Sentences with phrase «from archival collections»

One of the more interesting parts of the site is the Historical Timeline and Learning Resources which include digital copies of original acts, treaties etc drawn from archival collections.

The exhibition draws from both archival collections and contemporary practices, focusing on how these artists reuse the pieces of print culture for worldmaking projects ranging from the era of gay liberation to the present.

Not exact matches

Also featured is rare footage and archival materials from the star's own collection.

Most of the films in Criterion's collection have been previously released but this box set (released on both DVD and Blu - ray) pulls them all together and adds to the supplements with new and archival interviews and featurettes and commentary tracks along with those supplements carried over from previous releases, and Criterion achieves something that has eluded many a DVD special edition: new interviews with Jack Nicholson reflecting on these formative films.

The University of Illinois at Urbana - Champaign library hosts an archival collection of materials from Michael's http://archives.library.illinois.edu/archon/index.php?p=collections/controlcard&id=11175

Our archival collections document all areas and facets of history associated with Golden Gate National Recreation Area (GGNRA) from the Spanish Exploration and the establishment of the Presidio in 1776 through the park's creation in 1972, as well as recent activities within the park.

Pet lovers, animal lovers and anyone who appreciates historic photos will enjoy this unique exhibit composed of images taken from the Museum's archival collection and the stories that go with them.

The Museum collection comprises ethnographic, historic, archaeological and archival material of the northern Vancouver Island area, specifically from Oyster River east to Desolation Sound and north to Rivers Inlet, including off - shore islands; west to Gold River and beyond to the outer coast at Estevan Point, and north to the tip of Vancouver Island.

This selection of archival documents, compiled from the collections of the Fales Library and Special Collections at New York University and the Library and Archives at Bard College's Center for Curatorial Studies, originally accompanied the essay «What Remains: Art and Archives,» by Ann Butler and Marvincollections of the Fales Library and Special Collections at New York University and the Library and Archives at Bard College's Center for Curatorial Studies, originally accompanied the essay «What Remains: Art and Archives,» by Ann Butler and MarvinCollections at New York University and the Library and Archives at Bard College's Center for Curatorial Studies, originally accompanied the essay «What Remains: Art and Archives,» by Ann Butler and Marvin J. Taylor.

Kameelah Janan Rasheed shares materials from her personal archival collection of printed matter, including small press publications, magazine articles on independent black schools, textbooks and curriculum...

Designed by the MNBAQ and organized in partnership with the Art Gallery of Ontario (AGO), supported by the Joan Mitchell Foundation in New York and the Estate of Jean - Paul Riopelle in Montréal, the exhibition mainly presents large - format paintings, a number of works on paper and archival documents from more than 30 French, Canadian and American lenders, private and museum collections.

It features work by Hartigan and Mitchell from 1950 - 1980 from the collections of the Albright - Knox Art Gallery, the Castellani Art Museum of Niagara University, the Smith College Museum of Art, Annette Cravens, the Estate of David K. Anderson, the University at Buffalo collections, and rare archival materials from the Martha Jackson Gallery Archives at UB Anderson Gallery.

In addition to works from these years, Gerhard Richter: Colour Charts will present a collection of archival documents related to the series, including an original 1960s Ducolux sample card for enamel paint.

This exhibition features works of art and archival material from the University at Buffalo's collection that have travelled around the world and back again or Read More»

To more fully represent the working methods of photographers and news agencies, the RIC has in recent years acquired a number of large archival collections, including the Black Star collection of press photography, the Rudolph P. Bratty Family Collection of Canadian subject matter from the New York Times Photo Archive, and several individual artist archives.

Curated by Noguchi Museum Senior Curator Dakin Hart, Self - Interned, 1942 brings together about two dozen works from the Museum's collection, dating from before, during, and after Noguchi's time at Poston, along with a substantial selection of archival documents.

Alongside these major works is a collection of archival objects on exhibit — selected by Silva from Anatsui's studio, study and library in Nsukka, Nigeria.

In order to address the historic proliferation of the «Pseudo Georgian» aesthetic, two eighteenth century pattern books borrowed from the British Architectural Library are also displayed alongside objects from the artist's own collection — as well as a selection of critical articles culled from archival copies of Building magazine, one of the oldest publications to address the entire culture of Britain's construction industry.

In this series, project researchers Kirk Nickel and Maia Woolner will share how they recreated Grunwald's story through archival research, from his early collecting days in Germany to the seizure of his collection by the Gestapo to his emigration to the United States and rebuilding his collection.

Having retired from the industry and donated pieces to museums, Lang felt the need to repurpose his 6,000 piece archival collection — the result, a violent assault over 20 years of fashion history, shredding the fabrics and function to the unrecognisable.

This exhibition considers celebrity through hundreds of archival items from The Warhol's vast collection of Warhol's personal items and related artworks.

Approximately 90 printer's proofs will be on view, together with experimental prints and other selected material from the supporting archival collections.

The Foundation holds the largest and foremost collection of works of contemporary African - American artists from the Southern United States, encompassing over 1,200 works by more than 160 artists as well as a collection of archival photographs, videos and documents relating to artists in the collection.

The Foundation holds the largest and foremost collection of works of contemporary African American artists from the Southern United States, encompassing over 1,200 works by more than 160 artists, as well as a collection of archival photographs, videos, and documents relating to the artists in the collection.

Also, the presentation will include archival material from the Gordon Parks Papers in WSU Special Collections and University Archives.

