Sentences with phrase «from classical modes»

examines the sometimes violent shift away from classical modes and features artists as bold in the visions they build as they are ruthless in the rules they break.

The media of the show is diverse, ranging from classical modes like painting and sculpture, to experimental video and animation, and using the tropes of science fiction including dystopia, cosmology, and fantasy to restructure narratives and create alternate realities.

Not exact matches

By working out a neoclassical theory of nonliteral religious discourse consistent with his neoclassical theism generally, he has not only overcome the notorious contradictions involved in classical theism's use of analogy and other modes of nonliteral language, he has also given good reasons for thinking that our distinctively modern reflection about God results from two movements of thought, not simply from one.

First, he distinguishes from classical empiricism a revisionary description of experience according to which sense perception is neither the only nor even the primary mode of experience, but is rather derived from a still more elemental awareness both of ourselves and of the world around us» (PP 78).6 On Ogden's analysis, both the classical and this first type of revisionary empiricism «assume that the sole realities present in our experience, and therefore the only objects of our certain knowledge, are ourselves and the other creatures that constitute the world» (PP 79) 7 With these «two more conventional types of empiricism» he contrasts a «comprehensive» type of revisionary empiricism distinguished from them by its consideration of the possibility (and then also by its claim) that the internal awareness it asserts together with the former revisionary type is «the awareness not merely of ourselves, and of our fellow creatures, but also of the infinite whole in which we are all included as somehow one» (PP 87, 80, 85).

Anytime you are considering moving from one mode of thinking to another, especially one as radically different from the problem - solving mode as this classical one is, it helps to have a few ideas that will get you thinking in this new way.

Two play modes will challenge you: Find the right piece from different piles or puzzle the pieces per drag and drop in classical mode.

After his last truly Futurist works — a series of paintings on war themes — Severini painted in a Synthetic Cubist mode, and by 1920 he was applying theories of classical balance based on the Golden Section to figurative subjects from the traditional commedia dell» arte.