Sentences with phrase «from exhibition catalogues»

Open in October 2014, The Stacks is New Orleans» only independent bookstore devoted entirely to contemporary art books, from exhibition catalogues to monographs, theory publications, visual and graphic arts, architecture, photography, children books... as well as a wide range of international magazines.

Shop a unique series of limited editions by Ai Weiwei, from exhibition catalogues with individually painted dust jackets, to handmade porcelain flowers.

The literature ranges from exhibition catalogues and collection catalogues to monographs, films and articles.

Important essays from exhibition catalogues are listed here under the author's name, rather than in the Exhibition History.

Phong Bui, from the exhibition catalogue essay, 2014 The Tibor de Nagy Gallery is pleased to present an exhibition of new works by the much admired sculptor John Newman.

- Carroll Dunham, from the exhibition catalogue essay, 2012 The Tibor de Nagy Gallery is proud to present an exhibition of new works by the much admired sculptor John Newman.

My Zizek quote is taken from How to Read Lacan, chapter 4, my Bateson quote is taken from Steps to an Ecology of Mind, Part II and all my Kidner quotes are taken from the exhibition catalogue.)

Taken from a preview excerpt from the exhibition catalogue, published by the Whitechapel Gallery and Collezione Maramotti.

Forty years later, Levine re-photographed Evans» photographs directly from an exhibition catalogue and presented them as her own artwork.

Mira Schor, page from exhibition catalogue, «Mira Schor: Paintings,» Dalhousie Art Gallery, Halifax, Nova Scotia, 1975.

And in the London Review of Books, T.J. Clark and Anne Wagner, who co-curated the Reina Sofia exhibition «Pity and Terror: Picasso's Path to Guernica», have contributed a pair of essays adapted from the exhibition catalogue on Picasso and tragedy and the women of Guernica (#)

Works include a graphic score and inscribed Buddhist singing bowls by Biggers; process notations and studio ephemera by Lee Boroson; two edible drawings, a musical score, and instruments for preparing a piano by Cage; three instructional certificates of authenticity by Felix Gonzalez - Torres; an agreement for a living artwork by Paula Hayes; a reanimation of Lucy Lippard's reference materials from the exhibition catalogue for 955,000; a book of instructions by Yoko Ono; five artist books by Edward Ruscha; a photograph by Xaviera Simmons (Bard B.F.A. «04); a muster contract, field desk, Zouave rifle, and muster roll by Allison Smith; a recipe by Rirkrit Tiravanija; eight compositions by La Monte Young; and a realization of George Brecht's event score Motor Vehicle Sundown (Event) with Xaviera Simmons and members of The Surrealist Training Circus.

I noticed in an image from the exhibition catalogue that one of the doors is quite visibly worn and peeling, which again speaks to things that are about affect, physical sensations, or memories?

Excerpted from the exhibition catalogue Jim Hodges: Give More Than You Take, here's a sampling from their discussions.

Also, Hiroyuki Nakanishi, a curator of The National Museum of Art, Osaka, described Ohno as «one of the few painters in Japan capable of deftly manipulating the vocabulary of Western painting» (quoted from an exhibition catalogue of «Real Japanesque», The National Museum of Art, Osaka, 2012).

By re-photographing the well - known photo from an exhibition catalogue, and recreating it in two versions — one positive, the other negative — Sherrie Levine questions the «art - value» or «aura» that characterises the unique and original artwork.

I usually get more from the exhibition catalogue than the exhibition.

In many of her dresses, Taylor Pickett juxtaposes images of African sculpture, textiles, and cultural elements, with details from Matisse's work, typically procured from exhibition catalogue reproductions.

The excerpt above are from the exhibition catalogue.

REFERENCES We gratefully acknowledge the use of material from the exhibition catalogue American Impressionism (published by 1980, Henry Art Gallery).

REFERENCES We gratefully acknowledge the use of material from the exhibition catalogue American Impressionism (1980, Henry Art Gallery).

As art historian and curator Helen Molesworth notes in Imaginary Landscape from the exhibition catalogue Leap Before You Look: Black Mountain College: 1933 — 1975, «while the dictionary may define haptic as «relating to the sense of touch, in particular relating to the perception and manipulation of objects using the senses of touch and proprioception», the word, when used in reference to works of art, denotes those works that engage visuality through an appeal to tactility.

Judd himself recognized Malevich's primacy in an reprinted essay from the exhibition catalogue: «It's obvious now that the forms and colors in the paintings that Malevich began painting in 1915 are the first instances of form and color.»

ACKNOWLEDGEMENTS We gratefully acknowledge the use of material from the exhibition catalogue American Impressionism (1980, Henry Art Gallery) written by Professor William H. Gerdts.

The following excerpt is adapted from his essay, «Carlos Almaraz: A Lyrical Madness,» from the exhibition catalogue Carlos Almaraz: Selected Works, 1970 — 1984.

The organization has been led by Jeffrey Hoone since 1982, and the following statement from the exhibition catalogue clarifies his vision and dedication to serving artists.

Not exact matches

Kim Novak's Vertigo outfit designed by Edith Head (and not unlike something out of a Boden winter catalogue), Scarlett O'Hara's velvet curtain dress designed by Walter Plunkett and Dorothy's red shoes, which apparently had to make themselves absent from the exhibition for a week during Thanksgiving last year when they were returned to the U.S. (they must be magic!)

In addition to the many recent books, articles, and exhibition catalogues converging on the life and art of Johannes Vermeer, various BUILD Series NYC is a live interview series where fans sit inches away from some of the biggest names in entertainment, fashion and business as they share

Bringing together newly commissioned essays from leading activists, curators, and humanitarians, extensive photographic documentation, and an array of archival materials, the catalogues will serve as the comprehensive record for this groundbreaking exhibition and provide readers with an expanded historical and political context for the project.

