Apart
from enamel on canvas paintings the exhibit will feature a selection of archival documents related to the series, including an original 1960s Ducolux paint sample card that inspired the artworks.
Not exact matches
September 8 — October 8, 2007 Sharon Brant, Untitled, 2000
Enamel on canvas under handmade glass, framed, 24 x 24 x 2.25 inches Curated by Kat Griefen, Director of AIR Gallery,
from the membership of American Abstract Artists, the artists in Material Matter affirm the group's openness to difference, both in form and theory, and its non-party line approach.
This series of paintings that illustrate this interview are
from a 2005 exhibition at Locks Gallery featuring pairs of oil paintings
on polygonal - shaped
canvases and diptychs of her iconic baked
enamel steel plate paintings.
It is fabricated
from oil paint,
enamel paint, and alkyd paint
on canvas, etched magnesium, aluminum and fiberglass.
Images: Jackson Pollock, Echo: Number 25, 1951, 1951,
enamel paint
on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951,
enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and
enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil
on canvas, Purchased with assistance
from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil
on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York
Rob Pruitt, Not yet titled, 2013, Acrylic,
enamel paint, and flocking
on canvas,
from 75 x 60 cm to 80 x 65 cm.
The artist breaks away such divisions and focuses
on the creation of the minimal abstract objects — wall - mounted reliefs
from foam shapes, which Adian beforehand covers with oil
enamel or spray painted
canvas.
Framed raw
canvases stained with dripped
enamel and oil paintings hang
on museum walls, reviving remarkable works of art
from one of America's most prominent artists of the past.
(Notoriously, the critic E. C. Goossen, comparing her to her towering predecessor, Jackson Pollock, wrote, «What she took
from him was masculine,» i.e.,
enamel paint flung onto
canvas with a stick; «What she made with it was distinctly feminine: the broad, bleeding - edged stain
on raw linen.»
Untitled Artist: Jannis Kounellis 1936 - 2017 Date: 1960 - 98 Classification: relief Medium: Steel panel,
enamel on paper
on 2
canvases, fabric, coal, 3 meta Dimensions: displayed: 2000 x 1800 x 460 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance
from the National Heritage Memorial Fund and the Art Fund 2008 © Jannis Kounellis
Exhibition Checklist Main Gallery (Clockwise
from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel
on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980
enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil
on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil
on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure
on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic
on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude
on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print
on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil
on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil
on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal
on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal
on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil
on paper 30 1/2 x 25 inches JVd 52
It will include examples
from two bodies of work: Paintings for an Abstract Commune, a suite of new, modestly - scaled
enamel works
on medium - density fiberboard that function simultaneously as both abstract paintings and flags; and Monochrome (Shaped
Canvas), which use shape to impart dynamism into the discipline of monochrome painting.