In a shift
from her earlier sculptures which were often brightly colored with glazes of electric pinks, blues, and oranges, this new body of work has a restrained palette, marked by subtle shifts in tone.
As the title suggests, this show — with some pieces adapted or repurposed
from earlier sculptures and installations
The simplified geometry of Smith's monumental late sculptures, the final works he produced before his untimely death in a car accident in 1965, are often seen as representing a distinct break
from his earlier sculptures, which often radically reinterpreted the traditional themes of painting, such as landscape, the figure, and still - life.
Now, her long career,
from her earliest sculptures of animals to the more recent suspended sculptures — big, airy assemblages of wire and bits of mesh and porcelain — is to be the subject of a full - scale retrospective at the UCLA Hammer Museum in Los Angeles, opening the fifth of next month and traveling to the Museum of Contemporary Art in Chicago in February 2004, and then on to the Museum of Modern Art in New York next summer.
The show provides a panoramic view of her career and work,
from early sculpture that sold well with her first dealer Leo Castelli to technically rigorous, thematically turbulent drawings and prints from the»70s.
Michael Craig - Martin traces the remarkable evolution in the artist's work
from his early sculptures to his recent works using computer software.
Not exact matches
In the empire of Mali, for example, which flourished
from the
early 13th century to the late 15th century C.E., the Dogon people decorated or painted their
sculptures with various pigments thought to be composed partly of blood.
Nevertheless, this discovery is one of the
earliest and most thought - provoking groups of
sculpture from European prehistory.
The entries range the spectrum
from the 1955 spoof «Abbott and Costello Meet the Mummy,» in which Universal Pictures parodied its own
earlier movies, to the 17th - century sculptor Gaetano Zumbo, whose famously realistic wax
sculptures of...
Many of the art and artifacts on display come
from early expeditions: Sumerian cuneiform clay tablets (with some of the world's oldest writing), architectural elements
from the 3,200 - year - old palace of the Pharaoh Merenptah, towering ancient Maya stone monuments, evocative masks
from West Africa, Buddhist
sculptures from China and Native American regalia.
ancy Rubins's exhibition, titled «Our Friend Fluid Metal,» featured four huge
sculptures made of recycled playground toys dating
from the late 1940s and
early»50s.
From the beginning of my GCSE to the end of my A-levels, I spent time learning various creative outlets from sculpture right up to early digital techniq
From the beginning of my GCSE to the end of my A-levels, I spent time learning various creative outlets
from sculpture right up to early digital techniq
from sculpture right up to
early digital techniques.
French artist Caroline Achaintre's visually striking, witty ceramic
sculptures and hand - tufted wall hangings bring together a whole host of references such as catwalk fashion, carnival, and death - metal iconography, as well as Primitivism and Expressionism —
early twentieth - century Western art movements that borrowed heavily
from non-Western and prehistoric imagery to find new ways of representing the modern world.
From his lush
early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast; to his reliefs,
sculptures, and assemblages created in a variety of materials; to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits, and a return to still life, this exhibition provides an in - depth look at the work of a unique and significant American artist.
Pieces ranging
from early -»60s paintings incorporating casts of manhole covers to brand - new
sculptures made of resin and horsehair variously bring to mind Sue Coe's activist art, Robert Rauschenberg's indexical work of the 1950s, Bruce Nauman's casts of animal bodies and Jack Pierson's
early installations, as well as fiber art and African artifacts.
From the
early works of Alan Davie RA to Pop - inspired
sculpture, everything worth seeing in the world of art this week.
The heads have ancestors in wax
sculpture from an
earlier Modernism by Medardo Rosso, too.
2014 «Liz Larner,» Regen Projects, Los Angeles, CA, January 11 — February 15, 2014 2011 «Liz Larner,» The M Building, Miami, Florida, November 30 — December 10, 2011, presented by Regen Projects «Liz Larner,» Tanya Bonakdar Gallery, New York, NY, February 10 — March 19, 2011 2010 «Liz Larner,» Regen Projects, Los Angeles, CA, April 24 — May 22, 2010 2008 «Liz Larner: Selected
Sculpture from the
Early 1990s,» Regen Projects, Los Angeles, CA, January 29 — February 23, 2008 2006 «Liz Larner: 2001,» Doris C. Freedman Plaza in Central Park, New York, NY, November 29, 2006 — May 1, 2007, presented by Public Art Fund 2005 «Liz Larner,» Regen Projects, Los Angeles, CA, July 1 — 31, 2005 2003 «Liz Larner: East of What?
