Sentences with phrase «from calligraphic»

With this bundle you will receive 10 creative fonts ranging from calligraphic, to handwritten, to brush script and more.

With the contemporary works, Marden has returned to monochrome painting, diverging from the calligraphic paintings that have dominated the past three decades.

On the other hand, the symmetry originating from the calligraphic repetition is constantly shaken by the powerful superimpositions of colours.

Not exact matches

Zao's Four Drawings after Rembrandt (1949); his Flora and fauna (1951); and his great untitled drawings (three particular from 1972, 1980, and 2007), however, show that his calligraphic skills were astonishing even through to the very end of his life.

The tool also provided exceptional variations in paint layering and effects, from smooth, transparent blocks of color to saturated, calligraphic drizzles of line.

Nearby is a gorgeous late Jackson Pollock, Untitled, 1951 that is semi-figurative; a Franz Kline black and white calligraphic abstraction, Untitled from 1953; an architectural collage of rectangular shapes by Conrad Marca - Relli from 1965; and, from 1976, the Larry Rivers pop - historical Big B Signs Up, a lithograph of two hands clasping a quill pen created by Rivers to mark the U.S. Bicentennial and honor Benjamin Franklin's signing the Declaration of Independence.

Covering a 4,000 - sq - foot site with burnt orange and powder blue impasto surfaces and calligraphic marks, Amistad America is the artist's most ambitious project yet and was inspired by the history and natural landscape of Texas, whose name in Spanish, Tejas, derives from the Native American Caddoan word for «friends».

Her fascination with language comes through in a large, light - filled calligraphic work from 1965 titled Kufic, as well as in the tightly painted, untitled schematic grid of 1949 that stacks hieroglyphics in meticulous boxes.

Automatic writing was an important vehicle for action painters Franz Kline (in his black and white paintings), Jackson Pollock, Mark Tobey and Cy Twombly, who used gesture, surface, and line to create calligraphic, linear symbols and skeins that resemble language, and resonate as powerful manifestations from the collective unconscious.

These recent drawings, which incorporate text and calligraphic gesture, invoke historical, cultural, and geographical associations, from Queen Sheba's Monument at Addis Ababa to Man Ray's The Enigma of Isidore Ducasse.

Yanyan Huang's elegant, calligraphic paintings draw from the raw beauty nature and they sit alongside the vibrant, urban colors with dynamic gestural movements of Emily Joelle Lambert.

This compact show touched on the long arc of Mitchell's career, from her early, calligraphic slashes in the 1950s, when she was painting in a studio off St. Marks Place in New York and drinking with the AbEx boys, through her time in Paris in the»60s, and, until her death in 1992, in the French countryside at an estate with an overgrown garden and a

Often cited as the father of contemporary art in the United Arab Emirates, Sharif began making art in the 1970s, but soon departed from his region's dominant art form of calligraphic abstraction and embraced the radical approaches of avant - garde movements such as Fluxism and British Constructivism.

The earliest works exhibited, gouaches from 1956 and 1957, combine calligraphic elements on broad fields of color in ways which clearly relate to the work of Mark Tobey, who also showed at the Willard Gallery, and to Helen Frankenthaler.

Highlighting Qatari artist Yousef Ahmad's most striking artworks, from 1970s to today, this exhibition showcased three phases in Ahmad's artistic career, from early oil paintings to mixed media calligraphic pieces, to his latest contemporary pieces derived from the medium he creates.

This exhibition, featuring forty works from 1932 to 1952, will trace Boris Margo's development from Surrealism in the 1930s; through abstraction imbued with biomorphic imagery in the 1940s; and finally, to luminous calligraphic abstractions of the early 1950s.

Contemporary Calligraphy brings together a notable selection of intricate and beautiful calligraphic artworks dating from the 1960's to the present day.

Eventually, Saito abandoned his theater work to focus on developing his particular style ofColor Field abstraction, often featuring calligraphic characters drawn from an alphabet of his own creation.

For example, if I take a lyrical text from Persian tradition, I put it in a straight line of a grid instead of preserving its calligraphic nature.

Eventually, Saito abandoned his theater work to focus on developing his particular style of Color Field abstraction, often featuring calligraphic characters drawn from an alphabet of his own creation.

The last, for instance, an illiterate farmer from rural Georgia, produced thousands of calligraphic scrawls — «the language of the Holy Spirit, direct from God» — after an eagle appeared to him.

The faces emerge from a gaseous swirl of almost calligraphic lines, the heads melded together as the young man looks forward to the future and the bearded elder looks back to the past with occluded eyes.

Estrada often begins her drawings with a free and calligraphic stroke and then proceeds on an imaginative journey from the general to the highly specific.

«The Patriots» gaze earnestly into the camera, hands on hearts, adorned with exquisite calligraphic renderings of Persian poetry, lines from Iranian prison memoirs, verses from the Shahnameh.

With its thin, delicate tracery of black threading throughout the strokes of whites and filaments of shifting color forms, Number 15 is a fitting culmination of Tomlin's career.By inclination a superb colorist, Tomlin reduced his palette from 1945 to 1947, and focused first on the painterly mark, adapting a calligraphic technique within a vaguely Cubist structure of horizontals and verticals.

