Sentences with phrase «from early photographers»

American history can be traced with daguerreotypes, and other fine art photography from early photographers such as Timothy O'Sullivan and Carleton Watkins.

Not exact matches

The deadline for National Geographic's Photo Contest is still a few days away (photographers have until Nov. 30 to submit their entries), but The Atlantic's In Focus photo blog has posted a few of the early favorites along with captions from the photographers.

Anyways, earlier I posted a few pics with an all black from top to toe outfit (see it here), also made by this photographer, this time it was a more colourful outfit being shot.

Now, he does the same from a different perspective: that of a talented female photographer born in the early days of the 20th century.

During this time the photographer made his rounds offering the photos from earlier.

Image Building: How Photography Transforms Architecture at the Parrish Art Museum features 57 photographs by artists who range from early modern architectural photographers such as Berenice Abbott, Samuel H. Gottscho, and Julius Shulman, to contemporary photographers like Iwan Baan, James Casebere, Thomas Demand, Andreas Gursky, and Hiroshi Sugimoto.

It will introduce students to the work of pioneering photographers from the Americas, Europe, Africa, East Asia, and the Middle East in the late - 20th and early 21st century.

With attendance of more than 900,000 visitors throughout the year, 2017 saw such landmark presentations as No Place Like Home, which traced the artistic appropriation of domestic objects from the early 20th century through today; Ai Weiwei: Maybe, Maybe Not, examining notions of individuals» relationship to their social culture; as well as bodies of work by acclaimed Israeli photographers Ilit Azoulay and Micha Bar - Am.

Strategies that emerged earlier in the circles of the surrealists and New Vision photographers — the untutored «photographic mistake,» photography as a form of literary pointing — adopted by the artists in this exhibition have subsequently been absorbed by the contemporary generation using photography as conceptual art, from Gabriel Orozco to Hank Willis Thomas.

Recently published, «Carrie Mae Weems: Kitchen Table Series,» explores one of the photographer's early and most acclaimed bodies of work, and the exhibition catalog «Carrie Mae Weems: Three Decades of Photography and Video,» coincided with her mid-career survey at the Guggenheim Museum and includes full - color images of works from throughout her career and contributions by Henry Louis Gates Jr., Franklin Sirmans, Robert Storr, and Deborah Willis.

From early Vogue shoots and Hollywood's golden era to domestic still lifes, the photographer reveals the images that have inspired her

From the 1930s through the early 1960s, Morton Bartlett, a Boston - based graphic designer and commercial photographer, had an unusual hobby.

Examples include Julia Margaret Cameron's soft - focused and reverential Herbert Wilson (1868), which helped to move photographic portraiture from pure documentation to artistic intention; and Edward Curtis's field - printed cyanotype of an American Indian (c.1900 - 1930), which also shows how early photographers checked the quality of their images before digital photography.

Curated by Liza Essers and Storm Janse Van Rensburg, the show is a selection of work from 1993 to 2004, primarily revealing Bieber's more rarely shown independent series, as well as some of her earlier work as a press photographer.

Presented in this exhibition are works from Ryan McGinley's early days as a photographer, which captured the enthusiasm of the boldly dynamic, free - willed, and hedonistic lifestyle of such contemporaries.

Just how much talent Kerte ¿ z showed at a relatively early age — and how extraordinary he would become after moving to Paris, then New York in the 1920s and»30s — can now be traced at the Virginia Museum of Fine Arts, which is celebrating his landmark career with a choice selection of 18 images drawn from its outstanding collection of the photographer's work.

This exhibition presents Warhol's book work, from early student - work illustrations of the late 1940s, through to his careers as a commercial artist in the 1950s, Pop fine artist and underground filmmaker in the 1960s, and photographer and Pop culture icon of the 1970s — 80s.

This latest issue of Esopus, featuring a brand - new format and design (and encased in a slipcover), features artists» projects by Sharon Core, Joyce Pensato and John Sparagana; 100 still frames from David Lynch's Blue Velvet (introduced by Gregory Crewdson); materials from MoMA's archives related to late artist Scott Burton's early performance pieces; never - before - seen photographs from 1949 by Magnum photographer Burt Glinn; commentary on artworks from the New Orleans Museum of Art by two of its guards; fiction by Chelli Riddiough; and an audio compilation of new songs inspired by the customer - service experiences of Jens Lekman, Richard Swift, Basia Bulat and others.

