Sentences with phrase «from early modern art»

To illustrate this last point, a line can be drawn through examples from early Modern art to the present.

Not exact matches

As I stated earlier, liberal Christianity is a middle road between Christ and culture in that it seeks to understand culture, not remove itself from modern science or the arts.

Volume XVI, Number 2 Science and the Humanities; The Great Rift in Modern Consciousness — Douglas Sloan What Stands Behind a Waldorf School — David Mitchell On Earth as It Is in Heaven: The Task of the College of Teachers — Roberto Trostli The Plight of Early Childhood Education in the U.S. — Joan Almon The Art of Knowing — Jonathan Code Painting from a Palette Entirely Different — Johannes Kiersch Authenticity in Education — Elan: Leibner Soul Breathing Exercises — Dennis Klocek

«The research supports the idea suggested by the early Indonesian rock art dates that modern humans brought the practice of making semi-permanent images in rocky landscapes to Europe and Asia from Africa,» Professor Taçon said.

A reclaimed E.T. cartridge from the landfill now sits in the collection of the Smithsonian's National Museum of American History, complementing the copy of Warshaw's earlier game, the critically - acclaimed space shooter Yars» Revenge, which takes pride of place in the Architecture & Design collection at the Museum of Modern Art.

NEW YORK — Several works in the 19th - century European paintings sales garnered strong prices at a typically quiet auction - market period that stretches from the end of the major, early, May New York auctions to the start of the London Impressionist, modern and contemporary art auctions each June.

French artist Caroline Achaintre's visually striking, witty ceramic sculptures and hand - tufted wall hangings bring together a whole host of references such as catwalk fashion, carnival, and death - metal iconography, as well as Primitivism and Expressionism — early twentieth - century Western art movements that borrowed heavily from non-Western and prehistoric imagery to find new ways of representing the modern world.

Modern and contemporary art; Latin American art; 19th - and early 20th - century African tribal masks from Gabon, Cote d'Ivoire, and Mali

At the same time, however, by recycling and affirming in 1967 his own words from nearly a decade earlier, Sylvester suggests that we can celebrate Bomberg for his genuine accomplishments as a painter and teacher while frankly acknowledging his important, if limited impact in the history of modern art — an impact which is still being assessed today.

Tracing the evolution of Green's work from monochromatic canvases of the early 1970s to recent explorations of black and white, the exhibition includes 18 paintings and 52 works on paper, including works borrowed from the Solomon R. Guggenheim Museum and the Corcoran Gallery of Art in Washington, D.C. Resonating emphasizes Green's complex understanding of painting that is based on a combination of Aboriginal and Modern Western approaches.

Untitled III carries over the shift in texture from opaque to virtually transparent tonality in the greys and blues in particular, as if the artist had absorbed the style of Sumi - e brush painting, as for example in the lithograph owned by the Museum of Modern Art, Wah Kee Spare Ribs, 1970, a medium with which de Kooning was preoccupied in the early years of the decade.

In fact, it was so early in the evolution of New York's art world (and academia's meddling in it) that Flack transferred from Cooper Union to the BFA program at Yale in 1953, as part of an effort by the recently hired Josef Albers to enlist students who demonstrated a favorable attitude toward modern art.

Image Building: How Photography Transforms Architecture at the Parrish Art Museum features 57 photographs by artists who range from early modern architectural photographers such as Berenice Abbott, Samuel H. Gottscho, and Julius Shulman, to contemporary photographers like Iwan Baan, James Casebere, Thomas Demand, Andreas Gursky, and Hiroshi Sugimoto.

If Houseago's works resonate, it is because they encompass a wide range of influences: the formal language of sculpture throughout the ages (from ancient to early modern), mythology, the natural world of plants and animals, African tribal art, cartoon imagery and contemporary music and culture (the title of the exhibition contains a fragment from the lyrics of «Wild Child» by Lou Reed and a reference to James Taylor's «Like A Circle Round the Sun»).

The exhibition spans Warhol's iconic career from his early illustrative works of the 1950s, through Pop Art's 1960s heyday, until his untimely death in 1987 — addressing the artist's exploration of every facet of modern life, from consumerism and commissions to Communist politics.

Self - taught in the early career in the mid-1950s, Ludolf was a student of Ivan Serpa Free Course in Painting from the Museum of Modern Art in Rio de Janeiro (MAM - RJ).

Selections from the Saltzman Family Collection continues celebrations of the Museum's 25th anniversary year with an exhibition of early 20th - century modern art.

From 1972 to 1975 he was head of the Modern British department at the Bond Street dealers Colnaghi, where he played a significant part in the revival of critical scholarship then being directed towards early 20th - century British art, mounting revelatory exhibitions of the Chilean - born portraitist Álvaro Guevara and the Vorticist painter and printmaker Edward Wadsworth.

The use of images of the modern world, copied from magazines in the photomontage - style paintings produced by Harue Koga in the late 1920s and early 1930s, foreshadowed elements of pop art.

Artist Statement In my work, I seek to bring techniques and skills from early modern Europe into the clothing and art vernacular of today.

«Painting with Light» at Tate Britain 11 May Currently on view at Tate Britain, «Painting with Light: art and photography from the Pre-Raphaelites to the Modern Age» is an expansive new exhibition spanning over 70 years and exploring the symbiotic and sympathetic early relationship between photography and art.

