Sentences with phrase «from classical painting»

Drawing inspiration from classical painting London - based artist is known for his unique blend of serene, realistic elements along with expressive brushstrokes and the raw energy of abstraction.

Primarily in color and often large - scale, the photographs reference everything from classical painting and avant - garde cinema to science fiction illustration and Alfred Hitchcock.

Organized by Boesky assistant director Aniko Berman, the exhibition offers work in a variety of media — from classical painting to digital imaging — that mixes reality with fantasy, the natural with the grotesque.

Martial Raysse increasingly used the vocabulary of pop commercial graphics with often ironic subjects from classical painting.

The Charlatan Ink Art Prize for the Visual Arts is open to all artists practicing VISUAL ART: painters (in any medium & stylistic expression from classical painting to collages to illustrations to graffiti to drawing to print); photographers (film / digital); sculptors... Continue reading →

Drawing from classical painting and architecture, the contemporary urban landscape, and popular culture, Scheibitz deconstructs and recombines signs, images, shapes, and architectural fragments in ways that challenge traditional contexts and interpretations.

Painting styles range from Classical Painting styles to abstract figuration and paintings that make use of surrealism.

Gardner ties in imagery from classical painting to open up the historical perspectives while simultaneously asserting his contemporary identity into the history of art.

The rest is symbols that you can harvest from pop culture or you can harvest from classical painting, from photography.

Dawn of War III The Story Behind Announcement Trailer - Learn how Axis Animation and director took inspiration from classical paintings to build the game's brooding expository cut scenes.

Mixing clips from classical paintings with new footage from daily life, he has blurred the boundaries between art and living.

A total of 150 works by some 80 artists will be shown, from classical paintings of the forties through Andy Warhol to contemporary renowned and as well yet less known protagonists of young international art.

Not exact matches

The collection of classical and contemporary paintings, on loan from the Metropolitan Museum of Art, has been featured in Architectural Digest, and is perfectly accented by the French lace curtains and Viennese velvet draperies.

After 1940, artists began using plastic - based material that was a far cry from the oil - based paints used by classical painters.

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

Ne Change Rien (Unrated) Musical bio-pic painting an intimate portrait of Jeanne Balibar, following the French chanteuse from rehearsals to recording sessions, and from classes to concerts, as she exhibits an enviable versatility by performing everything from hard rock to classical opera.

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

Murakami employs his «Superflat» style in his dragon paintings which is a combination of a highly refined classical Japanese painting technique and a wide range of subject matter from Pop, animé and otaku.

The term history painting was introduced in the seventeenth century to describe paintings with subject matter drawn from classical history...

In these stills from the scene that appears in Belz's original trailer, Richter very thoughtfully creates classical gestural abstractions: Which remind me of nothing so much as the great, underappreciated - until - just - now, large - scale paintings of Willem de Kooning from the mid-1970s.

Rashid Rana from Pakistan, represented by Leila Heller Gallery, showed large C - prints of classical paintings with oriental subject matter and opulent still - lives that have been rephotographed, overlaid by a digitally produced grid and partially obscured.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

Eisenman's work is variable, ranging from colored abstract compositions to realist works created in the classical style, and she has consequently proven herself compotent in and comfortable with all facets and styles of painting.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

From «Mother» (2017 — 2018), three new large - scale oil paintings, which borrow their imagery from Disney films, are shown in conjunction with a painted steel sculpture of a female nude in a classical twisted pFrom «Mother» (2017 — 2018), three new large - scale oil paintings, which borrow their imagery from Disney films, are shown in conjunction with a painted steel sculpture of a female nude in a classical twisted pfrom Disney films, are shown in conjunction with a painted steel sculpture of a female nude in a classical twisted pose.

This trick, in which an image is only legible from a single perspective, can be seen in classical paintings, such as William Scrots» 1546 portrait of King Edward VI.