Ishikawa and Eyene discuss the photographer's inspiration from diverse art forms, including music and dance, his early practice and more recent work, and multifaceted portraiture of his hometown of Okinawa.

He was Keith Haring's «official» photographer, creating an archive of over 40,000 images recording Keith Haring at work on public and gallery art, from his early subway drawings and his large scale commissions.

From as early as the 1980s, photography and video art have found their place in the German Pavilion, side by side with painting, sculpture and installation: the works of Bernd and Hilla Becher, Thomas Ruff, Candida Höfer, Katharina Sieverding and Rosemarie Trockel — all of them protagonists in the vibrant art scene at the Düsseldorfer Akademie in the late 20th century — were followed by the actions and films of Christoph Schlingensief and Romuald Karmakar, along with the documentary approaches of the Indian artist Dayanita Singh and the South African photographer Santu Mofokeng.

New Orleans, LA — Featuring masterworks by photographers Edward Weston, William Henry Fox Talbot, André Kertész, Robert Mapplethorpe, and many more, the New Orleans Museum of Art's upcoming exhibition, Photography at NOMA, explores the museum's rich permanent photography collection through a selection of some of its finest works from the early 1840s to the 1980s.

Their latest collaboration «Made in Space» — curated by Peter Harkawik and Laura Owens — presents a mix of well - established and well - respected emerging artists from around the Los Angeles area, from early Conceptualist Allen Ruppersberg to emerging photographer Lucas Blalock.

Moravian - born French photographer Josef Koudelka gained renown in early - 1960s Czechoslovakia for his portraits of social groups — from the Roma to avant - garde theater collectives — but it was not until 1984 that he came forward as the previously anonymous «Prague Photographer» who captured the 1968 Soviet invasion ophotographer Josef Koudelka gained renown in early - 1960s Czechoslovakia for his portraits of social groups — from the Roma to avant - garde theater collectives — but it was not until 1984 that he came forward as the previously anonymous «Prague Photographer» who captured the 1968 Soviet invasion oPhotographer» who captured the 1968 Soviet invasion of that city.

This exhibition will not only focus on her well known photography but will also display examples of her earliest work as a portrait photographer in Paris during the 1920's; her New York photographs of the 1930's; her scientific photographs from the 1950's and her images from U.S. 1 the coastal highway from Maine to Florida.

Focusing on photography, the exhibition presents over 190 images by 74 photographers, revealing a story of American history from the early 20th century and the role the photographs made in inciting social reform.

Taking it's title from the seminal early - feminist Virginia Woolf essay, «A Room of One's Own,» at Yancey Richardson Gallery through Aug. 21, 2015, plays off of that historical show, looking further inward not just at the process of experimenting in the studio, but at the space itself, as a muse and subject in the art of 12 contemporary photographers, including Anne Collier, Mickalene Thomas, and Laura Letinsky.

A photographer from Denmark, Henrik started out as a retoucher in the early»90s, before moving on to graphic design and art direction.

The earliest contemporary work in the show is by Seydou Keita, a renowned studio photographer from Mali who died in 2001.

From the rolling hills, breathtaking vistas and dynamism of local redwood forests to the linking bridges and bay itself, this area has inspired photographers since the early stages of the medium.

When Walther turned east in the 1990s an early champion of Chinese artists such as Ai Weiwei and south to Malian photographer Seydou Keïta, this period marked his departure from collecting photographers culturally akin to his German heritage.

The striking early - and mid-twentieth-century black and white photographs by noted photographers are interspersed among polemical quotes from Weil.

Comprised of approximately fifty works, the exhibition interweaves prints by artists as wide ranging as Alfred Stieglitz, Sophie Calle, Man Ray, and Glenn Ligon, as well as works by anonymous and virtually unknown photographers from the nineteenth and early twentieth centuries.