The only existing photo of Short Circuit with Johns's flag is in the catalogue, but in the last draft of the exhibition checklist, Hopps dropped Short Circuit from the show.

The jurors — Sabine Breitwieser, Naomi Beckwith, Mario Codognato, Yungwoo Lee, and Ranjit Hoskote — also singled out three artists for special mentions: in the main exhibition, the late Harun Farocki (whose entire film catalogue is being screened there); the Aboundaddera collective, which is presenting videos from Syria; and Algerian artist Massinissa Selmani for «working in a modest medium which has the capacity to act beyond its scale.»

Below is the online catalogue from the recent exhibition Bernard Chaet: Coastal Memories at LewAllen Galleries, Santa Fe, NM.

Critical texts are placed alongside sketches by artists such as Richard Deacon or hand - drawn layouts for catalogues by Sol LeWitt, as well as installation instructions from Carl Andre or exhibition notes by Dan Graham.

Fast Forward: Painting from the 1980's, exhibition catalogue (New York: Whitney Museum of American Art, 2017).

This exhibition is made possible through support from the Mint Museum Auxiliary and awards from the Terra Foundation for American Art and The Dedalus Foundation, Inc., and is accompanied by a fully illustrated catalogue.

Accompanying the exhibition will be a comprehensive catalogue that will for the first time gather contributors from diverse fields to investigate this elusive topic and unite them through contemporary art.

A publication with an essay by Helen Molesworth reprinted from the 2008 Solitaire exhibition catalogue has been published on the occasion of the exhibition.

The artist's thirty - fifth exhibition with Pace, New York City, No - Name, Re-do, Seductions will be on view from September 15 to October 21, 2017, at 510 West 25th Street, and an opening reception will be held on Thursday, September 14 from 6 to 8 p.m. Pace will publish a catalogue that includes a new text by Samaras to accompany the exhibition.

From Caspar David Friedrich to Gerhard Richter, German Paintings from Dresden is the catalogue published on the occasion of the eponymous exhibitions at The J. Paul Getty Museum, Los Angeles in From Caspar David Friedrich to Gerhard Richter, German Paintings from Dresden is the catalogue published on the occasion of the eponymous exhibitions at The J. Paul Getty Museum, Los Angeles in from Dresden is the catalogue published on the occasion of the eponymous exhibitions at The J. Paul Getty Museum, Los Angeles in 2006

A lavishly illustrated catalogue of the exhibition, Picasso: Masterpieces From the Musée National Picasso, Paris, co-published with Flammarion / Skira is available through the Museum Store.

1998 Selections, Winter 1998, The Drawing Center, New York, NY catalogue Crossings, AT Kearney Corporate Offices, San Francisco, CA At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CAcatalogue Crossings, AT Kearney Corporate Offices, San Francisco, CA At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CACatalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CAcatalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CA Sino Ka?

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

And so we learn from Eric Shiner's interview published in the exhibition catalogue, when Ai came to New York, he read The Philosophy of Andy Warhol (From A to B and Back Agafrom Eric Shiner's interview published in the exhibition catalogue, when Ai came to New York, he read The Philosophy of Andy Warhol (From A to B and Back AgaFrom A to B and Back Again).

: Contemporary American Art from the Misumi Collection, exhibition catalogue (Tokyo: Misumi, 2002).

The gallery further organized an exhibition of the artist's early work in 2004 - 2005, and, more recently, a show in 2014 that focused on work from the 1990s, which was accompanied by a catalogue published by David Zwirner Books, with essays by Eva Badura - Triska, Veit Loers, and Bernhard Riff.

T03458 ANTONY AND CLEOPATRA 1982 Oil on canvas 114 1/4 × 113 5/16 (2893 × 2872) Inscribed «Gillian Ayres» b.r. Purchased from Knoedler Gallery (Grant - in - Aid) 1982 Exh: Gillian Ayres, Knoedler Gallery, April — May 1982 (20, as «Anthony and Cleopatra»); Gillian Ayres, Serpentine Gallery, November 1983 — January 1984 (17, as «Anthony and Cleopatra») Lit: Tim Hilton, introduction to Gillian Ayres, exhibition catalogue, Serpentine Gallery, November 1983 — January 1984, p. 16 as «Anthony and Cleopatra» The following entry is based upon a conversation between the compiler and the artist held on 8 April 1986 and has been approved by the artist.

The exhibition presents selections from Guild Hall's permanent collection that were rediscovered during a recent cataloguing project to digitization the collection.

Piri Halasz, From the Mayor's Doorstep http://www.pirihalasz.com/blog.htm?post=907117 Nancy Keefe Rhodes Exhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeton UnFrom the Mayor's Doorstep http://www.pirihalasz.com/blog.htm?post=907117 Nancy Keefe Rhodes Exhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, PrinceExhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, PrincetCatalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeton Unfrom, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princetcatalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeexhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeton Univ..

Blow by Blow Exhibition catalogue for Blow by Blow, a solo presentation of Arlene Shechet's work at the Tang Museum of Art in Saratoga Springs, NY, from Sept 26, 2009 - Jan 2, 2010.

That paean to her neighbourhood, which you can find in the catalogue to the current exhibition at Victoria Miro, was written just after the war and through the eyes of someone by now on intimate terms with her corner of working - class Upper Manhattan (Neel had moved from Greenwich Village, which by then was already a bohemian hangout full of artists, so it might appear she was deliberately cutting herself off from that cultural milieu).