Sentences with phrase «from documentary filmmaking»

As you would guess, «Shooting for Perfection: Hyatt & JetBlue Behind - the - Scenes» (4:52) supplies similar treatment for the film's other two ads, with Spurlock explaining how they took shape and how making them differs from documentary filmmaking.

«Coming from documentary filmmaking, one of the most important things for me is making sure that the real story and people are emphasized in everything I do,» the director explained.

Not exact matches

Here's the caption @nascarcasm claims goes with this photo: Oscar winners (from left) Christian Bale (Best Actor In A Supporting Role, «The Fighter»), Natalie Portman (Actress In A Leading Role, «Black Swan»), Melissa Leo (Actress In A Supporting Role, «The Fighter»), Colin Firth (Actor In A Leading Role, «The King's Speech») and Kurt Busch (Best Directing, Cinematography, Costume Design and Short - Subject Documentary, «A Positive Step For Me»), celebrate backstage following the Academy Awards, which honor achievement in filmmaking.

Holly Grigg - Spall is the author of «Sweetening the Pill: Or How We Got Hooked On Hormonal Birth Control» and a consulting producer on the documentary it has inspired, from filmmaking team Ricki Lake and Abby Epstein.

Blomkamp uses extensive use of the faux documentary new - media style of filmmaking where mock footage from security tapes and news reports are seamlessly integrated into the action.

Keanu Reeves proves a surprisingly engaging host for this documentary inquiry into the ongoing transition from celluloid to digital filmmaking.

In this lively, illuminating and unexpectedly moving documentary, directors Noah Baumbach and Jake Paltrow engage in a personal and candid discussion with De Palma, exploring not only his life and work but also his singular approach to the craft of filmmaking and his remarkable experiences navigating the film business, from his early days as the bad boy of New Hollywood to his more recent years as a respected veteran of the field.

Insightful all the way through, «Side By Side» is a great documentary, filled with tons of well - known celebrities as they talk about their thoughts on the conversion from digital filmmaking and the future of the industry.

While borrowing too much from the Ken Burns school of documentary filmmaking (admittedly it does open it up a little but the music is definitely overkill), the documentary does an adequate job of linking their case to today via the immigrant issue and the war on terror.

But perhaps it was the six award - winning films in MIFF's 50th Shorts Awards that most fittingly captured the hybrid nature of MIFF 2011, a selection of old and new forms of filmmaking, from a myriad of countries on a range of issues: A Fine Young Man (Kevan Funk, 2010) from Canada, winner of Best Short Film; Best Australian Short, The Palace (Anthony Maras, 2011); Andrew Kavanagh, winner of the Emerging Australian Filmmaker Award for At the Formal (2010); Green Crayons, (Kazik Radwanski, 2010) from Canada, winner of Best Fiction Short Film; Nullabor (Alister Lockhart, Patrick Sarell, 2011) from Australia, the Best Animation Short Film; Leonids Story (Rainer Ludwigs, 2011) from Russia, the Best Documentary Short; and A History of Mutual Respect (Gabriel Abrantes, Daniel Schmidt, 2010) from Portugal, winner of Best Experimental Short Film.

It also highlights the effort that Linklater has made in support of Independent filmmaking and how he was influential in helping create the Austin Film Society whereby old film prints could be saved and showed, as well as raising money from filmmakers to help make more films.Overall, it does little but scratch the surface and a bit more in - depth analysis to his films would have been welcome but to paraphrase Billy Bob Thornton on the outtakes at the end; «Rick Linklater doesn't need anyone to make a documentary about him.

Even with its naggingly implausible timeline, this film feels almost shockingly realistic, using urgent documentary filmmaking techniques to tell a story that seems to have come straight from the headlines.

Friedkin came from documentary and television filmmaking and knew how to capture life on the street.

Anatomy of a Killer Theme Song» new interview with the original members of the American punk band, The Dickies; «The Chiodos Walk Among Us: Adventures in Super 8 Filmmaking» new documentary highlighting the making of the Chiodo Brothers childhood films, from the giant monster epics made in their basement to their experiments in college; new HD transfers of the complete collection of the Chiodo Brothers 8 mm and Super 8 films, including «Land of Terror,» «Free Inside,» «Beast from the Egg», and more; «Tales of Tobacco» interview with star Grant Cramer; «Debbie's Big Night» interview with star Suzanne Snyder; «Bringing Life to These Things» tour of Chiodo Bros..

But for all its dreamy narrative qualities, Marczak's film is actually a lyrical, fluid - motion documentary that, in a very different way from «Kate Plays Christine» (see above) but no less profoundly, blurs the distinction between narrative and nonfiction filmmaking.

