Sentences with phrase «from early nineteenth»

An introduction to the volume as a whole sets out the historical relationship between art and photography from the early nineteenth century forward, and covers the art world's embrace of the medium in recent decades.

Ranging from the early nineteenth century through the mid-twentieth century, the incomparable collection of «modern art and its sources,» as its founder, Duncan Phillips, characterized it, includes distinctive Impressionist, Post-Impressionist, and Expressionist masterworks.

Themes of self - reflection, performance, and identity are traced from early nineteenth - century experiments through contemporary digital techniques in outstanding self - portraits drawn entirely from the Audrey and Sydney Irmas Collection at the Los Angeles County Museum of Art.

The Museum's holdings now consist of more than 3,000 works ranging from early nineteenth - century landscape paintings through American Impressionism and into the twentieth - and twenty - first centuries.

The digitisation efforts of some parliaments (including the UK and the US legislatures) have made huge sets of speech data available to researchers, dating from the early nineteenth century.

He is currently working on a history of commercial fraud in the United States, and especially organizational fraud against consumers and investors, from the early nineteenth century to the present.

Not exact matches

Earlier we found that Marx's critique of religion is derived from a detailed analysis of the manifestation of nineteenth century religion, and his negation of religion has a predominantly social character.

This ideal descends from the liturgical movement of the nineteenth and early twentieth centuries.

And memories of forced union with Reformed churches in Germany in the early nineteenth century (which prompted much Lutheran immigration to the U.S) also induced isolation from broader American Evangelical culture.

He proceeds sequentially, from the sacred architecture of the Old Testament to the early Christian basilicas, then on to the Byzantine and Romanesque cathedrals and churches, and from there to the Gothic, the classicism of the Renaissance, the baroque and rococo, the neoclassicism and «revival» styles of the nineteenth century, and on to the present day.

From the early beginnings of biological evolutionary theory, in the nineteenth century, two trends of thought have prevailed in scientific circles, developing side by side without mingling to any appreciable extent.

This life of Jesus rests on a considerably revised basis from those produced in the nineteenth century or in the early part of the twentieth.

Most Orthodox thinkers operating in a modern framework — a tradition stretching from Samson Raphael Hirsch in the early nineteenth century to David Hartman in the late twentieth century — have engaged in one form or another of cognitive bargaining.

It has not, however, been as prominent in the actual life and thought of religious communities — even in the eighteenth and early nineteenth centuries, when the argument from design was frequently presented by Christian apologists.

From the early days of the settlement, efforts were made by some Christians to reach out to the Aboriginals, whose numbers were drastically reduced in the nineteenth century.

This was as true of early Jews in Galilee as it was true of nineteenth century India and is true of contemporary India: «In Jesus's world [just as in the Indian worldview], people were important because of who they were related to, or where they came from, not so much because of who they were in themselves» (Witherington: 35).

Much of the late nineteenth and early twentieth century was taken up with idolatrous aesthetics as beauty became divorced from the good.

Some of the American missionaries were well trained in comparative religion, and they made significant contributions to scholarship It is also to be noted, as stated earlier, that comparative religion was a favorite subject of American seminaries from the latter part of the nineteenth century to the 1920's.

[6] In particular from the later nineteenth century (if not earlier) his teaching on sacramental signification commonly became a source of embarrassment or a subject for ridicule.

It is impossible, for instance, to analyze the dismantling of slavery in the late eighteenth and early nineteenth centuries apart from a host of political developments — specifically liberal ones, but also specifically Christian ones, derived in part from evangelical missionary attitudes and discoveries.

(«Cautionary Verses for Children»: this title of a much used work, published early in the nineteenth century, shows how far the muse of evangelical protestantism in England, with her mind fixed on the idea of danger, had at last drifted away from the original gospel freedom.

In the early eighteenth and the nineteenth centuries, the Brothers Grimm started a revival of these tales, but they still felt a need to remove them as far as possible from the context of daily life.

Featuring clips from the film Sholem Aleichem: Laughing in the Darkness, along with lesson plans and historical background readings, this collection invites students to connect Aleichem's life to the larger transformation of traditional Jewish identity in late nineteenth - and early twentieth - century Eastern Europe.

