Brooklyn was represented by Black and White Gallery featuring sculptures by Peter Brock, Causey Contemporary representing Jordan Eagles, and Porter / Contemporary showing paintings by Jason Bryant which combined images
from classic cinema with skateboard graphics.
Not exact matches
Regal
Cinemas offers its Summer Movie Express with family films for $ 1 throughout the summer, and
Classic Cinemas gets in on the act with its Wednesday Morning Movie Series, which includes games and activities and visits
from popular characters (and costs just a buck).
When I wore this outfit to the
cinema * last night, my friend commented that I was giving off some serious biker vibes, very different
from my usual more
classic looks.
Guest post
from Mary who blogs about all things to do with vintage and
classic cinema at We Heart Vintage
[img] http://images.rottentomatoes.com/images/user/icons/icon14.gif [/ img] The Pact feels as if it's been constructed
from an infinite number of inspirations stretching
from classic ghost story horror
cinema to the recent wave of found footage films but at the same time because of such great execution you could never actually call it generic.
From bio-pics and rock - docs, to concert
classics and killer soundtracks, these are
cinema's all - time greatest hits.
FLIX ® is a celebration of all things
cinema,
from knee - slapping comedy to face - slapping film noir, get ready to experience the history of Hollywood, one
classic at a time.
From A Trip to the Moon (1902) to Arrival (2016), science fiction
cinema has produced a body of
classics with a broader range of styles, stories, and subject matter than perhaps any other film genre.
I love American
cinema from the 70's and I'm a fan of Peter Yates»
classic cop thriller Bulllitt, so it was a no - brainer for me to accept an offer to review Yates» 1973 crime drama The Friends of Eddie Coyle.
His 3D family film / love letter to
classic cinema earned rave reviews
from critics, but the win here is the first marker that this one may be a dark horse in the next few months.
Ensemble comedies are a mainstay of
classic cinema —
from crime capers to family drama - comedies, the sub-genre is a tricky one to get right — but nothing lights up the screen quite like a cast that just click.
I tend to associate the Criterion Collection with exemplary releases of
classics from Hollywood (like the recent Blu - ray of John Ford's Young Mr. Lincoln) and international
cinema (like Carl Theodor Dreyer's Vampyr).
All of this is a shame, because the seeds of a conceptually daring project are present here: a mainstream Hollywood special - effects action extravaganza retelling a
classic Japanese legend with a cast made up mostly of Japanese actors, many of them mainstays in the country's contemporary
cinema, and all of whom are allowed to occasionally take the spotlight away
from its more widely known marquee star.
The Week in Movies discusses the last seven days in
cinema, including Avengers: Infinity War's name change, young Han Solo being cast in the Star Wars spin - off movie, Universal's
Classic Monster MovieVerse continues to grow, and much, much more... The Week in Movies is an excerpt
from the weekly Flickering Myth Super Newsletter.
From outstanding writing to beautiful cinematography and all of the inbetween of characters and their actors, Three Billboards outside Ebbing, Missouri is nothing short of
classic Americana
cinema that is worthy of notice and heaps of praise.
Since then, the zombie movie has been a staple at the
cinema and at home, with offerings ranging
from the totally»80s
classic Night of the Comet to the biggest box office zombie flick yet, World War Z. Because there are only so many ways to serve up brains, and with TV's The Walking Dead doing an excellent job of that on a regular basis, filmmakers are taking unique approaches to zombies and treating them as characters, not just mindless threats.
Up until this point, John Cusack had spent almost his entire cinematic career in teen comedies,
from Class to The Sure Thing via cult
classic Better Off Dead to the misfired Hot Pursuit, Cusack's unique and very human screen persona stole every show he was in - but by 1988, he'd become determined to move on into more serious and adult
cinema.
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from the world of independent film.
Brilliant
cinema, good selection of beers and awesome film showings
from classics, all night movie marathons and new block busters.
Bertolucci cuts these scenes with clips
from a wonderful selection of
classic cinema: Garbo memorizing her room in Queen Christina, Nadine Nortier's suicide in Bresson's Mouchette, Fred Astaire waking Ginger Rogers in Top Hat, Odile, Arthur, and Franz's sprint through the Louvre in Bande á part, and so on — asking his young actors to mimic these scenes in motions that are part trance, part tango.
The first week of SIFF promises a plethora of interesting
cinema,
from well - known auteurs like Terence Davies and Whit Stillman, to more obscure finds
from Thailand, Japan, China and the wilds of Portland, and established
classics from Orson Welles and Douglas Sirk.
From rare archival prints of iconic
classics to the latest and greatest works of modern
cinema, Ebertfest's lineup has it all.
A stunning debut that delivers both laughs and thrills in equal measure, Attack the Block features superb performances
from its young cast — led by John Boyega as gang leader Moses — and although it went largely unnoticed in
cinemas (banking just under # 2.5 m here in the UK), it will surely go on to become a cult
classic.
For a fan of
classic cinema, there is nothing quite like seeing a black and white film presented beautifully in High Definition, and My Darling Clementine looks splendid on Blu - Ray
from The Criterion Collection.
Before you pour the bucket of pig's blood on me, I want to first say I'm well aware Silence is adapted
from Shūsaku Endō's novel of the same name, which was also turned into a film in 1971 that received worldwide acclaim upon release (another Scorsese remake of an Asian
cinema classic!).
To think about Italian
cinema in the immediate postwar era is almost inevitably to conjure up heartrending images
from the
classic neo-realist films...