From the early days of volunteer participation and direction, most notably by artist and teacher Sallie Gillespie in the 1930s and 1940s and association president Sam Cantey III and board chairman Robert Windfohr in the early 1950s, the professional staff of the Modern Art Museum of Fort Worth had grown to over twenty employees by 1988.

This collection comprises objects from a range of early cultures as well as colonial art, material culture, and works by modern and contemporary artists, including José Clemente Orozco.

The exhibition will include works ranging from the early 1990s to the present, on view in the 1st Floor Main Galleries, with an additional work concurrently on view at The Museum of Modern Art in the 2nd Floor Café.

Ricky Swallow's bronzes may start with found cardboard, but then they recap early modern design from art deco grillwork to Surrealism.

Only Germany has been at the forefront of modern art from the early 20th century right up until today.

This presentation of masterworks and experimental pieces from SFMOMA's collection of painting and sculpture explores themes that have shaped the history of modern art from the early twentieth century to our own time.

[79] Modern ideas in art also began to appear more frequently in commercials and logos, an early example of which, from 1916, is the famous London Underground logo designed by Edward Johnston.

«Revolution of the Eye,» with help from Stan VanDerBeek, claims the influence of modern art on early American television.

The National Portrait Gallery, meanwhile, looks at the origins of art photography via the work of four celebrated figures of the Victorian era, and Tate Modern takes things further with Shape of Light, which entwines the histories of photography and abstract art from the early 20th century to now and positions work by the likes of Man Ray and Thomas Ruff against abstract paintings, sculptures and installations.

Ranging from the early nineteenth century through the mid-twentieth century, the incomparable collection of «modern art and its sources,» as its founder, Duncan Phillips, characterized it, includes distinctive Impressionist, Post-Impressionist, and Expressionist masterworks.

The early part of the collection features French and Russian art from the beginning of the twentieth century, cubist paintings and superb holdings of expressionist and modern British art.

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

In fact, two earlier works by Kelly make reference to a «large wall»: Color Panels for a Large Wall from 1951, and Sculpture for a Large Wall, 1957, both in the collection of the Museum of Modern Art, New York.

The Guggenheim Museum Bilbao's dynamic program of temporary exhibitions featuring modern and contemporary art, as well as its periodic exhibitions of art from earlier centuries, offers a sweeping view of international art over the course of art history.

Gagosian Gallery has dedicated itself to organizing important exhibitions of contemporary art, while presenting earlier works of art from the modern era.

With earlier series, Xie has painted manuscripts and rare books from university and museum collections, such as the Museum of Modern Art and the Frick Art Reference Library.

The exhibition is also an opportunity to showcase pieces from The Amistad Center's advertising collections along with selections from the early 20th century, stereotypic objects to illustrate the post-Civil War imagery A final section will present mid-late 20th century photographs and fine art emphasizing the relationship between art, celebrity, and the modern civil rights movement.

The book includes drawings from his 1917 sketchbook, Conventions for Abstract Thoughts; watercolors from 1916 - 18 that were the focus of the first one - person exhibition at The Museum of Modern Art, Germany, in 1930; camouflage designs from his tour in the army and wallpaper designs from the 1920s; watercolors from the 1940s showing the artist's unique technique of expanding and reworking earlier works by pasting large strips of paper around them to dramatically increase their size; and finally Burchfield's large, transcendental watercolours from the 1950s and 1960s.

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

His scholarly interests range broadly across the field of modern art from the early 19th century to the present, with an emphasis on French painting and post-war American and European art.

At her solo show at Modern Art Oxford earlier this year, Himid featured paintings from a decade - long series for which she painted over pages of the Guardian, accusing the «liberal media» of «simultaneously visualising and making invisible black people's lives».

Bringing together over 50 drawings from private collections as well as museums, including The Art Institute of Chicago, The Dia Art Foundation, and The Museum of Modern Art, the exhibition spans the broad scope Ryman's career — from his earliest experimentations with drawing in the 1960s to the last drawing he made in 2000.

Geyer overlays these portraits — discovered during the artist's 2012 — 13 research fellowship at New York's Museum of Modern Art — with abstract frames taken from Josef Albers's cubist-esque «Structural Constellation» drawings of the early 1950s.

I can't help but notice how many exhibitions are doing the same: earlier this year, the Hammer Museum's «The Workshop Years: Black British Film and Video After 1981» or, in the summer, Tate Modern's «Soul of a Nation: Art in the Age of Black Power», which spans the period from 1963 to 1983.

From 1984 to 1989 I was an advisor to collectors building collections of impressionism and early modern art as well as of contemporary art.

Cocurators Frances Morris, of Tate Modern, and Richard Flood, of the Walker Art Center, have assembled some 140 works — many of them last exhibited in the early»60s — that provide a view of the movement from its genesis.

The Museum of Modern Art has added to its pioneering collection of early computer and video game designs: the New York museum has paired up with the San Francisco Museum of Modern Art (SFMOMA) to acquire Susan Kare's sketches for the very first Macintosh computer icons from the early 1980s.

Much of early modern art was concerned with representation and how to reconcile art's illusionism with its real object status (think of René Magritte's Ceci n'est pas une pipe from 1929).

His works were shown in a solo exhibit, Wesselmann — The Early Years — Collages 1959 - 1962 at California State University at Long Beach, and in American Art Since 1945 from the Collection of the Museum of Modern Art group exhibition at the Worcester Art Museum.