«My purpose in selecting - The Harvard Classics was to provide the literary materials from which a careful and persistent reader might gain a fair view of the progress of man observing, recording, inventing, and imagining from the earliest historical times to the close of the nineteenth century.

From the two - time Booker Prize — winning author comes an irrepressibly funny new novel set in early nineteenth - century America.

An ABC Of Cat Care 1961 & 2003 Brief History of Cats & the Law Caring For Cats During the World Wars Cats, Fits and Megrims in the Nineteenth Century Cat Photography & Cat Artists (1903) Early Genetics papers on Coat Colours in Cats (Genetics) History of Cat Rescue - SPCAs, Bands of Mercy, Temporary Shelters (in general) History - Cats Protection League Cutting 1930 - 1950s History of Cat Rescue in Britain - Animals» Rescue League History of Cat Rescue in Britain - London Institution for Lost and Starving Cats History of Cat Rescue in Britain - Our Dumb Friends League History of Cat Rescue in Britain - Regional Cats» Homes History of Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Genetics)

Our historic French Quarter Hotel features buildings that date back to the early nineteenth century, such as our Audubon breakfast room where John James Audubon painted his Birds of America series from 1821 - 22 while residing at the Audubon Cottages.

Weirdly enough, my favorite aspect in this game was the soundtrack, which is comprised of excellent songs from all genres you'd expect from a game set in the late nineteenth and early twentieth centuries.

For lovers of elegant Neo-classicism, there were incisive portraits by Ingres from the eighteenth century and early nude studies by Degas from the nineteenth century, plus for dessert, a gorgeous, urgently scribbled Seurat of a silhouetted colt, c. 1882 — 1883.

But few American painters have followed in the footsteps of Raphaelle Peale, who in the early decades of the nineteenth century produced some hundred exquisite pictures of fruit, cakes and wine (as well as a trompe - l'oeil, Venus Rising from the Sea — A Deception

Since her earliest works, Cameron - Weir has drawn inspiration from the figure of the aesthete in late nineteenth - century Europe as a paragon of refined sensitivity to beauty, heightened sensory engagement, transgressive sexual desire, and the pursuit of pleasure through artifice or illusion.

Fleming at Fifty: Masterworks from the Fleming Collection showcases historic nineteenth and early twentieth Scottish paintings in modern and timely contexts.

Pettibon's literary quotations, however, come less from the kind of pop culture that provides much of his imagery than from the heady realm of nineteenth - and early - twentieth - century writers such as Nathaniel Hawthorne, John Ruskin, Henry James, and James Joyce.

This intimate exhibition presented paintings, sculpture, decorative arts, works on paper and books from fifteenth - to early nineteenth - century Europe, drawn from the museum's collection and supplemented by loans from important public and private collections.

Highlights of the European art collection include English genre painting of the nineteenth - century as well as examples of French post-Impressionistic painting from the late nineteenth and early twentieth century.

With much of the work in «The Order of Things» focusing on the individual and cultural identity, the exhibition also includes a large selection devoted to vernacular photography from the late - nineteenth and early twentieth century — offering a glimpse into the day - to - day life of a time that we will never know.

The symposium coincided with the O'Keeffe Museum's presentation of «Shared Intelligence: American Painting and the Photograph,» an exhibition that developed from our 2006 symposium, which addressed the dialogue between painting and photography that has been constant and ongoing since the invention of the latter in the early decades of the nineteenth century.

Comprised of approximately fifty works, the exhibition interweaves prints by artists as wide ranging as Alfred Stieglitz, Sophie Calle, Man Ray, and Glenn Ligon, as well as works by anonymous and virtually unknown photographers from the nineteenth and early twentieth centuries.

As Thomas reorganizes the interior space surrounding the female figure, she draws inspiration from late nineteenth - and early twentieth - century artists such as Édouard Manet, Henri Matisse, Fernand Léger, and Romare Bearden — all of whom used abstraction, to one degree or another, in their representations of the world.