These
sculptures — single, doubled or quadrupled frames of reinforced epoxy - resin casts, sometimes on the skinny stilted pedestals familiar
from her
earlier concrete pieces — deal with openness and closure, with transparency and translucency by revealing their inner, supporting structures, plain, steal - wire mesh or grids.
I am influenced by Laura Owens»
early works, which were based on embroidery
from the Arts & Crafts movement, Ree Morton's painting and
sculpture, Lee Lozano, Joan Brown, and the Japanese Neo-Dadaist sculptor Tetsumi Kudo.
From her early collections of mock burial artefacts, to primate - like figures constructed from discarded fur coats, and her more recent enigmatic gurus, Upritchard has developed a highly idiosyncratic language of sculpture that frequently borrows from craft practices and a broad range of references from the deep recesses of museum collections, folklore and counter-cultures to high modernist des
From her
early collections of mock burial artefacts, to primate - like figures constructed
from discarded fur coats, and her more recent enigmatic gurus, Upritchard has developed a highly idiosyncratic language of sculpture that frequently borrows from craft practices and a broad range of references from the deep recesses of museum collections, folklore and counter-cultures to high modernist des
from discarded fur coats, and her more recent enigmatic gurus, Upritchard has developed a highly idiosyncratic language of
sculpture that frequently borrows
from craft practices and a broad range of references from the deep recesses of museum collections, folklore and counter-cultures to high modernist des
from craft practices and a broad range of references
from the deep recesses of museum collections, folklore and counter-cultures to high modernist des
from the deep recesses of museum collections, folklore and counter-cultures to high modernist design.
Including 38 works spanning Judy Pfaff's career,
from early works on paper to contemporary paper collages, installations and
sculpture.
Previously known for his neo-minimalist
sculptures, Hypochondriac is a departure
from Seçkin Pirim's
earlier artworks.
As a postscript to this discussion, there are now showing at Frieze Masters two starkly contrasting stands of
sculpture: Galerie Monbrison has some of the very best african
sculpture I've seen for a long while, and I fully recommend it; meanwhile Annely Juda has a group of half a dozen
early and rarely seen Caro
sculptures from the sixties, none of which I liked.
Alongside a series of abject ink - jet prints that looked as if they were plastered in bumper stickers purchased
from an
early 2000s Spencer Gifts and his 2012 video Raspberry Poser, in which animated renderings of a condom and the HIV virus dance through the streets of New York City while Beyoncé and Mazzy Star play at an intoxicating volume, he showed the animatronic
sculpture (Female figure), a scuffed - up woman impaled on a stripper pole who speaks in Wolfson's voice and makes eye contact with viewers.
Senior curator Jennifer Powell explains the exhibition will include «
early sculptures and works on paper
from the late 1930s onwards as well as large scale paintings
from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.
If Houseago's works resonate, it is because they encompass a wide range of influences: the formal language of
sculpture throughout the ages (
from ancient to
early modern), mythology, the natural world of plants and animals, African tribal art, cartoon imagery and contemporary music and culture (the title of the exhibition contains a fragment
from the lyrics of «Wild Child» by Lou Reed and a reference to James Taylor's «Like A Circle Round the Sun»).
Trained in art history and
sculpture, Jonas was a central figure in the performance art movement of the late 1960s, and her experiments and productions in the late 1960s and
early 1970s continue to be crucial to the development of many contemporary art genres,
from performance and video to conceptual art and theatre.
In the 1960s,
early in his career, he dethroned his
sculpture from the plinth and planted it squarely on the ground — a tactic you may recall
from his lyrical, coiled forms atop of the Met rooftop in 2011 or parked across the rolling Storm King Art Center upstate.
Featuring the Beijing - based artist's
earliest video works to newest
sculptures from Usefulness of Uselessness series, the exhibition surveys over two decades of Song's vital practice.
Fontana Contended in the Late 1930s Helen Molesworth: Don't Look Back: Eva Hesse's
Early Work Andrea Rosen Gallery is delighted to present an exhibition of oil on paper works by Willem de Kooning, «baroque» ceramic
sculpture by Lucio Fontana, and Eva Hesse paintings
from the 1960s.
