Sentences with phrase «from black and white photography»

Not exact matches

Using the gorgeous grounds of the Historic Mankin Mansion as a backdrop, this styled photo shoot is full of theatrics from the exaggerated makeup to the spectacular photography to the stark black and white color palette.

Don't miss a single bold detail from this dramatic black and white wedding inspiration by visiting the full gallery here, all magnificently captured by Kimie James of IYQ Photography.

Spielberg's passionate direction always hits the right note, from the gorgeous black & white photography to the impressive art direction, cinematography and what might be John Williams» most moving score.

Using grim spy photography left over from the Communist era, Karl Marx City establishes a starkly beautiful black - and - white aesthetic to narrow history down to a single family's struggle.

In the Tyrone Power featurette included on Fox» Son of Fury DVD, Power apparently begged Zanuck to shoot the film in Technicolor, but the black & white photography definitely darkens the tone of the film and steers it away from the more frothy costume romp Alfred Newman's score clearly conveys.

Payne films this road trip dramedy in rich black - and - white, perhaps echoing back to another great film about someone from the Midwest on a quest, The Wizard of Oz, in which Dorothy's home life on a far in Kansas is in traditional B&W photography, and her experience in the great land of Oz is in vibrant color.

There's the gorgeous black - and - white photography from Nebraska to consider, as well as the wonderfully muted tone of Inside Llewyn Davis, but again, this one comes down to Gravity.

It's not the most plot - heavy of films, dancing from skit - like episode to episode, a structure reminiscent of the aforementioned «Frances Ha,» a parallel further underlined by the black - and - white photography (if anything the 35 mm work here, by photographer Sara Mishara, is even better than in Noah Baumbach «s film).

In this excerpt from a new interview on our special edition release of the film, director of photography Frederick Elmes discusses David Lynch's approach to lighting his high - contrast black - and - white breakthr...

Location: southeast of Boracay, in the Tabon Strait Access: about 25 minutes by boat from White Beach Experience: advanced divers Depth: 5 - 20 meters Visibility: up to 30 meters Current: strong Characteristics: 2 dive sites (small Laurel and big Laurel) with walls, tunnel, reef, many fish species, sponges, sea cucumbers, sea stars, sea snakes, nudibranchs, soft corals, hard corals, black corals, leathery corals good for photography

Unexpectedly, Mr. Moriyama revived the zine in 2006, and this striking book collates the early black - and - white images, shot with his trademark graininess, with new street photography from New York, Morocco and a Tokyo transformed.

Parr studied photography at Manchester Polytechnic from 1970 — 1973 and then began his career by exploring the medium of black - and - white photography.

The Brazilian - born artist works with photography and painting to make mixed - media artworks that take cues from John Baldessari's renowned dot works by painting circles and geometric lines over black - and - white photographs of landscapes.

Carter's own show currently on view at Sauvage includes photography, painting, and drawing in unexpected combinations: Carter displays a sheet of geometric tattoo flash she's designed, and also includes her black - and - white self - portrait in which she turns away from the camera to display one of the tattoos on her shoulder.

Switching from a handheld to a large format camera in 1978, and from black - and - white to color in 1984, Hernandez's approach to photography is characterized by a slower form of looking.

Over the past 50 years, Anthony Hernandez has crafted a richly varied oeuvre, ranging from a distinctive style of black - and - white street photography to color photographs of abstracted details of his surroundings.

Initially made from personal photographs produced for the purpose of painting and then later using sourced imagery, Mark Roeder's ongoing collection of black and white Antipaintings mine the unique and complicated relationship between photography and subjectivity.

Classically trained in the black and white darkroom, Burns presently works digitally from capture to print and also experiments with different technologies and approaches including infrared photography which he is exhibiting here.

I have known him for almost twenty years now, so he is familiar with how my work has progressed from learning black and white photography to what it has become today.

His steady output of far - flung series has ranged from street photography to landscapes to interiors, black - and - white to color, regional to foreign, closeup to panoramic, wealthy to homeless subjects, urban to desert terrain, and from stark realism to formal near - abstraction.

Organized by curator Brett Abbott, the show tackles all aspects of Bullock's photography, from black - and - white landscape, nature studies and nudes to experimental work with color and abstraction.

For two weeks we will briefly depart from our regular exhibition schedule to showcase a selection of black & white works on paper including drawing, painting, mixed media, photography, printmaking, and more.

But Shore has worked with many forms of photography, switching from cheap automatic cameras to large - format cameras in the 1970s, pioneering the use of color before returning to black and white in the 1990s, and in the 2000s taking up the opportunities of digital photography, digital printing, and social media.

Ou's black - and - white photographs, Double Light Leak 1 and Double Light Leak 2 (both 2010), take mechanical applications of paint — from a spray can and airbrush — as analogons of photography's own shadow castings.

The stark palette of black, white, gray and muted earth tones suggests early photography and lends a timeless quality to the work, almost as if the images themselves are fragments from the past.

While his teacher is noted for his black - and - white images, Epstein is a master of color photography, capturing on film the American experience as well as images from countries throughout the world — he has traveled extensively and realized series on locales including Vietnam, India, Berlin, and his hometown of Holyoke, Massachusetts, among others.

It will be presented by 25 high - contrast black and white photographs, which are from editorial images of the 90's for VOGUE, HARPER»S BAZAAR, INTERVIEW and many other international magazines, to his personal work inspired by modern dance, landscapes, early German and East European cinema and photography.

The exhibition includes his seminal street photography — both color and black - and - white, intimate images of American life, and landscapes exploring luminous scenes from Cape Cod to Tuscany.

