Sentences with phrase «from commercial illustration»

Over the next two decades, as well as practicing fine art, he also wrote about it and earned money from the commercial illustration and caricature art which he produced for a host of New York newspapers, magazines and periodicals, including ARTnews and PM.

It has borrowed from commercial illustration and architectural, tattoo, and textile design, and exhibited itself as sculpture or in various combinations of all the above, in both abstraction and representation.

Not exact matches

However, by uploading, posting or submitting User Content to the Sites or to our pages or feeds on third party social media platforms (e.g., Daily Harvest's Facebook page, Instagram page or Twitter feed), you hereby grant Daily Harvest a nonexclusive, royalty - free, worldwide, perpetual, irrevocable and fully sublicensable right and license to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, perform and publicly display your User Content, in whole or in part, and your name, likeness, voice and persona in any manner or media and for any purpose whatsoever at our sole discretion, including, without limitation, for publicity, promotional, advertising, trade, business, illustration, artistic and other commercial and noncommercial purposes.

I look for suitable illustrations and / or photographs from online websites and purchase the commercial license.

Influenced by the happenings staged by Allan Kaprow, George Segal, Claes Oldenburg, and others, which incorporated everyday objects and popular culture, Lichtenstein turned to an entirely new imagery culled from the contemporary world of advertisements and comic books and adopted the graphic techniques of commercial illustration.

His early work passed though the styles of impressionism, Orphism, Dada, Surealism, and verbal and visual collagel his later art extended from composition that superimpose linear painted figures upon one another (and, sometimes, several of those on apinted ground), to painting based on pinup nudes and commercial illustrations and, finally, to coarse, heavily textured canvases that depict totems, masks and shields.

In the 1950's Lichtenstein painted in a style derivative of Abstract Expressionism, with subjects that ranged from reproductions of famous paintings to commercial illustration.

Masters of commercial illustration — Charles Dana Gibson, J.C. Leyendecker, and Norman Rockwell — were possibly the only ones free from controversy, and thus left to create iconic and timeless images that transcended their initial purpose, becoming a part of a collective idea of American aesthetics.

Paintings, drawings, commercial illustrations, sculptures, prints, photographs, wallpapers, sketchbooks, and books cover the entire range of Warhol's career, from his early student work to pop art paintings and collaborations.

Like the other members of the group, Bush pursued abstraction as best he could, «abstracting» from nature in a manner derived from the illustrations becoming available in international magazines as well as from his practice as a commercial artist.

This exhibition presents Warhol's book work, from early student - work illustrations of the late 1940s, through to his careers as a commercial artist in the 1950s, Pop fine artist and underground filmmaker in the 1960s, and photographer and Pop culture icon of the 1970s — 80s.

These factors, combined with Tobey's non-demonstrative personality, the small scale and delicacy of his works, his background in commercial illustration, and his distance both geographically and temperamentally from the New York School, counted against him.

I stretch the boundaries of what has been considered viable source material from which to distill human narratives to include exploration into product iconography, vintage illustration, commercial animation and the drawings of children...» T.L. Solien

Covering the breadth and scope of Warhol's prolific career, ANDY WARHOL: TALKING POP explores the legendary Pop Art icon's artistic ingenuity and importance - from his early commercial illustrations of the 1950s such as Love is a Pink Cake and Tattooed Woman Holding a Rose to his iconic portfolios such as Myths of the 1980s.

Pop art Style derived from the popular culture of the 1960s, including commercial illustration, comic strips, and advertising images.