Sentences with phrase «from date of installation»

ARE 442 Average Cost: $ 50,000 to $ 80,000 * Rated Capacity: 10 kW Output: 1,820 kWh / month ** Warranty Stats: 66 months from date of purchase or 60 months from the date of installation, whichever occurs first.

All weighing equipment and parts are covered by manufacturer's warranties from the date of installation.

Not exact matches

The shape even fed into the name — Solyndra — as well as promising half the installation cost in one third of the time, enabling «grid parity» (that is, a price competitive with electricity from fossil fuel — fired power plants) at some imminent date for the first time in the history of solar power.

Dubbed «The Hive,» the installation was clad head - to - toe in Bumble's branding and offered users and non-users alike a date spot, a place to hang with friends, a co-working space, or a quiet respite from the buzz of city life.

† Whichever comes first, from date and mileage of installation by an authorized GM dealer or a qualified service center.

GM Accessories sold over the counter, or those not requiring installation, will continue to receive the standard GM Dealer Parts Warranty of 12 months from the date of purchase, parts only.

This Performance Packs and Components Limited Warranty begins upon dealer installation and registration of the part (s) with Ford Performance and remains in effect for the balance of 36 months or 36,000 miles / 60,000 kilometers, whichever occurs first, calculated from the start date of the manufacturer's New Vehicle Limited Warranty.

A new Assassin's Creed Syndicate playable demo will benefit from the biggest installation of its kind for Ubisoft to date.

Caribbean: Crossroads of the World will highlight over two centuries of rarely seen works — from paintings and sculptures to prints, photographs, installations, films, and videos — dating from the Haitian Revolution to the present.

It continues with works from the world's leading innovators in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.

This Tate Modern retrospective of octogenarian American performance art, film and video pioneer Joan Jonas is the largest showing of her work in the UK to date, including films and installations from the 1960s to the present day.

Penelope Umbrico brought online image service Flickr offline in her installation Sunset Portraits from 9,623,557 Flickr Sunset Pictures on 8/22/11, a grid of over one thousand pictures of sunsets taken on that date, printed in a somewhat pixelated, compressed format that refers back to their digital origins.

In addition to providing a comprehensive account of Bradford's career to date, with an emphasis on his work as a painter, this exhibition will foreground new works, including an environmental installation with sound entitled Pinocchio Is on Fire, which examines key moments in the history of the black community in Los Angeles from the early 1980s to the present.

Organized by the Menil Collection in Houston, the Berkeley presentation features approximately forty of Bess's works, dating from 1946 to 1970 with an installation of archival materials curated by American artist Robert Gober.

La Mansana de Chinati / The Block, Donald Judd's Marfa residence with permanent installations of his work dating from 1962 — 1978, will be open free of charge on Saturday and Sunday from 10:00 AM until 3:00 PM

A collaboration between the museum's assistant curator of Asian art, Melody N. Rod - ari, and its conservator, John Griswold, this small installation explores how the place of origin and date of an object can be determined by the rendering of drapery pleats, hairstyles and ornaments of iconic statuary from South and Southeast Asia dating from the 3rd through 13th centuries.

Two of Donald Judd's downtown studio spaces, the Cobb House and the Whyte Building include permanent installations of his paintings and reliefs dating from 1956 to 1962 as well as furniture pieces designed by Rudolf M. Schindler.

For this installation, Judd Foundation will feature three complete sets of woodcut prints dating from 1988 to 1993 that explore color and proportion in series, key concerns for Judd's work in both two and three - dimensions.

The fine art collection consists of about 19,000 works dating from the 16th century to the present and comprises paintings, drawings, sculptures, installations, and photographs by artists such as Lucas Cranach the Elder, Giovanni Savoldo, Henry Alexander, Paul Gauguin, Auguste Maillol, René Magritte, Alexander Calder, Hans Hoffmann, Frederick Hammersley, Fernand Leger, Jackson Pollock, Mark Rothko, Robert Irwin, Claes Oldenburg, Arnaldo Pomodoro, Eva Hesse, Yoko Ono, and Raymond Saunders, among many others.

