Bearing hand - written notes, sharpie drawings, or chemical chimeras, Aldridge's Polaroids are like ravaged stills
from an erotic film noir.
Not exact matches
So throw a towel down if you want to protect your sheets, but don't expect a scene
from a horror
film, because period sex can certainly get pretty
erotic!
The
film chronicles a woman's
erotic journey
from birth to age 50, recounted over 8 chapters by Joe, a self - diagnosed nymphomaniac, to Seligman, a bachelor who finds her beaten body in an alleyway and tends to her wounds.
The racy Fifty Shades Of Grey movie won't be exciting
film fans in India after censors there blocked the adaptation of E.L. James»
erotic novel
from...
Now they move together
from the positively demure «Single Man» to the cunning sordidness of «Nocturnal Animals,» as done up in the height of LA art chic - meets white trash murderousness, Given a multi-story enigma of a
film, Korzeniowski's ultra-lush themes beautifully dress up unspeakable behavior, a rapture of
erotic orchestral melody whose contrast with the onscreen grotesqueries is exactly the point as his music shivers with anticipation towards the next shocking chapter.
The OST for the third
film in the
erotic drama series also features tracks
from the likes of Hailee Steinfield, Julia Michaels, Jessie J, and a collaboration between Rita Ora and former One Direction member Liam Payne.
When casting news for the
film adaptation of E.L. James»
erotic romance novel «Fifty Shades of Grey» broke over the long weekend, reactions were muddled with expressions running
from «Finally!»
The
erotic fascination underlying all this is constantly visible in the way that Piñeiro and DP Fernando Lockett
film faces, often in long gliding takes that move seamlessly
from wide shot to close - up — see the radio studio scenes in The Princess of France and the extended scene in Viola in which the camera hunkers down between three characters talking in a car at very close quarters.
Just as Olivier Assayas's new
film Personal Shopper keeps shapeshifting
from horror movie to socio - economic commentary to
erotic thriller to paranormal murder mystery... so this review keeps shifting as I write it.
Ostensibly both a remake of the Southern Gothic
erotic thriller by Don Siegel
from 1971 and also an adaptation of Thomas P. Cullinan's 1966 novel «A Painted Devil», Coppola (who also wrote the screenplay and won the Best Director Award at the 2017 Cannes
Film Festival) smartly and slowly unravels her tale via the female gaze in a
film that, if one is patient with it, slowly pulls you under its sunlit and fainéant spell.
«This
film tells a fascinating story
from one of those thousands of women who try to be happy in their 50s, where an apparently boring life can be fascinating,
erotic, fun and complex.
This period adaptation of Sarah Waters» Fingersmith feels like a departure
from Wook's previous work — part heist
film, part
erotic thriller — but aside
from the setting there are numerous elements that are characteristic of the director's previous work.
Looking at the follow - ups of some recent Academy Award winners, so you can see a near - three - hour
erotic drama (Ang Lee), a one - man show about a man cutting off his own arm (Danny Boyle), a near - three - hour drama about the search for Osama Bin Laden (Kathryn Bigelow) and a near - three - hour musical sung live on set (Tom Hooper),
films that for the most part, would have had a trickier time getting a green light without the ability to put «
From Academy Award Winning Director...» on the poster.
From the French Revolution to the porn industry - the next role of MEAN GIRLS alum Amanda Seyfried is that of
erotic film legend...
Thematically, the novel is preoccupied with relics, the physical reminders of emotion — for Miles, the abandoned possessions of hundreds of evicted tenants; for Bing, the beaten - up antiques he has pledged to save; for Ellen, the dangerously
erotic images she is finally able to cultivate
from the ephemera of her mind and put onto paper; and for Alice, an obsession with a World War II
film which she believes captures the simultaneous hope and despair of a generation.
«In total, the object of desire in MARILYN is mediated by so many factors —
from Marilyn Monroe's death and the age of the original
film to the lethargic pace and absence of narrative closure in Conner's version — that is transmogrified into something truly strange, at once
erotic and deadened.»
Like Moffatt's
films, her photographic work, which ranges
from the glamorous to the
erotic to the autobiographical, is nearly always narrative.
Nineteen works have been acquired that highlight key moments in Brimfield's career,
from collaborative
films created for past performances and meticulously drawn and painted posters for imaginary
erotic magazines about Henry Moore and Barbara Hepworth, to five photographs recreating moments in the life of Jackson Pollock
from the perspective of the canvas, a
filmed music hall performance starring a fictional raconteur, and posters anticipating her proposed 2015 exhibition at The Hepworth Wakefield.
Richards»
film Rosebud 2013 - the first work that greets visitors to the show - features
erotic images
from a book found in a Tokyo library which have had the explicit detail scratched out by censors using sandpaper.
The outside of the camera is covered with bill posters and heavy graffiti over a series of
film posters and stills
from «Blow Up» with mildly
erotic images taken
from contemporary advertising.