Before becoming a lighting director, he worked a variety of jobs in film ranging
from camera operator to sometime actor.
Not exact matches
The defence secretary has turned into a figure of ridicule, but away
from the
cameras he is proving a canny
operator who may be about to secure new funding for his department.
The game controller - style joysticks and buttons allow the
camera operator to change perspective within the virtual 3 - D space; move the
camera down and tilt it up and the monitor displays a CGI character
from below, just as if you were pointing a real
camera at a real actor.
Human
operators outside the danger zone guide them, watching video
from tiny
cameras to look for victims.
The entire process works like this: the human
operator receives images
from the
camera mounted on the turtle.
When an actor begins to sing, the
camera rushes in and fastens on the performer's face, positioning itself just below the head, somewhere between the navel and the Adam's apple — and canted
from 30 to 45 degrees, although the angle changes as the performer moves and the
operator scampers to keep up.
The film is shot primarily by
camera operator Lukasz Zal, making his feature debut; he took over shortly into the shooting
from the director's usual DP Ryszard Lenczewski, who stepped out partly because of illness.
We find notes
from director Peter Jackson, extras wrangler Josie Leckie, director of photography Andrew Lesnie,
camera operator Richard Bluck, armour weapons standby John Harding, greens master Brian Massey, co-producer Rick Porras, designer / sculptor Daniel Falconer, senior machinist / engineer Dominic Taylor, animation supervisor Randall William Cook, stunt performer Steve Reinsfield, extras casting Miranda Rivers and Victoria Cole, painter Brett Larsen, carpenters Geoff Goss and Ross Hoby, supervising unit location manager Richard Sharkey, 2nd AD Marc Ashton, stunt performers Mana Davis and Sala Baker, 2nd unit director Geoff Murphy, boom
operators Eoin Cox and Corrin Ellingford, on set art director Simon Bright,
camera operator Peter McCaffrey, motion control
operator Henk Prins, previsualisation supervisor Christian Rivers, digital surveyor Nick Booth, stable foreman Lee Somervell, gaffer David Brown, set finishing supervisor Kerry Dunn, on set art director Joe Bleakley, effects technician Peter Zivkovic, on set prosthetics makeup Tami Lane, 3rd AD Chris Husson, Weta Workshop's Richard Taylor, effects technicians Darryl Richards and Scott Harens, stunt rigger Paul Shapcott, New Zealand stunt coordinator Kirk Maxwell, swordmaster Bob Anderson, medic and safety officer Andy Buckley, supervising art director Dan Hennah, conceptual artist Alan Lee, Gimli scale double Brett Beattie, and actors Dominic Monaghan, Billy Boyd, Andy Serkis, Bernard Hill, Brad Dourif, Elijah Wood, Orlando Bloom, Sean Astin, Miranda Otto, and Viggo Mortensen.
We see him gliding down
from a multitude of angles below and then the abundance of
camera operators on the field.
Morrison, who started as a
camera operator in 2001 and has since been the cinematographer on such films as Cake and Dope and the DP on Fruitvale Station, was also the first woman to get Best Cinematographeer
from the New York Film Critics Circle Award.
Anderson made a few headlines when word broke that he wasn't working with a traditional cinematographer for Phantom Thread, and rather handling most of those duties himself, with some assistance
from gaffer Michael Bauman,
camera operator Colin Anderson, first assistant cameraman Erik Brown and grip Jeff Kunkel.
He says current students have a broad perspective on news, and they have an affinity for technology that leads to a high level of professionalism in every aspect of production,
from the on - air talent to the
camera operators.
Just to warn you, apparently the
camera operator couldn't control themselves enough to keep
from laughing.
Private Battle Spectator View is a new functionality that will allow up to two people to participate in a Private Battle as
camera operator to observe the 8 - player battle
from multiple angles.
This breakthrough in squid - observation technology will allow up to two non-players to participate in a Private Battle as
camera operators to observe all the action
from multiple angles *.
Magid has shown surveillance footage
from those performances, as well as another 2004 performance, Trust, in which a
camera operator guides her through London, blindfolded, via cell phone, as he watches her onscreen at his monitoring station.
Camera Operators work in a variety of settings;
from making films to documentaries, they do everything.
Professional Experience Spot Creative Media Group (St. Louis, MO) 10/2008 — Present Marketing Communicator • Serve as freelance
camera operator, audio technician, and grip in the production of studio, field, and live events • Provide expertise to clients seeking high - quality, cost - effective traditional and interactive media broadcast production • Produce videos for varied clients including Barnes Jewish, Ameren UE, St. Louis University, and Washington University • Assist in web based production including the capture of client profiles for website use and the production of internet videos • Involved in the production of «Be a Billiken» campaign for Saint Louis University • Work directly with network correspondents
from The Weather Channel, CNN, Fox News, ABC and others
An onboard HD
camera allows the
operator to fly the drone far
from where they're standing and take video and still shots
from angles that are impossible to get any other way.