Sentences with phrase «from car culture»

The producers make a conscious shift away from the car culture that has defined it in an attempt to widen the audience.

Not exact matches

According to sources close to the situation, Uber's full board will meet tomorrow (June 11) morning to consider a series of recommendations — which could include calling for the firing of some top managers — from an investigation that looked at the car - hailing company's toxic culture.

Peter Whittle pointed out in the September Standpoint magazine that «If faced with a group of gang members playing music unbearably loud in the car next to them at traffic lights I personally know of nobody - nobody, from Daily Telegraph reader toGuardian reader - who would risk asking them to turn it down... but it's not just the gang culture.»

I never made it to Counter Culture because it was a bit far to get to from my AirBnB without a car, but I did get to Boulin Creek and had their Renedict, which was amazing!

A study of how individuals in the region travel the area shows a shift could be coming away from the traditional car - centric culture.

From his pop - culture perspective, Thompson can see a world where Hummer - loving Americans abandon their monstrous vehicles to go green, prompting a race to see who can get the smallest, most efficient, greenest car around — a trend that may be starting now.

Outside of Paris there are endless options to choose from so be sure to make a list, hire a car, and go discover wine culture first hand!

More than any other type of songwriting, rap lyrics are peppered with pop culture references, from movies to cars to sports to fashion to other rap songs.

The second feature from director Robert Zemeckis and co-writer and producer Bob Gale, Used Cars comes right out of the screen comedy culture of the late 1970s and early 1980s, when the underdogs snubbed their collective noses at authority, propriety, property and privacy laws and anything else that crossed their paths in slobs vs. snobs comedies like Animal House (1978), Caddyshack (1980) and Ghostbusters (1984).

• West Coast Urban Setting: From dusk till dawn, discover an open world of urban car culture you never knew existed.

The «Stanceworks Track Expansion» features «two modified vehicles from the renowned car culture enthusiasts, Kiwi Mad Mike Whiddett's insane MX - 5 RadBul Formula Drift car, and the KTM X-Bow R, as well as a brand - new road course of Bannochbrae set in the highlands of Scotland,» publisher Bandai Namco today advised.

«As we've seen hundreds of times over the years — from «Bullitt» to «Gone in Sixty Seconds» — Mustang fits the bill perfectly, and it's really a car that represents American culture at its best, which is why we chose it for Toby's ride in «Need for Speed.

Changing the culture from a car company into a truck company has been a rocky road.

The culture of cars can be felt from its roots in Detroit industry to the historic development of the U.S. interstate.

Made in 27 sizes to fit every chassis from Crosley to Corvette — all of which sold for the low price of just $ 295 — these Ferrari Monza - inspired shells were a fixture of the 1950s and»60s era sports - car culture.

Aston Martins are far removed from American car culture, but the V12 Vantage that when you shoehorn the biggest engine possible into the engine bay of a smaller car, the result is a hot rod.

The pair grew up with a love for cars, thanks to the car culture that surrounded them, from auto shows to racing.

As darkness falls, what better way to explore Berlin's unique mix of history and hip culture than from the warmth of the world's most exciting four — door sports car?

From there, master designer, Kei Miura draws inspiration from his background in Japanese classic car culture, to rethink and reinvent the overall image of modern vehicles with old school design cFrom there, master designer, Kei Miura draws inspiration from his background in Japanese classic car culture, to rethink and reinvent the overall image of modern vehicles with old school design cfrom his background in Japanese classic car culture, to rethink and reinvent the overall image of modern vehicles with old school design cues.

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With a colorful rooftop showcasing spectacular city views and a three - story light sculpture of L.A.'s infamous freeways in the sky lobby, the property brings the indoor / outdoor lifestyle to life while drawing design inspiration from the city's car culture and urban scene, foothills and classic beach towns.

Alanya Castle is only a short drive away from the Ark Suite Hotel, if you fancy venturing out for a taste of Turkish culture, or why not visit the Roman ruins in Side — it's only an hour away by car.

The technology and culture of cars were imported from Niflheim, but this pertains to the past.

