Sentences with phrase «from exhibition text»

(from exhibition text)

From the exhibition text: «Growing up, Rolon bore witness to the ways households adapted to new American middle - class lifestyles with homes, walls and furniture embellished with exotic colours, textures, patterns and items, creating a sense of identity and comfort.

Not exact matches

It was such a refreshing change of pace from the rarefied atmosphere of the «Fragments of Time and Space» temporary exhibition at the Hirshhorn and their too often BS - ridden text panels.

Copies of texts supplied by Matt Seaton and Chris Sharpe, as well as photos of pictures and winners from the «Images of Fathers» exhibition (in print and email format) are available from Fathers Direct and from the Lloyds TSB Foundation (contact numbers attached).

As the exhibition will display on panels and videos, imaging experts were able to map much of the hidden text using high - tech tools — including x-rays from a particle accelerator — and to make it available to scholars.

Whether intentionally or not, museums embody views about what's worth learning, and the way that artworks, objects, and historical material are presented — from exhibitions to architecture to wall texts — embody views about how learning happens.

Izard notes that the learning team «included the Turning the Pages volumes within a set of structured learning tools» to complement a recent exhibition of sacred texts from the library's collection.

A new book, Termini, will launch with the exhibition, featuring a range of images from the show, together with specially written text by poet and writer Paul Farley.

With this exhibition, the Iranian - born artist brings text to the fore, debuting the 14 - foot drawing 100 and One Dead Poets (2016), in which Armajani excerpts poems from 101 writers and redoes them in calligraphy.

Critical texts are placed alongside sketches by artists such as Richard Deacon or hand - drawn layouts for catalogues by Sol LeWitt, as well as installation instructions from Carl Andre or exhibition notes by Dan Graham.

The artist's thirty - fifth exhibition with Pace, New York City, No - Name, Re-do, Seductions will be on view from September 15 to October 21, 2017, at 510 West 25th Street, and an opening reception will be held on Thursday, September 14 from 6 to 8 p.m. Pace will publish a catalogue that includes a new text by Samaras to accompany the exhibition.

For the artist's first solo exhibition in New York, C24 Gallery will present texts from billboards that appeared on the streets of Berlin, London, and Paris as well as major new light works, and a large - scale «Fire Poem.»

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.

The extensive exhibition will trace the origins of these highly operatic text - based paintings back to Hanson's earliest works, showing rarely seen examples from the»60s and»70s alongside his vibrantly colorful, buoyantly playful recent paintings.

His latest group exhibition at The El Paso Museum of Art titled Text as Art: From the 1960's Onward brought together prints, photographs and sculpture that combine writing and images.

The book, which places strong emphasis on the written word, contains newly commissioned texts by Robert Storr and Miwon Kwon, an introduction by Susan Cahill and an extended conversation with fellow artist Tim Rollins, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence, and writings that influenced Gonzalez - Torres and his work.

For his exhibition at Arnolfini, which forms part of the city's celebrations as 2015 European Green Capital, Long has selected some of his favourite photographs and text pieces, many of them with local flavour, from the last 50 years of his career.

The title of the exhibition refers not only to Walker's record of his experiences, but also to the antiquarian text on which he draws — a 17th century document of the Dutch Colonial empire of Brazil — which in turn becomes the theater in which the Afro - Brazilian women Walker befriended emerge from and dominate within the history of colonization and enslavement.

The exhibition features audio, text and photographs from all three years of the project.

Exhibition view: Texts on benches from Building The Barricade by Anna Świrszczyńska, translated by Piotr Florczyk.

In Mungo Thomson's solo exhibition at Kadist Art Foundation, Wall, Window, or Bar Signs, the gallery is filled with neon works that appropriate the form of Bruce Nauman's spiraling neon text piece, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) from 1967.

David currently has two exhibitions on view at the Institute: (1) drawings and texts from David's...

Texts include critical responses from his very first solo exhibition to present.

will be accompanied by a fully - illustrated catalogue that features original texts from renowned scholars and contemporary artists, all considering what compels artists to draw through close study of specific works in the exhibition.

Cut from the walls of a previous exhibition at the Wattis Institute, Owens's series of custom wallpaper on panels contains phone numbers to which viewers can text questions to receive audio responses of text - to - speech quips and found recordings.

In recent days I have posted on Facebook galleries of photos from recent exhibitions I've just seen, with a brief text which I typically write quickly, just enough to give readers a quick sense of the work.

Though the exhibition's supplementary texts provided by the gallery specifically reference the 2008 financial crisis, the collected newspapers on the walls date from 2014 and later, the global incident only discussed in retrospect.

A friend and I recently had a conversation about the trend of galleries putting together shows of famous artist's lesser - known works from yesteryear and writing a vague exhibition text to explain why they're important.