New discoveries will be unveiled in this expansive exhibition, featuring more than 120 Homer paintings, drawings, prints, photographs, and archival materials, including his camera, from the BCMA's extensive collection of the artist's work

In conjunction with «Extreme Measures,» Chris Burden's museum - wide exhibition, «Pushing the Limits» is presentation of artist drawings, correspondence, ephemera, photographs, and video footage culled from the New Museum's rich archival collection.

The commission, comprising a single - screen video, will present and narrate artefacts from the Ashmolean's collection, with a focus on the female figure and the photographic and archival means of disclosing this figure over time.

Simultaneously with the work of artists will be on display and a small part of archival and documentary material with photos of the marine life of Patmos, from major monuments and ceremonies of island associated with water as well as images and texts associated with the collection, the management and the consumption of water in Patmos in the past and the present.

Selections from Ruff's own extensive collection of archival photographic materials were exhibited as well.

These range from curatorial scholarship to archival materials, to artworks from the collection that will be made available for study, exhibition, and publication.

This exhibition, organized by the Rubin Museum in New York, includes works of art and archival materials on loan from the Foundation of the Works of C. G. Jung, the C.G. Jung Institute in Zurich, the C.G. Jung Foundation for Analytical Psychology, the Jung family private archive, and other private collections.

Extending from the comprehensive nature of the museum's holdings, the archival photography collection spans the entirety of the artist's lifetime from his birth in 1904 through the years following his death in 1980.

Drawn entirely from the Foundation's collection, the exhibition will include over 80 artworks as well as a wealth of archival and studio materials.

Organized by the curatorial team of Bob Linder and Diego Villalobos, thematic exhibitions highlight changing selections of work from the Foundation's extensive 3,000 - piece collection of Ireland's art and archival materials.

-- Allen Ruppersberg, BOMB, 109, Fall 2009 About the Sourcebook Series Each book in the Independent Curators International (ICI) Sourcebook Series is edited by a single artist, includes a collection of primary research materials and influences, such as rare archival documents, artwork studies, and excerpts of landmark publications, selected from the artist's own archive and annotated with personal commentary.

For this project, architectural collective Assemble and artist Simon Terrill have used archival materials, drawings and photographs from RIBA's Collections to create an interactive installation that raises questions over design for play, from both a historic and contemporary perspective, with a focus on the element of risk.

Drawn primarily from the holdings of Jerry Bywaters Special Collections in the Hamon Arts Library, this exhibition of lithographs, drawings, archival materials, and a few paintings documents the career of one of Dallas's most prominent artists from the first half of the 20th century.

The Source Digest, a paperback collection of issues 1 — 10 of The Source (2013 — the present), gathers Brooklyn - based artist Cory Arcangel's (born 1978) ongoing archival zine project of annotated computer source code from software - based works of the past 15 years.

Several groupings of artists» books and archival materials from the MCA's extensive collection complete the presentation including works by Joseph Beuys, Jenny Holzer, Yoko Ono, and Martha Rosler.

Global keeper of Andy Warhol's legacy, «The Warhol» presents an extensive collection of Warhol's pop art ranging from his famous prints of Campbell's Soup Cans to a vast archival collection of pieces from the artist's childhood.

Organized by The Fruitmarket Gallery, Edinburgh in collaboration with Camden Arts Centre, London; Fundació Antoni Tàpies, Barcelona; Art Gallery of Ontario, Toronto and Berkeley Art Museum and Pacific Film Archive; Betty Goodwin: Work Notes includes works from the AGO's permanent and archival collections; Agnes Martin: Work Ethic includes works on loan from the Whitney Museum of American Art.

The second section is an archival research essay by Beth Gardiner Lytle, Ph.D and the third section is conversation with three lifelong friends of Herbert Creecy along with photographs of archives from the MOCA GA archive collection.

Made possible with generous support from the Leon Levy Foundation, the Whitney Artists» Correspondence and Ephemera project will bring focus to a specific selection of extraordinary material found in the Whitney's Library and Archival collections.

As Witte de With is organizing its archive, Kasper Bosmans will continuously add new legend paintings to archival boxes containing the documentation of those past projects he relates to, creating an ongoing collection of visual syntheses appearing throughout the material remnants of exhibitions from 1990 onwards.

More recently, Verge presented a collaborative exhibition with the Australian Centre for Photography featuring Michael Riley photographs from the University of Sydney Union art collection and archival material from the University of Sydney Archives, The Settlement Community Centre and the State Library of NSW.

Today, the foundation, which was founded by William S. Arnett, holds the largest and foremost collection of works of contemporary African - American artists from the southern United States, encompassing over 1,200 works by more than 160 artists as well as a collection of archival photographs, videos and documents relating to artists in the collection.

The images, music, and text that appear throughout «Future People» come from the archival holdings at the Arts Bank, which include the Johnson Publishing Archive, the Lantern Slide Collection at the University of Chicago (art and architectural history from the Paleolithic to the modern era), the Edward J. and Ana J. Williams Collection (racist objects that the Williamses bought to take off the market), and Frankie Knuckles's record collection.

The show, part of Fotografia Europea, is a presentation of 100 photographs taken in South Africa over the last 100 years, carefully selected from archival, museum and photographers» collections.

The exhibition presents safer sex posters, comics, brochures, videos, PSAs, and safer sex and clean needle kits, among other archival items, all from the collections at ONE National Gay & Lesbian Archives at the USC Libraries.