[22] The gallery - sized installation All the Submarines of the United States of America (1987) consists of 625 identical, small, handmade, painted - cardboard models that represent the entire United States submarine fleet dating from the late 1890s, when submarines entered the navy's arsenal, to the late 1980s.

installation view, SCAD Museum of Art, Savannah, GA February 21 - May 28, 2017 From Lucas (date unknown), 2010, oil on canvas

Turner Prize - winning artist Martin Creed takes over Park Avenue Armory's entire first floor — from its expansive Wade Thompson Drill Hall and adjacent bunkers, to its historic period rooms and corridors — with the largest U.S. survey of his work and the most extensive single - artist installation at the Armory to date.

Photographs of the installations at the Dallas Museum of Fine Arts from 1960 - 1981, with most photographs dated 1972 - 1981.

The Armory's artistic programming continues in 2016 with engagements across opera, music, visual and performance art, including the North American stage premiere of Louis Andriessen's De Materie; a new site - specific installation by Martin Creed which will mark his largest in the U.S. to date; a commission and world premiere by multidisciplinary artist Taryn Simon; Circle Map, two evenings of Kaija Saariaho's immersive music performed by the New York Philharmonic; and recital series performances by rising and celebrated talent from across the globe.

Goldberg is the final presentation of the Armory's 2015 season, which encompassed site - specific installations, commissions, and cross-disciplinary collaborations across a range of art forms including: FLEXN — an evolution of the Brooklyn - born street dance flex co-directed by Peter Sellars and dance pioneer Reggie (Regg Roc) Gray; H -LCB- N) Y P N (Y -RCB- OSIS, Philippe Parreno's largest exhibition in the U.S. to date, a multi-sensory journey within the monumental interior of the Armory's drill hall; the U.S. premiere of the new contemporary dance Tree of Codes by Wayne McGregor, Olafur Eliasson, and Jamie xx; HABEAS CORPUS, a penetrating new work by Laurie Anderson in collaboration with Mohammed el Gharani; and the third annual recital series featuring the U.S. premiere of The Night Dances by Charlotte Rampling and Sonia Wieder - Atherton, a concert of songs from World War I by Ian Bostridge, a performance of Viennese lieder by Christian Gerhaher and Gerold Huber, and more.

The ashes from these paintings were baked into cookies [13] and placed into an urn, and the resulting art installation consists of a bronze commemorative plaque with the destroyed paintings» birth and death dates, as well as the recipe for making the cookies.

This companion volume to the artist's largest exhibition to date is a feast taken from countless visual documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren, and Niagara (born Lynn Rovner) in 1973 while Kelly and Shaw were students at the University of Michigan in Ann Arbor; early performative sculptures and objects; drawings; paintings; handmade dolls and stuffed animal sculptures; photography; videos; and endless inventive installations in various forms and shapes that explore and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics, and whatever else lies between the grotesque and the sublime, the sacred and the profane.

Now, as part of CAM's Perspectives series, the Chicago - based artist displays a trio of installations dating from the last four years that expand on feminine / domestic notions to include allusions to sex and death, the organic and the electronic.

This is the first solo presentation of Takamatsu's work to be held in London, featuring a group of rarely before seen works on paper alongside his celebrated Shadow Paintings, sculptures and installations dating from 1967 to 1997.

«Pixel Forest» will be the most comprehensive presentation of Rist's work in New York to date; it spans the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

>> > Japanese AIT ARTIST TALK # 73 «Low Relief / Unreal Estate» Artist Talk by Marina Višić and Ksenia Galiaeva from the Netherlands Date: Tuesday, February 27, 2018 Time: 19:00 - 21:00 (18:30 Door open) Venue: Daikanyama AIT Room Support: Mondriaan Fonds, Embassy of the Kingdom of the Netherlands * All admissions with 1 drink / Booking required / Consecutive Japanese translation available Marina Višić / (Left) Studio experimentation with compositions, 2017 / (Center) Bankside Sulphur, 2017, video loop / (Right) Stills from Oriel, 2017, detail of 3 channel video installation Ksenia Galiaeva / (Left and Center) «Mt Knee» / (Right) «Cloudscreens» AIT is very pleased to present the artist talk by Marina Višić and Ksenia Galiaeva, both based in the Netherlands.

