Sentences with phrase «from earlier installations»

A sheep ranch is created with Lalanne's sheep from earlier installations, Belier (1994), the Brebis (1994) the Agneau (1996), and Le Mouton Transhumant (1988), all assembled by the nearby Kasmin Gallery.

From his early installations featuring modest arrangements of found objects to his recent sculptural forms that look like natural accretions experiencing computer glitches, Cragg remains deeply committed to material and to sculpture.

From an earlier installation: Greta Pratt, Nineteen Lincolns, 2004 - 2005, archival pigment prints, printed 2014.

Organized chronologically, it features works from each decade, from their earliest installations to their continent - traversing work of the 1990s; and their most recent works both educating people about global warming and designing large - scale responses to the phenomena itself.

The Smithsonian American Art Museum is the sole venue for this exhibition, which is expanded from an earlier installation at The Noguchi Museum.

Not exact matches

Earlier in 2014, London's Howard Griffin Gallery was home to a surrealist installation called «The Bestiary» from street artist and muralist Phlegm, in which he creates a «modern bestiary within his own universe through an immersive and large scale installation in wood, clay and plaster.»

«33 The reason is attributed to the availability of adequate soil coverage and water systems in Nazareth that make agriculture possible even at the hilltop.34 Archaeological digs at Nazareth by Bagatti has shown that the artifacts recovered under the shrines of Nazareth, among others, include silos, olive - pressing and wine - pressing installations, cisterns, and holes for storage jars, some of which coming from a period as early as the Iron Age.35 This led Meyers and Strange to conclude that Nazareth was a peasant village since «the principal activity of these villagers was agriculture.

The film arose from a project called «Séances,» a museum installation at the Centre George Pompidou in Paris where he «remade» lost films and unfinished projects from the silent and early sound era.

The Board of Trustees received an update from the Executive Director of Career and Technology Education (CTE), Rich Gordon, about the installation of AVID (Advancement Via Individual Determination) at CCSD's Early College High School for the 2017 - 18 school year.

It seems that it's still at an early stage with installations needing quite a bit of technical input from Google.

A few meters from the parade ground stood a single entry doorway, the only indication that a 2,500 sq metre, de-commissioned soviet bunker built in the early 1980's as a clandestine TV & radio installation, laid beneath our feet.

The exhibit will include stunning hyper - realistic work by Churchill - Johnson — stark political statement contrasted with delicate, minimalist abstraction by Uyesaka — deeply engaging abstract oils by Scorzelli — dynamic and powerful ceramic insights by Rosenberg - Dent — fanciful, abstract adventures by Lehrer — an unsettling mixed - media installation with video by auto - expressionist, Metrov — striking figurative vs abstract works by Ferris — a lively «abolish blandness» painting by Lytle contrasted with fabulous yarn work from the early 90's — and a pair of McCracken's, always delightful, miniatures.

This was not only a retrospective of sorts, ranging from 1970 to 2014, but also a new site - specific installation that gave earlier works a new life.

Pieces ranging from early -»60s paintings incorporating casts of manhole covers to brand - new sculptures made of resin and horsehair variously bring to mind Sue Coe's activist art, Robert Rauschenberg's indexical work of the 1950s, Bruce Nauman's casts of animal bodies and Jack Pierson's early installations, as well as fiber art and African artifacts.

From his earliest works, Mellors has explored themes tied to contemporary society, from mediation and cultural systems, to technology, art and civilization through the use of video, installations, puppets and animatronics equipped with an irreverent and cutting irFrom his earliest works, Mellors has explored themes tied to contemporary society, from mediation and cultural systems, to technology, art and civilization through the use of video, installations, puppets and animatronics equipped with an irreverent and cutting irfrom mediation and cultural systems, to technology, art and civilization through the use of video, installations, puppets and animatronics equipped with an irreverent and cutting irony.

The exhibition was named for a sound installation first shown at the 1993 Whitney Biennial and revisited work from early in her career.

Viewers will be able to see pieces ranging from her early paintings inspired by the use of LSD to later works such as her «What It's Like What It Is # 3» (1991), a large scale mixed media installation addressing racist stereotypes.

Including 38 works spanning Judy Pfaff's career, from early works on paper to contemporary paper collages, installations and sculpture.

From early figurative paintings, through collages and video installations, to her radical work in dance and performance, Ms. Schneemann has consistently — insistently — made the personal political, bridging divides between eras and cultures, even species.

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

In the fall of 2010, the Asia Society presented Yoshitomo Nara: Nobody's Fool, the first major New York exhibition of his work, featuring more than one hundred works spanning from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

Featuring his multimedia, cinematic installations, with playful animation and tricksy, theatrical filming evocative of early cinema, Kentridge's work tackles themes ranging from revolution and colonialism to loneliness and comic tragedy.

This exhibition follows the artists from their early video installations and websites to later large - scale sculptural work and feature - length films, screened daily in a gallery cinema.

He recalls painting both the backs and the fronts of his early paintings, and his installations have sometimes featured light emanating from behind walls or parts of paintings hidden behind architectural elements.

