Primarily working with oils and linen, Hanlon continues to work with large scale pieces and creates different palettes and depth of layers to reflect her subjects, which has changed
from architectural subjects to large succulent / plants to dairy cow compositions.
Not exact matches
Artists
from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty
architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on
subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.
For more than a century, photographers have dealt with the spaces of their studios in strikingly diverse and inventive ways:
from using composed theatrical tableaux (in photographs by Julia Margaret Cameron or Cindy Sherman) to putting their
subjects against neutral backdrops (Richard Avedon, Robert Mapplethorpe);
from the construction of
architectural sets within the studio (Francis Bruguière, Thomas Demand) to chemical procedures conducted within the darkroom (Walead Beshty, Christian Marclay); and
from precise recordings of motion (Eadweard Muybridge, Harold Edgerton) to playful, amateurish experimentation (Roman Signer, Peter Fischli and David Weiss).
Her homes, projects, and businesses have been the
subject of numerous books and articles
from the likes of The New York Times,
Architectural Record, and Town & Country Magazine.
Subjects, therefore, may vary
from the abuse of Iraqi prisoners at Abu Ghraib to the proliferation of trash in the environment,
from concern for
architectural heritage to the gritty everyday life of the city's streets.
The
subjects of her paintings
from the period were often the rocks and bones
from the desert floor or the distinct
architectural and landscape structures of the area.
In the Magazine paintings, Gomez tears out advertisements
from upscale design magazines like Luxe, Dwell, and
Architectural Digest, and paints domestic workers into the scenes in ways that leverage the
subjects and compositions of the ads.
Eberle's
subjects run the gamut
from political, art, and cultural figures to
architectural landmarks and technology.
Drawing his
subjects from the visible world, Moore remains a painter of our everyday lives, as he continues to incorporate still - life arrangements, urban landscapes, and
architectural motifs into his formally constructed compositions.
Continuing her interest in the confrontation between nature and culture, the paintings on view explore the pictorial space, where the physicality of painting and the play with
architectural elements, in all senses, become the
subject of the picture.The exhibition will be on view
from Sunday, September 11 through Sunday, October 16, 2011.
In individual photographs as well as series, Kelm explores a vocabulary of
subjects ranging
from everyday objects to
architectural and landscape photographs to portraits.
Reisewitz's
subjects vary
from architectural interiors, ranging
from Brazil's colonial heritage to 20th century modernism, to untouched rainforests, now endangered by the country's economic boom.
For the past three decades, British artist Paul Winstanley has been painting the future past — that utopian
architectural imaginary of the postwar years concretized in a range of quasi - public / quasi-private milieus,
from the airport to the hospital — making only the most incremental variations in his address of the
subject matter
from one show to the next.
Since Carnegie's
subjects range
from the relatively benign, isolated nature painting — along with the brooding
architectural structures that often occupy the landscape, such as a gateway into a cemetery — to intimate little studies of excellently formed female asses, this is not an unreasonable question.
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