A series of championships each offer a number of racing divisions to choose from, themed with a fine eye for every corner of motorsport culture and car design - racing trucks, vintage Grand Prix, early hot hatches and so on - plus a few dramatic one - off «showcase» events as palate cleansers.

As a big majority of them are right - handed, the cars are engineered and designed to be steered from the left side, which allows drivers to better protect themselves against the upcoming threats — when technology was imported to the other nations this designing choice was assimilated in their cultures as well.

The fourth Track Expansion features two modified vehicles from the renowned car culture enthusiasts Stanceworks, Mad Mike Whiddett's insane MX - 5 RadBul Formula Drift car, and the KTM X-Bow R, as well as a brand - new road course of Bannochbrae set in the highlands of Scotland...

Firstly, it's an incredibly immersive game that seems to soak you up with car culture, from beginning to end.

Kate Burnet's and Dan Woerner's recent videos weave images from pop culture, the 1961 British film The Day the Earth Caught Fire, and their own animations of burning cars, among other collected material, into a complex system of images that do not rely on a traditional linear narrative format.

The experience of the automobile as both object and idea comes to frame multiple and divergent artistic inquiries on the car, the road, and a culture of ever - increasing acceleration, emergent from the work of multiple, renowned Post-war and contemporary artists.

This exhibition also includes a new work from the Bruce High Quality Foundation, which exploits the cultural importance of cinema to the mythos of car culture as the brightly hued bumper of a New York City taxi, equipped with a motion sensing device, which interrupts the viewers experience, delivering the soundtrack of the movie Taxi itself as the spectator approaches.

The sixty plus works of art by nearly forty artists, additionally reflect international artistic responses to an US dominated ideology of car culture — either in its specificity as an object or in its symbolic significance — from Swiss - born Sylvie Fleury to Belgium's Wim Delvoye.

Through her photographs and sculpture new universes are built, simultaneously urban - rural and high - low with their own language of symbols created from such seemingly disparate sites as HUD houses, rez cars, three legged dogs, powwow culture, proliferative indigenous commoditization, and Red Star's personal collection of memories growing up as a half - breed on the Crow Indian reservation.

The collision of forces — when the echoes of influences from Europe (Cubism), New York and San Francisco (Abstract Expressionism) collided with the sun drenched, laid back, fetishistic Southern California car and surfer culture, and bohemian drug scene — produced an explosion of creativity that became known as the LA Cool School.

One can see the dynamic cubist cityscapes of Lyonel Feininger's paintings from the early 20th century as well as the expertly crafted pin - striping of American hot rod car culture.

Prince's technique involves appropriation, and he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility, with images stemming from the Marlboro Man, muscle cars, biker chicks, off - color jokes, gag cartoons and pulp fiction novels, among many other sources.

At no time was this more evident than in the later»60s, when, fed up with reductive critiques that related his sculptures to car crashes and thence to the violence supposedly endemic to contemporary American culture, Chamberlain took a seven - year sabbatical from his signature medium.

With a particular style, vision, and palette influenced by comic books, B - movies, advertising, and car culture, the lowbrow aesthetic is both a cultural reality and a romantic encapsulation of how The West is seen from afar.

«I'm drawn to their use of industrial materials, resins, plastics, and fiberglass; along with color palettes drawn from psychedelia and custom car culture.