From William Henry Fox Talbot's earliest «photogenic drawings» and Charles Nègre's translation of photographic images into a variety of mechanical processes, to the photogram process that was a staple for Man Ray, Dada, and the Surrealists, Past Picture draws from the extraordinary holdings of late nineteenth and early twentieth - century photographs in the collection of the National Gallery of Canada to present prints and images by some of photography's most innovative and influential inventors and practitionFrom William Henry Fox Talbot's earliest «photogenic drawings» and Charles Nègre's translation of photographic images into a variety of mechanical processes, to the photogram process that was a staple for Man Ray, Dada, and the Surrealists, Past Picture draws from the extraordinary holdings of late nineteenth and early twentieth - century photographs in the collection of the National Gallery of Canada to present prints and images by some of photography's most innovative and influential inventors and practitionfrom the extraordinary holdings of late nineteenth and early twentieth - century photographs in the collection of the National Gallery of Canada to present prints and images by some of photography's most innovative and influential inventors and practitioners.

Encompassing over seventy works drawn from public and private collections throughout the United States and Europe, Dutch Utopia: American Artists in Holland, 1880 - 1914 examines the work of forty - three American painters drawn to Holland during the late nineteenth and early twentieth centuries.

During these same years, museum founder Henry Clay Frick (1849 — 1919) was acquiring masterpieces from the early Renaissance through the end of the nineteenth century.

Boston, Chase's Gallery, The Impressionists of Paris: Claude Monet, Camille Pissarro, Alfred Sisley, 1891, possibly no. 6 (titled Paysage pres Pontoise); Buffalo, The Buffalo Fine Arts Academy, Albright Art Gallery, The Nineteenth Century: French Art in Retrospect, 1932, no. 47 (titled Landscape at Pontoise); Indianapolis, John Herron Art Institute, 1932; Toronto, The Art Gallery of Toronto, Modern French Painting, from Manet to Matisse, 1933, no. 31 (titled Paysage pres Pontoise); Houston, Museum of Fine Arts of Houston, Modern French Paintings, 1934, no. 25 (titled Pontoise and as dating from 1871); San Francisco, Museum of Art, Opening Exhibition: Art of our Time, 1935, no. 30; Albany, Albany Institute of History and Art, Exhibition of Paintings by the Master Impressionists, 1935, no. 18 (titled Landscape near Pontoise); Kansas City, William Rockhill Nelson Gallery of Art and Mary Atkins Museum, French Impressionist Landscape Painting, 1936, no. 50 (titled Landscape near Pontoise and with inverted measurements); New York, Durand - Ruel Galleries, Monet, Pissarro, Sisley, before 1890, 1938, no. 9 (titled Paysage pres Pontoise); New York, Knoedler Galleries, Early Impressionism 1868 - 1883, 1941, no. 20 (titled Paysage a Pontoise)

Among the earliest landscape paintings of the region, are those by Thomas Coram and Charles Fraser from the late eighteenth and early nineteenth centuries.

Holdings of eighteenth and nineteenth century and early modern European and American art were enriched by the donation in 1982 of thirty - eight Impressionist, Post-Impressionist, and contemporary American paintings and sculptures from the collection of Algur H. Meadows and his wife, Elizabeth.

Gothic to Goth illustrated how early nineteenth century costume — just like fine and decorative art, architecture, interior design, literature, and music — moved away from the order and rationality of the previous half - century to embrace imagination and emotion, originality and vision, and individuality and subjectivity as guiding principles.

Highlights from each of these collections feature prominently in Visionaries and convey a narrative on avant - garde innovation in the late nineteenth and early twentieth centuries.

The decline in δ13C up to 1930 observed in several series of tree - ring measurements has exceeded that anticipated from the input of fossil fuel CO2 to the atmosphere, leading to suggestions of an additional input ‰) during the late nineteenth / early twentieth century.

The common carp was first introduced to Australia from Europe in the nineteenth century, but the biggest disruptions to ecosystems happened after a particularly hardy strain escaped from a fish farm in the early 1960s.

At the core of the American democratic architectural tradition is the modest, single - family house, which gave rise to the statehouse, the courthouse, the firehouse, the schoolhouse, the jailhouse, and the President's house (as it was known before it became the White House)... The Architecture of Democracy traces a common line from the earliest colonial settlements to the Western frontier of the nineteenth century and today's ultramodern city centers.