Martha Rosler speaks at Paris Photo 2014 with writer and educator Stephanie Schwartz, discussing everything from her early work on the subject of the Bowery, the ethical responsibilities of photographers, the paucity of critics in the US, and the overall critical reception of her work.

Originally a commercial photographer, Yoshiyuki became fascinated by the prevalence of outdoor sex in Japan, and the voyeuristic onlookers it attracted, after stumbling onto one such scene while walking home from a shoot in the early 1970s.

Also at Tate Britain, Art and Photography from the Pre-Raphaelites to the Modern Age will explore the relationship between pioneering early photographers and Pre-Raphaelite, Aesthetic and Impressionist artists, including works by John Everett Millais, John William Waterhouse, James Abbott McNeill Whistler, Julia Margaret Cameron and Henry Fox Talbot.Conceptual Art in Britain 1964 - 79 will trace the course of conceptual art from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artists.

Three important Edward Hopper watercolors — Lombard's House, 1931; Wellfleet Road, 1931; and Circus Wagon, 1928 — and an early self - portrait from 1903 - 06 are interwoven with works by four key photographers whose sensibilities refect his influence: Robert Adams, Diane Arbus, Lee Friedlander, and Stephen Shore.

From early depictions of «the people's beach» by Impressionists William Merritt Chase and John Henry Twachtman to modern and contemporary images by photographers Diane Arbus and Walker Evans, Red Grooms, Yasuo Kuniyoshi, Reginald Marsh, Joseph Stella, Swoon and George Tooker, Coney Island investigates America's playground as a place and an idea.

A wide range of photographers — from early experimenters such as Eugène Cuvelier, Charles Marville and Anna Atkins to modern giants Alfred Stieglitz, Ansel Adams and Edward Weston, as well as contemporary practitioners such as James Nachtwey, Hiroshi Sugimoto and Loretta Lux — are represented by portraits and figure studies, city scenes and still lifes, landscapes and seascapes.

The earliest works, taken by photographers such as George Bradford Brainerd and Irving Underhill, document the resort from the post — Civil War period through the turn of the twentieth century.

A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, «Outsiders» highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture.

EARLY IN 1989, I was commissioned to write a catalogue essay on two young German photographers who would show at P.S. 1's Clocktower Gallery as part of «Ruhrworks: The Arts of a German Region,» a New York «festival» of arts from the Ruhr Valley in northern Germany.

This exhibition provides the opportunity to view vintage and early photographs, from a selection of the 20th century's most significant photographers, alongside these artists» seminal books.

The following images are taken from the photographer's early project, First Pictures, realised between 1971 and 1980, and are collected in their entirety in a photographic volume.

An avid photographer, painter and sculptor Shui remained active within exhibitions including at the National Museum Art Gallery from 1946 to early 1990s.

From the early age, he showed tremendous interest in the medium of photography and was largely encouraged by his grandfather George Parr, who was an amateur photographer and member of the Royal Photographic Society.

Works included in the exhibition range from film posters painted by Peter Doig for his weekly film club in Trinidad, a video projection, Ligne de Foi, 1991, by James Coleman, Polaroid photographs by film director Andrey Tarkovsky, which were selected by Dominique Gonzalez - Foerster for their poetic representation of landscape, photographs presenting an example of early self - cinema by Victorian photographer Lady Clementina Hawarden and the screening of Michael Powell and Emeric Pressburger's iconic The Red Shoes, 1948.

A native of Brooklyn, George Joseph Thek (his art - name, Paul, came from the photographer Peter Hujar, who was Thek's lover from 1956 until Hujar's death from AIDS in 1987, and whose obsessive documentation helped rescue Thek from anonymity) studied at the Art Students League and Pratt Institute in the early 1950s, and at Cooper Union during a period of revival in American art, absorbing the influential work of Jasper Johns, Allan Kaprow, Claes Oldenburg, Robert Rauschenberg, and Lucas Samaras, among others.

Included are many different forms of early photography, representing an array of markets and social classes: grand portraits of Nepalese royals and palm - size cartes de visite for the masses, ethnographic albums by British photographers and hand - painted photographs from Indian portrait studios.

Greg Knott, Alexandria, VA - based artist and photographer, demonstrated an artistic ability from an early age.