, Light Museum, Eindhoven, The Netherlands Gadgetry and Rites, Yuz Museum, Jakarta, Indonesia 2009 Entrance — Li Hui Solo Exhibition, Beijing Art Now Gallery, Beijing, China Dialects of Void & Substance, Tang Contemporary Art Center, Hong Kong, China Between Dimensions, Kuandu Museum of Fine Arts, Taipei, Taiwan 2008 Shiny Li Hui, A Art Contemporary Space, Taipei, Taiwan Samsara, Bund18 Creative Center, Shanghai, China 2007 Spin, Tang Contemporary Art Center, Beijing, China GROUP EXHIBITIONS 2015 Myth / History II: Shanghai Galaxy, Yuz Museum, Shanghai, China Future, Now, SomoS, Berlin, Germany 2014 Outside the Lines, New Work From China, RH Contemporary Art, New York, NY Sharks & Humanity, Musee Oceanographique de Monaco, Monaco, Monaco Re-View — Opening Exhibition of Long Museum West Bund, Long Museum West Bund, Shanghai, China the 8 Paths, Ufferhallen Berlin, Berlin, Germany MYTH / HISTORY - YUZ COLLECTION OF CONTEMPORARY ART, YUZ Museum, Shanghai, China Welcome to Parkview Green - Parkview Contemporary Art Collection, Parkview Green Exhibition Hall, Beijing, China Sensorium 360, Singapore Art Museum, Singapore, Singapore By Destiny, Arario Museum Tapdong Cinema, Jeju, Korea 2013 @WHAT: Selected Works of Contemporary Chinese Art, Arko Art Center, Seoul, South Korea Artificial Natures, Maubeuge Espace Sculfort, Maubeuge, France Artificial Natures, Maison des Arts de Creteil, Paris, France Artificial Natures, Lille St Sauveur, Lille, France Uneasy Trip in Asia, Star Gallery, Beijing, China 2012 CHIMERA - THE COLLECTORS SHOW, Singapore Art Museum, Singapore Licht Linien Light Lines (un) wirklich (un) real, Centre for International Light Art, Unna, Germany Water Stains on the Wall - The Carrier of Formation, Zhejiang Art Museum, Hangzhou, China I Light Marina Bay 2012, Marina Bay, Singapore Lust and Love of the Young and Liberated, 798 Space, Beijing, China Modern @ Modeng - Gallery Hotel Art Project, Gallery Hotel, Beijing, China Future Pass, Today Art Museum, Beijing, China Future Pass, National Taiwan Museum of Fine Arts, Taichung, Taiwan Open Sky, Changjiang Art Centre, Chongqing, China 2011 Dual Senses and Dynamic Views - Contemporary Art Exhibition across the Taiwan Straits of 2011, National Art Museum of China, Beijing, China Dual Senses and Dynamic Views - Contemporary Art Exhibition across the Taiwan Straits of 2011, National Taiwan Museum of Fine Arts, Taichung, Taiwan Matière - Lumière Matter - Light, Béthune 2011 Capitale Régionale de la Culture, Béthune, France CAR CCulture, Béthune, France CAR CULTURECULTURE.

Inside, her mixed - media works Corvette and Crow employ actual car materials — ranging from tires to break lights — as comment on consumption, car culture, and even museum - going itself: her show will undoubtedly be viewed by the weekender crowd, who need to traverse highways to visit the Parrish.

The mélange may include spray paint, oils, watercolors, enamel car paints, acrylics, glass, shredded plastic, wire, dirt and found objects ranging from junk shop finds to vintage ads to pop culture kitsch to crayons.

American car culture has often featured in his work, from shiny hoods and leather interiors to car washes and highways in what have become iconic images.

Then there were the Ferus artists, a group that would eventually include John Altoon, Larry Bell, Billy Al Bengston, Robert Irwin, Craig Kauffman, Ken Price, and Ed Ruscha, many of whom took inspiration from California car - and - surf culture.

«Aside from the city's history as a film center, and its pervasive car culture,» Tattersall commented, «the film, as well as the entire exhibition, is pertinent to the Los Angeles River.

The country's car culture is actually a car policy, and it comes from higher above: since Brazil has surpassed France as the fifth auto - maker in the world, the federal government offers great incentives to make cars accessible (when sales dropped in April, a new package of measures was quickly launched to boost the industry.)

I think, from an environmental standpoint, it obviously has benefits — driving less and reducing pollution and greenhouse gases — but on the community element as well, I get to actually interact with my neighbors, which is a pretty rare thing in the LA car culture, and I get exercise, but, ultimately, I just get to slow everything down, which allows me to think more clearly, and really connect to what's important to me in my life.

Canning credits the Dutch with the effort to turn away from car - centric culture in the 1970s to re-embrace a more walkable, bikeable standard for cities and include slow - moving but hard - working cargo bikes.

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Before the «Big - Dig» the highway, separated the city from the waterfront, and was a prime example of the dominance of a car culture.