From the same period, Abstraction (1949 — 50) revealed the potent religious symbolism that permeated the artist's iconography, which spans from lust and perdition to salvation, making it a modern take on the reflections on the human condition rendered by the masters of classical paintFrom the same period, Abstraction (1949 — 50) revealed the potent religious symbolism that permeated the artist's iconography, which spans from lust and perdition to salvation, making it a modern take on the reflections on the human condition rendered by the masters of classical paintfrom lust and perdition to salvation, making it a modern take on the reflections on the human condition rendered by the masters of classical painting.

Brought together for the first time, a series of paintings by the classical Venetian artist celebrate the achievements of British architecture and engineering (from March).

It's easy to forget that — with her background in classical painting and a degree from the Ecole Nationale Supérieure des Arts Visuels de La Cambre (ENSAV) in Brussels — Olga still remains relatively new to the digital world.

On the other hand, the classical works included in the exhibition — dating from 1970 — 80 — are some of the most superbly wrought paintings in this genre that can be found anywhere.

No longer setting a stage for a dystopian lifestyle borne by the delusions and failures of the Soviet system, the paintings on view are referencing Soviet visual representation and its history by juxtaposing, in fragments, hypothetical subjects from Soviet life and classical or baroque mythology.

Both Ms. Cox and Ms. Peters exploit classical techniques, mastery of craft, and motifs from the canon to address contemporary concerns in painting and sculpture.

Transplanted from Dumbo to Chelsea for the summer, 247365 presents a show that abandons abstraction and, counterintuitively, explores the reemergence of classical themes — landscape, still life, and portraiture — in painting.

The oversized canvases, abundance of materials used, and divergent techniques in which collaged media and imagery were sourced from classical and contemporary culture then applied effusively in a thickly layered manner are characteristics of Schnabel's continued exploration of painting itself.

Moyer fuses painted canvas and reclaimed fragments of granite, marble, and limestone — stones used in capacities ranging from classical sculpture to kitchen design — into color field abstractions that address ideas of labor, luxury, and beauty.

Although her work results from deep observations of the history of painting — from Velasquez, Rembrandt, Caravaggio and Cezanne among others — her personal vision transcends classical notions of genre and narrative as she invites viewers into a delicious domain of confident brush strokes with a new aesthetic.

The exhibition will spotlight nearly 80 classical paintings and drawings spanning her career of over three decades, from her early days as an art student in New York City to her present - day life in Taos, NM.

In this class students will be painting the model from life using a blend of classical and contemporary techniques with an emphasis on drawing elements and color mixing.

That painting will hang in the Great Hall along with 94 other European and American classical works from the late 16th to the early 19th century.

On view are key works from Colescott's «Bathers» series (1984 - 85), which place black protagonists into the foreground of classical turn of the century paintings.

Drawing inspiration from classical portrait painting of the 17th - century Dutch Golden Age to explore the relationship between her subjects and their environment, Dumas often presents her subjects as heroic, engaged in a struggle of sorts against their marginalization or confinement, and against the spatial and psychological encroachment of people.

The exhibition also features classical paintings by the great 19th - century artists Frederic Leighton and Lawrence Alma - Tadema, revealing the Victorian fascination with re-imagining life in Greece and Rome, from lovers» flirtations to dramatic martyrdom.

Later in life, Russell, disillusioned with abstraction, turned to figurative painting, with inspiration from the classical world.

We'd like to highlight one lot from Sotheby's sale of Fine Classical Chinese Paintings and Calligraphy.

After his last truly Futurist works — a series of paintings on war themes — Severini painted in a Synthetic Cubist mode, and by 1920 he was applying theories of classical balance based on the Golden Section to figurative subjects from the traditional commedia dell» arte.

Peter Holm is a Danish artist working with painting in the extended field, extracting qualities from multiple disciplines such as architecture, design and classical painting.

The Opening Reception is from 7:30 p.m. to 10:30 p.m. Merritt's work is a blend of contemporary and classical subject matter and technique, resulting in the use of a myriad of mediums and textures to convey his vision of painting the human spirit.

An intensive, expert - led summer course exploring the traditional teaching methods pioneered by the Royal Academy Schools, including working from antique classical casts as well as life models, exploring drawing, oil painting and printmaking.

From 1976, Twombly again produced sculptures, lightly painted in white, suggestive of Classical forms.