Marking the culmination of a year - long celebration of photography at the museum, this installation brings together an exquisite group of gifts, ranging from innovative photographs made in the earliest years of the medium's history to key works by important 20th - century artists and contemporary pieces that examine the ways in which photography continues to shape our experience of the modern world.

Magazzino's inaugural exhibition is «Margherita Stein: Rebel With a Cause,» 71 works by 16 artists: sculptures, drawings, paintings, prints, mixed - media assemblages and large - scale installations dating from the early 1960s to the present, most never previously exhibited.

This is the largest Gormley exhibition held in Germany to date, bringing together works on paper, large - scale installations, and indoor and monumental outdoor sculpture that span the artist's sculptural journey, from the early 1980s to site - specific works created this year.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

VanDerBeek's immersive installation Movie Mural (1965 — 68) revisits the artist's earlier 1965 Movie - Drome, his elaborate communications system made from the top of a grain silo.

As video ergo sum, a new retrospective at the Jeu de Paume in Paris, tracks Campus's investigation of the self from early interactive installations into recent «videographs» of landscapes, key mid-career works are concurrently featured in circa 1987 at Cristin Tierney Gallery in New York.

«The Sentinels,» her series of five sculptures — Shape Shifter, Gridlock, One Way, Take Out, and a new yet - to - be-named work created for the Broadway installation — will be on exhibit along Broadway, from 36th to 41st Streets in the Garment District, beginning in early June through mid-November 2014.

«Nobody's Fool is the first major New York exhibition of the Japanese artist Yoshitomo Nara (born 1959), and features more than one hundred works ranging from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

This first retrospective of his drawings will include over one hundred sheets representing every phase of his career: early abstract expressionist watercolors of the 1950s, studies for light installations, portraits and landscape sketches, and pastels of sailboats from the 1980s.

STRENGTH AND SPLENDOR: WROUGHT IRON FROM THE MUSÉE LE SECQ DES TOURNELLES Nearly 900 door knockers, escutcheons, locks, keys, signs and other objects made of wrought iron from a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paintiFROM THE MUSÉE LE SECQ DES TOURNELLES Nearly 900 door knockers, escutcheons, locks, keys, signs and other objects made of wrought iron from a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paintifrom a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paintings.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.

The show includes more than one hundred drawings by the artist — from early abstract expressionist watercolors of the 1950s and portraits and landscape sketches, to studies for his seminal light installations and late pastels of sailboats.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Spanning 40 years her creative output ranges from early wax reliefs and polyurethane sculptures, cantilevered installations, to videos, Polaroids as well as work in ceramics, glass, paper and neon.

Earlier audio - visual installations range from Baltimore (2003), which, in part through the stylisations of black action movies from the 1970s, looks at the histories, divisions and intersections of black and white cultures, through to his trilogy comprising True North (2004), Fantôme Afrique (2005) and Western Union: Small Boats (2007), all of which deal with themes of voyaging and cultural displacement on both a local and global scale.

These early installations look made from used parts.

It involves media ranging from small early sculptures and drawings to installations, murals, photography, and paintings.

Originally shown at Museum für Moderne Kunst Frankfurt am Main earlier this year, the SCAD Museum of Art's presentation will include several works not previously exhibited including neon work by Kendell Geers, a photo series by Youssef Nabil, large - scale works on paper by Christine Beatrice Dixie, a sound installation by Frances Goodman incorporating bridal fabrics cascading from the ceiling, a calligraphy garden by Moataz Nasr and a collage by Wangechi Mutu.

The exhibition, which takes its name from the symmetry shown in the late 19th - early 20th - century snowflake photographs by Wilson «Snowflake» Bentley, highlights cross-disciplinary connections in an installation that places objects from across time, cultures, and disciplines in dialogue.

In addition to providing a comprehensive account of Bradford's career to date, with an emphasis on his work as a painter, this exhibition will foreground new works, including an environmental installation with sound entitled Pinocchio Is on Fire, which examines key moments in the history of the black community in Los Angeles from the early 1980s to the present.

The exhibition at David Zwirner will include a work from 1969, one of a series of sculptural variations originally planned for installation at the Heiner Friedrich Gallery in Munich (where the artist had one of his earliest solo exhibitions in 1968).

In the early 1980s Steve Ouditt studied media art, sculpture and installation at the School of Visual Arts, New York and he has an MA in the History and Theory of Art from Goldsmiths College in London.

The National Portrait Gallery, meanwhile, looks at the origins of art photography via the work of four celebrated figures of the Victorian era, and Tate Modern takes things further with Shape of Light, which entwines the histories of photography and abstract art from the early 20th century to now and positions work by the likes of Man Ray and Thomas Ruff against abstract paintings, sculptures and installations.

The 2012 Biennial, poignantly dedicated to the late Mike Kelley who passed away earlier this year, presents artists at all points in their careers, in a vast array of media from painting, sculpture, photography, installation, music, theater, film and dance.

In addition to auctions, Christie's Post-War and Contemporary Art department organises selling exhibitions and private sales of fine paintings, drawings, photographs and installations by a wide range of artists and schools from early Abstract Expressionism through to the present day.

Entangled: Threads & Making is a major exhibition of sculpture, installation, tapestry, textiles and jewellery from the early 20th century to the present day.