authentic architectonic style, which harmonizes with an exclusive decoration representing the fusion of diverse ethnic elements from around the world, creating a high end and comfortable atmosphere for enjoying the tropics.
This graphic monumentality comes from vigorously painted architectonic arrangements of letterforms painted on near - mural scale canvases.
Tegeder, who was born to a family of steamfitters, easily evokes the trade's architectonic schematics in everything from her early abstract drawings to her paintings of post-apocalyptic realms.
And there are more ellusive works held between formal architectonics and spontaneity, from 1979 - 80, when Hoyland sought «the turbulent flux of appearances».
By extracting some of the Vitruvian connotations, architectonic forms, and reductive vocabulary of ellipses and squares found in Mangold's prints, we can begin to get a sense of Minimalism's vibrant and important thread connecting artists from the twentieth into the twenty - first centuries.
The 63 large - format paintings, reliefs, sculptures, and models on view fully represent each phase of Stella's career, from his work prior to the Black Paintings, to the Irregular Polygons, to the first metal reliefs, to the architectonic designs.
This selection of drawings and prints traces a range of subjects, including: «Ideas Generation», where artists use the immediacy of drawing as a means to prepare and refine a concept; «Systems, Architectonics and Abstraction», in which predetermined rules, structures and methods govern the form of the image; «Expressions of Anatomy», where intimate portrayals of the figure assume a central position; «Graphic Narratives / Surreal Legacies», featuring imagery from the fantastically bizarre to the comically illustrative; and «Historia», which examines how drawing has been used to question the role of photography in the mediation and construction of historical memory.
For his third exhibition with the gallery, Perrone presents two new bodies of work, both revolving around the appropriation of specific elements from sculptural and architectonic traditions.
(São Paulo, Brazil) In his first huge solo presentation since his representing Britain in the 23rd Bienal de São Paulo, Gary Hume introduces his new «Unicorn» paintings, which use architectonic motifs that derive from bunting — celebratory strings of colourful, triangular flags that are used for decoration.
The retrospective spans 50 years and traces Brodsky's evolution from early representational works focusing on architectonic city structures, through the minimalist landscapes executed during the artist's early years on Long Island, to the Abstract Expressionist works that manifest Brodsky's deepest engagement with the painting process.
Allowing contemporary artists to revisit the museum's history and filter it through their own perspectives, this intermingling of historical and contemporary art emphasized the Albright - Knox's ongoing support of artists working in abstraction in all of its varied forms, from emotive and highly gestural expressions to cool and crisp architectonic explorations of design and structure.
Complex underlying structures caused the canvases to bulge or reach out along the wall or into the room; a sequence of 12, gradually changing forms was based on the pages of a calendar from which successive pages had been torn; and finally, in work from 1972, the architectonic quality of the paintings was discarded in his Kite Paintings, in which unstretched, painted canvases were suspended from rods and interrupted by cords and threads hanging off and passing through them.
For forty years Len Bellinger's work has been committed to the exploration of abstract / non-representational painting and the ambiguous space inherent in the concept of «abstraction,» from early icon - shaped minimalist panels trimmed with gold leaf as a P.S. 1 studio resident in the late» 70's to thickly manipulated paintings rich with byzantine color and an underlying architectonic -LSB-...]
[xii] In a series from 1956, Thomas dispensed with thin paint, giving the picture plane solidity with more densely painted architectonic forms locked in puzzle - like configurations, as in Highway II (1957), whose sage green, grays, and ultramarine blues are suggestive of the heaviness of the approach of dusk.
His painting from this time until the mid-1980s was to be characterised by high colour, architectonic structures loosely based in geometric forms, and a richly textured, painterly surface.
a b c d e f g h i j k l m n o p q r s t u v w x y z