Documentary Showcase Presented by 500 Walnut: Comprising the best in documentary filmmaking, these compelling films feature everything from stirring character studies to fascinating looks at current gloDocumentary Showcase Presented by 500 Walnut: Comprising the best in documentary filmmaking, these compelling films feature everything from stirring character studies to fascinating looks at current glodocumentary filmmaking, these compelling films feature everything from stirring character studies to fascinating looks at current global issues.

THE BLU - RAY DISC Cinematographer Benedict Neuenfels shot The Counterfeiters in Super16, and the lighter (compared to 35 mm) cameras allowed for a handheld shooting style that apes documentary - style filmmaking from shakycam operation to fast zooms — an occasionally distracting tactic.

Varda herself is coming off of a partially self - imposed hiatus from feature filmmaking, having made her previous and ostensibly last documentary The Beaches of Agnès in 2008.

From this pattern, Polley's film seems to forward an argument about autobiography and documentary filmmaking: that these are plural, collaborative genres most effectively and truthfully made through a chorus of many and diverse voices, a «medley» as her other sister, Susy, describes it, each given freedom as well as equal weight.

The movie has its merits: the final 30 minutes, in which we see Gordon - Levitt's Petit preen and twirl in the sky as aggravated police officers try to snatch him from either end of the cable, is an exhilarating piece of filmmaking that you won't find in Marsh's documentary and must be watched in a theater, in 3 - D.

Varda has experimented with all forms of filmmaking from shorts to documentaries to narrative feature films during her more than 60 - year career, including such works as the New Wave classic Cleo from 5 to 7, and Le Bonheur.

The documentary engages in a candid discussion with De Palma, exploring not only his life and work but also his singular approach to the craft of filmmaking and his experiences navigating the film business, from his early days as the bad boy of New Hollywood to his more recent years as respected veteran.

This documentary focuses on the explosion of Australian cinema that occurred from the 1960s through to the 1980s, bringing about some of the best underground filmmaking that the country had to offer.

A U.S. Documentary Special Jury Award for Vérité Filmmaking was presented to: Western (Directors: Bill Ross, Turner Ross)-- For generations, all that distinguished Eagle Pass, Texas, from Piedras Negras, Mexico, was the Rio Grande.

An assemblage of documentary clips and off - cuts, Frieze: An Underground Film is a tongue - in - cheek riff on the experimental filmmaking mode — the material includes a point of view shot from the rollercoaster ride at Luna Park in St Kilda (another iconic Melbourne façade), a young boy bouncing on a bed, a snowy field, a woman in a bikini, a poster of Jean - Paul Belmondo, and some behind the scenes footage from Violence in the Cinema.

Here, McClain writes about her filmmaking process, why she's making this documentary and what she's learning from doing so.

The Chiodos Walk Among Us: Adventures in Super 8 Filmmaking — all - new documentary highlighting the making of the Chiodo Brothers childhood films, from the giant monster epics made in their basement to their experiments in college

Here, McClain writes about her own filmmaking process, why she's making this documentary series and what she's learning from doing so.

Exclusive to the Blu - ray edition is the 2009 documentary It Came From Kuchar, on the underground filmmaking brother George and Mike Kuchar, and a bonus DVD with rate short films, interviews, and audition footage and outtakes from ThundercrFrom Kuchar, on the underground filmmaking brother George and Mike Kuchar, and a bonus DVD with rate short films, interviews, and audition footage and outtakes from Thundercrfrom Thundercrack!

That's where Sundance Institute's first Filmmakers Lab was born, and over the last thirty years has grown into year - round artist development programs that have expanded from feature filmmaking to documentary, film music, and theatre.

Here you'll find a year - round festival of independent filmmaking, international cinema, new documentaries, and classics from the familiar to the forgotten.

Danny Lyon: Message to the Future, which opens at the Whitney Museum of American Art in New York this weekend, collects 175 pictures, vintage work prints, never - before - seen films and ephemera from Lyon's archives to take an in - depth look at his work as an immersive documentary storyteller who is just as engaged in writing, filmmaking and collage as is he in photography.

Apart from Philosophy she studied Cinematography and Documentary Filmmaking at the Academy of Visual Arts, Tokyo and Munich Academy of Television and Film.

I think one of the stranger moments in the history of documentary filmmaking — if not filmmaking generally — is from a 1974 BBC documentary called Cracked Actor: A Film About David Bowie.

Frank ultimately turned his sites from photography to filmmaking, creating classics of American subculture including «Pull My Daisy,» as well as a documentary of a Rolling Stones tour in 1972 (unreleased).

In this episode, he talks with students and professors from Pace's documentary filmmaking class, just back from their expedition to Puerto Rico.