Old School Kung Fu Fest (OSKFF) is an annual celebration of
classic kung - fu films, bringing back to the big screen the rarest, wildest, and most incredible martial arts, action, and other genre
cinema from the «60s, «70s, and «80s.
From cult
classics and arthouse gems to Hollywood must - sees, we bring you the best films international independent
cinema has to offer.
Brandon's love of movies grew
from the weekly trips to the theater with his father and exposure to the
classic cinema at a young age.
The Long Hair of Death (Raro, Blu - ray, DVD)-- Raro Video, the American arm of an Italian home video company, is one of only a couple of disc labels with a tightly - defined mission, in this case a focus on
classics of Italian
cinema that ranges
from auteur masterworks to genre landmarks and cult items.
From cinema classics, to those which are trashy (but still watchable).
Fresh
from the playfully exuberant A Hard Day's Night, which set the bar for rock and roll
cinema and inspired the modern music video, Richard Lester continued the same acrobatic, tongue - in - cheek style in The Knack... and How to Get It (Kino Lorber Studio
Classics, Blu - ray), his adaptation of Ann Jelico's lightweight play «The Knack,» creating a delightfully frivolous take on swinging London and the sexual revolution.
«Wadjda» Given that it was made by a female director in an environment as hostile to both women and film as Saudi Arabia (where women can't drive, and
cinemas have been closed for decades), it's genuinely staggering that «Wadjda» — which made its U.S. debut at Tribeca on its way to a full release
from Sony Pictures
Classics — turned out as brilliantly as it did.
The first (and probably the best) horror film
from master Mario Bava works as both an homage to the Universal monster
classics and an early harbinger of the graphic violence that would eventually become a large part of Italian horror
cinema.
The Shape of Water wears its
classic Hollywood influences on its sleeve, up to and including a story that openly riffs on the 1954 sci - fi - horror
classic The Creature
From the Black Lagoon, a black - and - white dance sequence straight out a Ginger Rogers and Fred Astaire picture, and a main location set over a
cinema that's playing Henry Koster's 1960 biblical epic The Book of Ruth.
Even in fine Christmas season films
from the US, Santa Claus has been tarnished with a cynical brush that paints him as a rather desperate loser or out - and - out nutcase — Gene Hackman's undercover cop Santa in William Friedkin's The French Connection (1970); Dan Aykroyd's smashed Santa in John Landis» Trading Places (1983); and the one - two combination of
cinema's worst shopping mall Santas, Jeff Gillen in Bob Clark's A Christmas Story (1983) and Billy Bob Thornton in Terry Zwigoff's bad - taste, big - heart
classic Bad Santa (2003).
Del Toro's love of
cinema is so resonant here, clearly taking inspiration
from the
classic monster movie Creature
from the Black Lagoon.
It's the
classic hardboiled private - eye movie; the nervy maiden offering of its celebrated director, John Huston; the first glamorous star vehicle for Humphrey Bogart, an icon of American
cinema and the 20th century's definition of existential cool; and still the most triumphantly well - cast movie
from Hollywood's golden age (rivaled only by Casablanca).
From the so called Package, a weekly update of content privately distributed in Cuba, which include a
Classics section, I picked out Andrzej Wajda's Czlowiek z źelaza (Man of Iron, 1981), a quintessential piece of auteur
cinema, blending fiction and facts in an unprecedented and maybe never again possible way, all suffused with romanticism.
To think about Italian
cinema in the immediate postwar era is almost inevitably to conjure up heartrending images
from the
classic neo-realist films like Roberto Rossellini's Roma città aperta (1945) and...
From Scorsese's inventive direction, his symbolism, use of music and the great performances, there's no doubt in my mind that it's one of the
classics of American
cinema!
There's no official nationwide re ‑ release of a Christmas
classic planned this year, but instead
cinemas are programming a lot of event
cinema: livestreamed opera and ballet
from swanky big - city venues.
The Girls Trip star accepted her best - supporting - actress prize
from the New York Film Critics Circle around the halfway point of the N.Y.F.C.C. gala, after a tribute
from Sony Pictures
Classics co-president Michael Barker to the recently deceased Lincoln Plaza
Cinemas owner Dan Talbot, and before Jane Pauley handed the best - picture prize to Greta Gerwig for Lady Bird.
Filled with armored brutes, vicious aliens, and outlandish bosses, the world of Speed Brawl captures the humor and over-the-top action
from over three decades of cult
classic cinema.
The
cinemas look like they have been directly taken
from a game in the 80's with its almost LEGO looking graphics and
classic frame rate issues.
Inspired by the tropes of horror
cinema and
classic gaming experiences like Dungeon Keeper, MachiaVillain lets you build the macabre mansion of your dreadful dreams
from harmless house up to nightmarish palace of panic.
Although the lack of the full
classic Zelda theme (except in the intro
cinema) is a travestry against humanity and should not go unpunished, the music is another great accomplishment
from Koji Kondo and the rest of the sound staff.
There's also plenty of fanservice and pop culture references littered throughout the title,
from surprise characters in story mode to even more surprising nods to
classic cinema in certain fatalities.
It is, however, a persuasive treatment of the issue, through the lens of Call of Duty: Black Ops and Yusuf comes across as more exasperated than excoriating: «Though Black Ops blatantly lifts scenes and lines
from cinema classics like Full Metal Jacket and The Deer Hunter, it fails to communicate the same anti-war message that Kubrick and Cimino did.»
Filled with armored brutes, vicious aliens, and outlandish bosses, the world of Speed Brawl captures the humor and over-the-top action
from over three decades of cult
classic cinema.