Much criticism of science, especially
from feminist critics, is overwrought.
She is neither a rescuer of biblical religion
from its feminist critics nor only a «post-biblical feminist» who must reject the Bible wholesale as a gynocidal text.
Not exact matches
When details of her self - titled 2013 album were originally leaked earlier that year under the moniker Mrs. Carter, it was panned by some
critics for its foreshadowed embrace of the artist's still - new identity as hip - hop mogul Sean «Jay - Z» Carter's wife rather than the trailblazing
feminist icon who coined powerful female anthems like Irreplaceable, Single Ladies and Independent Women
from her Destiny's Child days.
«We are all
feminist critics,» he quotes one professor as proclaiming, and then replies: «That is the rhetoric suitable for an occupied country, one that expects no liberation
from liberation.»
This is what its
critics, whether
feminist or orthodox, have been saying all along, although
from opposite points of view.
How to Build a Girl By Caitlin Moran Harper Perennial • $ 15.95 • ISBN 9780062335982 The rowdy first novel
from the author of the best - selling
feminist memoir / manifesto How to Be a Woman borrows events
from Moran's own improbable life story, including her experiences as a teen
critic for a British music magazine.
Referencing the «male gaze» — a term coined by
feminist film
critic Laura Mulvey to describe the way in which women become framed and understood
from a male perspective — this exhibition reverses stereotypical gender roles to treat the male body as the subject of our collective viewing.
Incorporating excerpts
from Lippard's writings over thirty years, the «Snipers's Nest» reflected upon the role this
critic,
feminist, cultural worker, mother, and activist has played in the American art scene over the last several decades.
The artist's methods of creations, his chosen themes and materials are, according to many
feminist art historians and
critics, some sort of a swan song of masculine themes and artistic processes coming
from the Abstract Expressionism.
In my cut - out installation, she is Mrs Thatcher, her lover Ronald Reagan, the people are mostly
from the art world: the
critic, the dealer, 1980s artists, eager
feminists...» A virtuoso piece, it is brazen in its details.
We've rounded up the most interesting stories
from across the web this week,
from Glenn Lowry's response to the Björk
critics to a profile of the famed
feminist art group.
In The Art of Tracey Emin, distinguished
critics from Britain and the United States address her achievement in depth for the first time, tracing Emin's influences
from Egon Schiele to Judy Chicago and establishing her place in a larger tradition of postmodern and
feminist art.
The MoMA show, which featured an untitled hanging wire sculpture by Asawa
from circa 1955, led The New York Times
critic Holland Cotter in his review to assert «the reality that work by women,
feminists or not, was the major inventive force propelling and shaping late - 20th - century art.»