The black and white photography series of Renos Evryviades - Wideson (b. 1920) Buffavento Castle (1950), Harvest Time (1953), and St. Hilarion Castle - Aerial (1955) as well as Zenon Sierepeklis» (b. 1947) Latchi (1998/99), Terra (1999), and Latchi (2002) unfold the transition from documentary and landscape photography to a more conceptual rendering of space imbued through the aesthetics of industrialization and monumentality as a result of human intervention on natural habitats.

The exhibition represents the first solo show of the artist's early black and white photography from the 1940s and 50s, and will focus on more than 40 images including many unique prints that have never before been exhibited.

The work selected for this show present the various viewpoints from mugshots of the artists» family members in Tyanna Buie's large works on paper, to the artist - as - collaborator and documentarian of addressing the struggles of family members neighbors and victims in the black and white photography by Carlos Javier Ortiz and the video installation and archive by Tirtza Even.

From 1995 to 2016 he was a Professor in the Art Department at UCLA where he changed the photography curriculum from black and white to coFrom 1995 to 2016 he was a Professor in the Art Department at UCLA where he changed the photography curriculum from black and white to cofrom black and white to color.

Guiseppe Penone, To Reverse One's Eyes, 1970 Black & white photograph, 11.5 x 15.5 inches May 9 — June 23, 2007 Zwirner & Wirth presents an exhibition of American and European conceptual photography drawn from a private collection.

As a student, Yoshino was influenced by the photographer Kiyoshi Suzuki; from the late 1990s on, she produced many black and white works in this mode of street photography.

New York «Strangers: The First ICP Triennial of Photography and Video»; «French Artists in Rome: Ingres to Degas, 1803 — 1873»; «Signs from Berlin»; Romare Bearden; Judy Pfaff; Harry Callahan; «Pulp Art»; Willem van Tetrode; «Black and White»; Didier Massard; Barnaby Furnas; Jill Levine; Elena Kallistova; Shimon Okshteyn; «SYLVA — A Tree Show»; Marco Maggi Washington, D.C. «The Art of Romare Bearden» New Orleans «The Story of the South» Los Angeles Laura Owens Santa Monica Lissie Habie San Francisco James Turrell Chicago Lucien Clergue Washington, D.C. «In the Spirit of Martin: The Living Legacy of Martin Luther King, Jr.» Santa Fe David Linn; Shono Tokuzo Miami Sandra Ramos Valencia, Spain Valencia Bienal Salzburg Anselm Kiefer London Rezi van Lankveld Zurich Stefan Thiel Amsterdam «Meets» Frankfurt Abe Frajndlich

Her inspiration comes from a variety of sources that include photography magazines such as British Journal Of Photography, Black & White Photographyphotography magazines such as British Journal Of Photography, Black & White PhotographyPhotography, Black & White PhotographyPhotography and Image.

His selection spans black and white photography, painting and text installation with shows running from now until October so there's plenty of time to catch some visual art in Chichester, Hastings and Oxford.

A quote from Title Magazine's Deborah Krieger, Inside Voices, at first glance, might seem to be made up of rather disparate media: black and white photography by Tamsen Wojtanowski and textiles by C. Pazia Mannella.

Changing Colors: a workshop on toning black and white photographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Pphotography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography of Egypt, slide presentation, the Portland Art Museum, Portland, OR

Vibrant endpapers, 75 color plates including installation photography from the exhibition, and over 100 black and white images.

Chuck Close Photographs, on view from March 20 through October 2, 2016 features 86 images from 1964 to the present and illustrates the full range of the artist's exploration of photography — from early black and white maquettes, to monumental composite Polaroids, to intimately scaled daguerreotypes and recent Polaroid nudes.

At UCLA Welling changed the photography curriculum from black and white to color.

Focusing on photos taken in buzzing cities, with their cosmopolitan cast of hipsters, businessmen, beauties and criminals, Street & Studio builds an engrossing urban history of photography, ranging from early black - and - white pictures from the late 1800s, to elegant fashion photography from the mid twentieth century, to cutting - edge portraiture by contemporary artists.

Metaphors in photography's formal elements are almost always trite; paneling divides a black man and a white man in «Meeting of the worker - management Liaison Committee of the Colgate - Palmolive Company» (1980), and in «An officer of the Voortrekkers» (1980) a white woman on the frame's center line is isolated from a sense of humanity.

He has worked with many forms of photography, switching from cheap automatic cameras to large - format cameras in the 1970s, pioneering the use of color before returning to black and white in the 1990s, and in the 2000s taking up the opportunities of digital photography, digital printing, and social media.

Yet the highlight of this impressive show, curated by LACMA's formidable Stephanie Barron and seen earlier this year at the Museo Correr in Venice, is the photography — from stern black - and - white portraits by August Sander to alienated, sometimes surreal compositions of workers and machines.

Vuwyelwa Vuvu Makubetse, Daveyton, Johannesburg, from the series «Faces and Phases» 2013, by Zanele Muholi on the cover of the May 2015 issue of Black + White Photography magazine.

Booth N28 is reserved for Spanish gallery from Madrid, Maisterravalbuena, which brought a good selection of black and white photography by Hiraki Sawa.

Embodying the pure essence of black - and - white photography, Dave Heath's masterful work from the 1950s and»60s will be exhibited at Howard Greenberg Gallery from September 10 — October 24, 2015.

A total of 238 black and white and 12 colour prints from the series are held in the photography archive of the Ruhr Museum in Essen.