In Onibaba I and Onibaba II images of brightly colored Noh masks emerge from a network of bold, black calligraphic lines derived from Japanese perforated screens and lanterns.

«Exaltations» features works from the «The Lost Exhibition,» calligraphic canvases that Sadequain made in Paris in the late - 1960s and left behind when he departed France with the intention to return, but never did.

This important exhibition will feature more than twenty paintings from various periods of his forty year career: rare «early spray» paintings from the late 1960s, saturated stained canvases from the 1970s, dizzying spray ovals from the 1980s, pulsating orbs from the 1990s, and rhythmic calligraphic swirls from his last decade.

Looking down from a plane, the artist studied the Canadian River, whose twists and turns he represents with flowing, calligraphic lines.

Born in Tangier in 1983, Zakaria Ramhani have started a project entitled «From Right to Left» since 2006, in which he composes a series of portraits in painting using a dense network of Arabic and Latin calligraphic letters.

The exhibition was a move into sculptural work establishing a shift from his 2dimensional calligraphic work.

The show presents over 30 paintings spanning 40 years including rare «early spray» paintings from the late 1960s, saturated stained canvases from the 1970s, dizzying spray ovals from the 1980s, pulsating orbs from the 1990s, and rhythmic calligraphic swirls from his last decade.

From his first solo show at the Willard Gallery in 1949 to the mid-1950s, Lewis's reputation steadily grew, and he developed his own individual style consisting of calligraphic, fluid forms suggesting groups of figures engaged in kinetic activity.

His paintings of traditional ceramic jars overlain with text taken from popular colloquialisms, for instance, recall the «spiritual pop art» of artists who, in the»60s and»70s, revisited traditional Arabic calligraphic methods.

Originally curated in 1984 by Jeffrey Deitch (Director, Museum of Contemporary Art, Los Angeles) at Leila Heller's former uptown gallery, Calligraffiti explored a myriad of possible connections shared between the seemingly disparate styles of select mid-century abstract, U.S. graffiti, and calligraphic artists from the Middle East and its diaspora.

I think of it too as how one comes to the final calligraphic brush mark by the repeated making of a from.

Then with the brush, midair on the ladder, she shoots from the hip, flicking calligraphic arcs of golden spatter onto the canvas, over the dense, metallic tendrils.»

Keenly attuned to language itself, Sill - man is interested in generating mismatches, disjunctions, and parapraxis from the materiality of the calligraphic impulse.

Concrete Alphabets is a group exhibition that brings together 6 contemporary artists working in the medium of analog painting, all of whom concentrate on the material qualities of letterbased work from gestural, abstract, calligraphic, hieroglyphic, and more.

Her work was also unique in terms of her commitment (in varying degrees) to maintaining some figuration — usually patterns from nature and sometimes calligraphic elements such as Hebrew letters — and a cerebral sense of control, in contrast to the less - controlled automatism being practiced by her contemporaries.

Considered the founder of Lyrical Abstraction — a movement distinct from geometric abstraction in the organic style of its forms — and the organizer of the «Abstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale paintings featuring curving calligraphic lines.

Done during the»60s, this selection shows Lukin moving quickly and confidently, from rectangles which protrude along a seam, to rectangles to which another rectangle is attached, to a loopy pink calligraphic form abutting a corner and hugging a wall, to what looks like a big blue tongue with red sides hanging down from the vertical rectangle to which it once belonged, to what looks like an odd model for a table in a upscale diner, but which is clearly non-functional.

In RESIST, text is used as a repeated element rising from the floor to the ceiling intertwined in an elaborate white calligraphic motif.

Concrete Alphabets is a group exhibition that brings together 6 contemporary artists working in the medium of analog painting, all of whom concentrate on the material qualities of letter - based work from gestural, abstract, calligraphic, hieroglyphic, and more.

Near - abstract tree shapes also incorporate his calligraphic marks, with branches constructed from imaginary letters.

The ten amazing artists presented here all come from different cultures and every heritage in calligraphic sense shines through their work.

From his early monochrome paintings to his calligraphic loops and webs, Brice Marden has unwaveringly adhered to modernist principles of abstraction.

There's a great wall of Lucio Fontanas, all 1962 works from his Spacial Concept: Waiting series, and a terrific pairing of spare, calligraphic paintings by Jean Dupuy and Judit Reigl — all in close proximity to Anthony Caro's lyrical sculpture Orangerie (1969), a recent acquisition.

Polke Letter, 2010 — 11, a trademark calligraphic abstraction on linen, continues Marden's ongoing «Letters» series, whereas the marble painting For Blinky, 2011, which uses a similar palette to some of Palermo's work, reminds the viewer that these works, which might otherwise feel withdrawn from the present, are responses to his contemporaries, making them not only meditations on the relationship between paint and surface but also dialogues between Marden and his generation.

The works on view, selected from Asia Society Museum's new acquisitions of contemporary ink and calligraphic art, highlight exemplary works by Gu Wenda, Minjung Kim, Qiu Zhijie, Sun...