Sentences with phrase «from blackface»

In the sole video, Maren Hassinger dares one to discern blackness from blackface.

Not exact matches

Sprinkling the dialogue with liberal bromides protects the makers from the accurate charge of producing the gay equivalent of a blackface minstrel show.
They transferred 277 nuclei from the mammary cell line — from a white - faced breed known as a Finn Dorset — into eggs from the hardy Scottish blackface breed.
Wilmut and his colleagues transplanted a nucleus from a mammary gland cell of a Finn Dorsett sheep into the enucleated egg of a Scottish blackface ewe.
An adult cell from the mammary gland of a Finn - Dorset ewe acted as the nuclear donor; it was fused with an enucleated egg from a Scottish Blackface ewe, which acted as the cytoplasmic (or egg) donor.
The house is full of revelers in blackface, eating watermelon and filling their cups from a «Purple Drank» fountain.
After Khaled emerges from the filthy coal in the opening scene, he's framed to highlight that he's wearing what amounts to blackface.
Curiously absent from the movie's relentless feel - good offensive are any references to, say, the blackface minstrel acts that Barnum produced.
Extra features on this non-SE include: a comprehensive commentary by director Hoblit and co-screenwriter Billy Ray, with the occasional comment from Bruce Willis sandwiched in; another yak - track from producer David Foster, who concentrates on the film's background in WWII history; ten deleted scenes (in 16x9) that reveal that an even more structurally and politically complex film lies on the cutting room floor, with elective commentary from Ray and Hoblit — they're especially sorry to see go, as am I, a bit in which the American soldiers entertain their German captors by donning blackface; a 4 - part photo gallery — see Bruce make serious expressions for «The Poster Shoot»; and trailers for Hart's War, Windtalkers, and the TV shows «Jeremiah» and «Stargate SG - 1».
In the first known movie version, from 1903, the aging, potbellied Tom is played by a white actor in blackface, and black actors playing slaves dance merrily at the beginning of each scene.
Hodge employs work from the same era, using the most prevalent depictions of the Black subject (blackface, minstrelsy, slavery, etc).
The artist draws from a range of Japanese and African - American cultural trends in her «a3» (Afro - Asiatic Allegory) series: ukiyo - e, hip hop culture, blackface performance tradition, and ganguro.
Thomas read aloud the tag for a Maxwell House ad from the 1920s, where two butlers in blackface serve an immensely satisfied middle - aged white woman coffee.
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