The exhibition of photographs is comprised of 100 photographs of individuals juxtaposed with text narratives formulated from the interviews.

The exhibition proposes to examine the relationship between sociopolitics and aesthetics through the work of artists Delaine Le Bas (UK), Thierry Geoffroy (France / Denmark), Elsa M'bala (Cameroon / Germany), Gideon Mendel (South Africa / UK), and texts from Bakwa Magazine and its editor Dzekashu Macviban (Cameroon).

The images are pulled from his imagination and from the imaginative realm of literature: his recent solo exhibition at the Drawing Center was composed of notebooks in which he makes a drawing every day in response to books he reads over the course of the year — texts that range from Ovid to Patti Smith.

In this exhibition and the accompanying catalogue, the British Museum shows itself at its best; the clear presentation of the prints, the precision of scholarship, the insightful text by Coppell, but also in the deft addition of specific works from the museum's collection to further animate readings of the prints.

«Anthony Key» exhibition catalogue essay for Anthony Key: From South China to South London (London: Unit 2 Gallery, 2006) «If You Were There» exhibition catalogue essay, Mayling To: If You Were There (University of Hertfordshire: Margaret Harvey Gallery, 2005) «Inglorious Food» exhibition catalogue essay, Anthony Key (Bristol: Eddie Chambers, 2002) «Erika Tan — PIDGIN: interrupted transmission» exhibition review, Third Text (2002) n. 59, pp.208 - 211 «Trinh T. Minh - ha: Cinema Interval» book review, Parallax (2001) n. 19, pp.128 - 130 «Tailing TRACE / Y: The Liverpool Biennial of Contemporary Art» exhibition review, Third Text (1999) n. 49, pp.101 - 104

Taking its cue from Ways of Seeing, John Berger's 1972 critical text on visual culture, this exhibition explores the various formalistic strategies that artists employ to re-configure our perception of the world.

Now, Victoria Miro has published a book of the same name, juxtaposing Paul's paintings with texts from the artist and Als; the London exhibition, name inverted to betoken the friendship between the two figures, coincides with the book's release.

Each of the case studies, which also include Freeze, London (1988) and New York's Whitney Biennial of 1993, consists of a one - page introduction, followed by archival photographs and text excerpts from their respective exhibition catalogues and contemporaneous press reviews.

The first of the exhibition's environments is a five - channel audio installation portraying a series of mirrored speakers enact play excerpts from an 11th - century «mirror for prince» text in five different languages.

The exhibition is accompanied by a book from Hauser & Wirth Publishers that expands on the 2001 publication from The University of Chicago Press, and features new texts from Musa Mayer and Debra Bricker Balken.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans, and critical texts from the time, as well as an expansive account of recent exhibition history.

The exhibition showcases a new balance in thinking between text and image through the work of 34 artists from all around the world.

[Text from image] The Anderson is issuing an open call to all V C U arts students and faculty for exhibition and event proposals to take place at the Anderson during the Spring 2018 semester.

The Jewish Museum in New York to Present Mel Bochner: Strong Language May 2 — September 21, 2014 Exhibition Explores Mel Bochner's Text - Based Works From Early Conceptual Drawings to Recent, Large Scale Thesaurus Paintings New York, NY — From May 2 through... Continued

A fully illustrated catalogue co-published with Futurepoem will accompany the exhibition, featuring reprints of seminal texts by Fred Moten and Harryette Mullen, newly commissioned poetry by Morgan Parker and Simone White, and an essay from the curator.

Currently represented in the 56th International Art Exhibition of this year's Venice Biennale by Librettos, a new series that brings together the score of the opera La Vida Breve by Spanish composer Manuel de Falla and a speech from 1964 by Black Panther Party member Stokely Carmichael, and Sound Text, a multipart series incorporating drawings on paper that lead to a performance by a seven - piece ensemble, Gaines continually produces ambitious and compelling work that is as challenging as it is inviting.

Three exhibitions from the permanent collection, The Arch of Desire: Women in the Marieluise Hessel Collection, cocurated by Ilaria Bonacossa and Cecilia Brunson; Text, Texture, Touch, curated by Tobias Ostrander; and Re (f) use, curated by Rachel Gugelberger.

Included in the exhibition is a complete portfolio of platinum prints and letterpress text sheets from the Kitchen Table Series.

A fully illustrated, 262 page catalog in Chinese and English with text from all of the artists will accompany the exhibition as well as a complementary audio tour.

To mark this exhibition we published a fully illustrated book of the text from a lecture given by Scully at Munich's Pinakothek der Moderne on the present position and context of his own work.

Events and exhibitions of note include Essex (Details of an Imaginary Life from Birth to Death), a performance by Matt Mullican held at the Boston Center for Adult Education and Indian Summer, a group exhibition where the visual image was given equal importance to the text in conceptual art.