Taking root
from architectural theory, futurology and geopolitics, as well as family photographs and memory of place, his hand - drawn and digital sketches, collages and mobile constructs respond to the psychic and physical impact of space, and to how these experiences are navigated and mapped.
Not exact matches
He holds a PhD in History and
Theories from the
Architectural Association, London.
He holds a Ph.D. in Histories and
Theories from the
Architectural Association, London.
In a focused manner, Maunz's work mines the history of classical art,
architectural structures abstracted
from memory, particular aspects of the artist's past, and family and childhood psychological
theory.
About Pablo León de la Barra Pablo León de la Barra, Curator, Latin America at the Solomon R. Guggenheim Museum, New York; and associate curator at MASP, Museu de Arte de São Paulo, and holds a Ph.D. in Histo - ries and
Theories from the
Architectural Association, London.
Born in Mexico City in 1972, Leà ³ n de la Barra earned his PhD in histories and
theories from the
Architectural Association, London.
Primary influences arise
from issues surrounding the Israeli - Palestinian conflict,
architectural and queer
theories, and personal history.
Primary influence arises
from issues surrounding the Israeli / Palestinian conflict,
architectural and queer
theories, and personal history.
Formal elements within the work reference various art historical movements:
from the gesture of Abstract Expressionism to the flatness of Minimalist paintings, to the spatial considerations of
architectural theory.
Formal elements within the work reference various art and
architectural movements:
from the gesture of Abstract Expressionism to the austerity of Minimalist paintings, to the spatial considerations of
architectural theory, specifically the work of Frank Gehry.
Pablo León de la Barra is an exhibition maker, independent curator, researcher, editor and blogger, and holds a PhD in History and
Theories from the
Architectural Association, London.
They developed an aesthetic and spatial language around their research interests, ranging
from utopian social
theory and
architectural history, to urban nature experiments.
The imagery appears to extend or recede
from the surface of the picture plane through the artist's carefully developed variations on colour
theory and
architectural elements with influences of Op art and Mathematical perspectives.
With a previous Ph.D. in
Architectural Theory, History and Criticism
from Princeton University, Abrams had worked for more than 20 years as an architecture and design critic and editor, organizing numerous conferences and salons, and writing for publications including frieze, I.D. Magazine, Blueprint, and The New York Times.