In the fall of 2010, the Asia Society presented Yoshitomo Nara: Nobody's Fool, the first major New York exhibition of his work, featuring more than one hundred works spanning
from his
early career in the 1980s to his most recent paintings, drawings,
sculptures, ceramics, and large - scale installations.
The show at Michael Werner — surely a precursor to a retrospective — displays
early sculptures and remnants
from his performances on a plinth, like relics in a museum.
Working across large - scale woodcuts, gouache paintings, so called «typewriter drawings» and ceramic
sculptures, their uniquely carnivalesque visual language combines influences
from traditional folk art and abstract art
from the
early 20th century European avant - garde.
He became famous in the
early 1960s for his
sculptures made
from the rusting parts of wrecked Cadillacs and Oldsmobiles.
The collection spans five millenniums,
from the art of
early Japanese cultures around 3000 B.C. through that of the Edo period of the 17th to 19th centuries A.D. -LSB-...] Assembled over half a century and exhibited throughout the world, Mrs. Burke's collection comprises about a thousand artifacts, including paintings, prints,
sculpture, textiles, lacquerware, ceramics and calligraphy, collectively worth tens of millions of dollars.
With these
sculptures Aaron Curry revisits forms
from his
earlier works, stylizing them in the form of negative counterparts.
These works are a departure
from her
earlier compressed fabric
sculptures, riotous subversions of minimalist forms.
Following these exhibitions and the more current than ever topic of the representational character of image, space and actual object, Galerie Gmurzynska, will bring a selection of
sculptures, reliefs and collages spanning art historical narratives
from the
early 20th century to the
early 21st century.
Magazzino's inaugural exhibition is «Margherita Stein: Rebel With a Cause,» 71 works by 16 artists:
sculptures, drawings, paintings, prints, mixed - media assemblages and large - scale installations dating
from the
early 1960s to the present, most never previously exhibited.
This is the largest Gormley exhibition held in Germany to date, bringing together works on paper, large - scale installations, and indoor and monumental outdoor
sculpture that span the artist's sculptural journey,
from the
early 1980s to site - specific works created this year.
Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of
earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history
from the Renaissance to today -
from plaster casts of classical
sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.
This exhibition will feature key works
from the Museum's collection, including
sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum
sculptures from the 1950s, as well as rarely shown pieces
from the
early 1940s incorporating string and wood elements.
While the
earlier forms were created
from accessible materials and objects, generally coated in gesso to create hauntingly white forms, the new
sculptures are cast bronze with a white patina creating a very similar effect.
The exhibition also includes the paintings Sand Morning (1973) and Arundel XI (1974), as well as a series of black and violet acrylic works on paper, two of which Truitt made in a rented room in Georgetown in 1962; an acrylic on paper made in her studio in Tokyo in 1966; two acrylics on paper completed on Tilden Street in 1968; several
early drawings of streetscapes and buildings recalled
from childhood; and a rare working drawing for the Gallery's
sculpture Knight's Heritage.
Celebrated for her exquisite structures of fused metal and glass, the exhibition will also include works in a range of media,
from early ceramic and wood
sculptures to seminal explorations in metal to dynamic paintings and works on paper.
One of his best known
early collaborative projects, the Tumblr - based art platform / meme generator known as Jogging, accomplished this by showcasing the cheeky ad hoc
sculptures and Photoshop creations of Troemel and his friends as if the screen were a flat kind of virtual plinth; his Etsy store came at things
from the other direction, using the craftsy online commercial forum as a place to present totally ridiculous, often perishable products — a Doritos Tacos Locos taco secured shut by a Masterlock, or a cluster of hot dogs, q - tips, and a SuperCuts pen wrapped up in a Livestrong bracelet — as if they were homespun products people might actually want.
Still Life paintings,
sculptures, and drawings, produced
from 1972 to the
early 1980s, cover a wide range of motifs and themes, including the most traditional such as fruit, flowers, and vases.
With more than 50 of his works on display, the exhibition has been cleverly and informatively curated so as to place Marini's work within the wider art - historical context, ranging
from early Etruscan
sculpture, through 15th - century Florentine works, to Auguste Rodin and even Henry Moore.
He is currently finishing his dissertation «
From Minimalism to Performance Art: Chris Burden, 1967 — 1971,» which is the first in - depth study of the influential American artist's
early career
sculpture and performance art.