Artist: Maryam Jafri Exhibition title: Generic Corner Venue: Kunsthalle Basel, Basel, Switzerland Date: August 28 — November 1, 2015 Photography: Philipp Hänger, images copyright and courtesy of the artist and Kunsthalle Basel Ranging from video to photography, text, sculpture, and installation, Maryam Jafri's practice sits at the crossroads of cultural anthropology and conceptual art.

Untitled Artist: Jannis Kounellis 1936 - 2017 Date: 1969 Classification: installation Medium: Burlap and beans Dimensions: displayed: 470 x 1370 x 630 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © Jannis Kounellis

Cabinet is a collection and installation of various objects, assemblages and sculptures dating from distinct periods throughout the artist's oeuvre, which construct a narrative of associations that encourages the viewer to reflect on notions of migration, colonial conflicts, issues of water, geopolitics and the role of the artist.

CSH: Certain Principles of Light and Shapes Between Forms, which was the rainbow that you constructed from harvested and reclaimed rainwater at the Bemis Center for Contemporary art in Omaha, NE, and The Possibility of Men and the River Shallows, a large - scale installation made for Grand Arts, Kansas City, MO and DiverseWorks, Houston, TX are arguably your most well - know works to date.

The exhibition features a range of media, including painting, sculpture, drawing, photography, installation and video; never - before - seen works from the 1980s; new large - scale sculptures; and the artist's most ambitious architectural installation to date: a vast and immersive mirrored labyrinth that will go on view in ICA Miami's Atrium Gallery.

Featuring over forty works dating from 1965 to the present, the installation simultaneously chronicles Kosuth's fifty year investigation into the role of language and meaning in art, and his consistent use of neon.

The ashes from these paintings were baked into cookies and placed into an urn, and the resulting art installation consists of a bronze plaque with the destroyed paintings» birth and death dates, as well as the recipe for making the cookies.

The Sculpture of Louise Nevelson: Constructing a Legend will include a group of self - portraits dating from the 1940s to the 1960s and the installation of two room - size masterworks, Dawn's Wedding Feast (1959) and Mrs. N's Palace (1964 - 77).

It presents drawings, videos, sculpture and installations dating from 1972 to the present by 13 artists, including Allen Ruppersberg, who in 1974 copied by hand the entire text of Oscar Wilde's novel «The Picture of Dorian Gray» onto 20 6 - by -6-foot canvases, all of which are on view here.

Her first spatial weavings date from the early seventies, and soon after she began to make her own Quipus from unspun wool — ephemeral, site - specific installations which combined the tactile ritual of weaving and spinning with assemblage, poetry, and performance.

The exhibition is Ed Atkins's largest installation to date, and benefits from the breathing space it's given at Martin - Gropius - Bau — not least because the tragicomic, chain - smoking personas that litter the institution are confined to the claustrophobic world of computer - generated animation.

The permanent collection of the Centro de Arte Reina Sofía is composed of over 20,000 pieces — paintings, sculptures, drawings, prints, photos, installations and videos - dating from the late - 19th century to present day.

It is the most comprehensive survey of the Portuguese artist's works to date, and brings together about sixty works dating from 1985 until 2010, sculptures, paintings, photographs and installations.

While the dates are set at the Met, his installation is to be on view from April 28 through Nov. 1, the «nature» of the work itself is a mystery.

The exhibition, curated by Leo Koenig, includes over 90 paintings, sculptures, photographs, installations, works on paper and videos by an international and multi-generational roster of female artists dating from the 1950s to 2017.

Curated by Sam Bardaouil and Till Fellrath of Art Reoriented, Tea with Nefertiti comprises of more than 100 artworks dating from ca. 1800 B.C. to the present ranging from painting, sculpture and photography to video and mixed - media installation.

The focus of this installation centers on the museum's recent acquisition of five vitrines created by the artist, with works dating from 1942 and 1982.

Untitled (Tate) Artist: Peter Fischli born 1952 Artist: David Weiss 1946 - 2012 Date: 1992 - 2000 Classification: installation Medium: Acrylic paint on polyurethane foam, wooden pallets, wooden plank Dimensions: display dimensions variable Purchased with assistance from Tate Members, Tate International Council and the Art Fund 2007 © Peter Fischli and the estate of David Weiss, courtesy Matthew Marks Gallery, New York

The exhibition consists of a number of works dating from 1972 to 1994, among them are Paik's robot sculptures, live feed installations and other video sculptures.