Sentences with phrase «from film reels»

This is why people were unnerved watching The Hobbit at 48 frames per second as opposed to the 24 fps we've been seeing from film reels for decades, later mimicked by digital cameras and projectors.

Not exact matches

Huntsman is cutting against the grain with his online strategy, using an unconventional web presence that places a heavy emphasis on Internet videos that look a bit like they came from the outtake reel of a documentary film.

Researchers from the Kavli Institute of Nanoscience at Delft University and EMBL Heidelberg now managed for the first time to isolate and film the process, and witnessed — in real time — how a single protein complex called condensin reels in DNA to extrude a loop.

An interestinbg if problematic film, whose last reel breaks free from the narrative to take on a more primitive line that recalls episodes out of TV's Outer limits or Twlight Zone.

Although the film is a little off - beat (it is definitely not what you would expect), the story will hook and reel you in, supported by excellent acting from the exceptional cast including Doug Jones as The Creature.

A 4:06 Gag Reel is mostly just breaks that happened during filming, but there are also a few moments from scenes that didn't make it into the final film, pointing out there are deleted scenes we didn't get a chance to see.

As the third act reels in, itâ (TM) s (Shia LeBeouf) who carriers this film all the way to the end, with a very impressive performance from him.

By the late teens he was helming a series of notable films starring William Farnum, ranging from historic adaptations (a seven - reel version of A Tale Of Two Cities [1917] and a ten - reel Les Miserables [1918]-RRB- to Zane Grey westerns (Riders of the Purple Sage [1918], The Rainbow Trail [1918]-RRB-.

The cast go from room to room discussing stuff, from location to location looking at stuff, explaining scenarios to each other, lots of driving around and of course the other obligatory scene where everyone watches an old educational news film reel about their enemy and how it lives.

For what it's worth, The Hills Have Eyes II's unrated DVD features four minutes of deleted scenes (nothing the least bit distinguishable from what finally wound up the film) and a short gag reel (again, could've plugged it into the picture proper with no disruption to continuity — or lack thereof).

Attendees will first be treated to a never - before - seen reel featuring some of the thrilling moments from the much - anticipated film.

For the release of the film, Reel FX Creative Studios, Relativity Media and Odd City Entertainment teamed up to produce a great screen print from one of our favorite artists, Graham Erwin!

As it turns out, Real Steel, directed by Night at the Museum's Shawn Levy, borrows so much from other films that it might better be titled Reel Steal: not only from The Champ, but from Rocky, the Transformers movies and even some Star Wars.

• «Too Much Johnson»: the surviving reels from Orson Welles's first professional film.

(For the record, I've seen it twice — and my Reel Faith co-host David DiCerto has seen it four times — and we've both found that the film benefits from repeat viewings... which is a good thing.)

Along with an unrated cut of the film (with five additional minutes of footage), the DVD also features a lively audio commentary with more than ten different participants (from director David Gordon Green and producer Judd Apatow to stars Seth Rogen and James Franco), a making - of featurette, a handful of deleted scenes, and a gag reel.

The idea that the fate of this little racehorse that could (and ultimately, even the idea that the horse is an underdog is a bit of a cheat, since Seabiscuit's lineage was sterling — less «underdog» than «underachiever») galvanized a nation reeling under the Great Depression is the only idea that remains in the film, seized by Ross as an opportunity to insert archive stills of the period — complete with voice - over from historian David McCullough — to lend his horse opera the sort of gravitas he's not able to provide through narrative.

To say I loved The Shape of Water really would be an understatement, the film inspiring in me such a range of emotions that it left me reeling by its stunning final frame, unsure how to process exactly what I'd seen outside of the fact that I knew from the bottom of my heart that I had witnessed an article of supreme originality that I wouldn't be forgetting anytime soon.

Watching the highlights reel of Bertolucci's career containing snippets from such films as Before the Revolution, The Conformist, Last Tango in Paris, 1990, et al, one can well believe that.

Since both films well pre-date the preservationist era of film - as - art - and - heritage — Greed was released in 1925, The Magnificent Ambersons in 1942 — they have suffered the further indignity of being unreconstructible; studios back in those days didn't hang on to excised footage for the sake of future director's cuts on DVD, so the reels upon reels of nitrate film trimmed from the original versions were — depending on which movie you're talking about and which story you believe — burned, thrown in the garbage, dumped into the Pacific, or simply left to decompose in the vaults.»

Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.

Blu - ray extras: Director's intro; «From Page to Screen: A Roundtable Discussion» delves into the film's making; «Crowning of a New King» explores the world of «Black Panther» in all its color and complexity; «The Warriors Within»: the Wakanda's women and the actors who portray them; «The Hidden Kingdom Revealed»; «Wakanda Revealed: Exploring the Technology»; deleted scenes; gag reel»; exclusive sneak peek at «Ant - Man and The Wasp»; «Marvel Studios the First Ten Years: Connecting the Universe»; director's commentary.

Told through a complex and not always distinguishable series of flashbacks and spectral visitations, it tells the story of a Z - grade, junkie filmmaker who receives a mysterious package from a deceased former friend containing reels of film, a key and an audio - recording.

There's also «Our Dads, The Filmmakers» (7 mins), the compilation reel «Mind Candy» (14 mins), and four deleted scenes with introductions from Docter, plus bonus DVD and Digital HD copies of the film.

We were joined by other fantastic online film journalists including Richard Gray from The Reel Bits, Matt Pejkovic from Matt's Movie Reviews and Jessica Chandra from Pop Sugar — we heartily endorse their sites, please visit them.

Reel News Daily is exclusively premiering a clip from the politically relevant film, FOR HERE OR TO GO?

If you love good films, chances are you watch both of these amazing shows and therefore should know you can check out the new preview of The Walking Dead Season 5 here, and be sure to catch the gag reel from Game of Thrones here.

From actor Luzer, still reeling from the effects of leaving the fold nearly a decade earlier, to teenager Ari, haunted by years of abuse, the film turns a sensitive eye on its subjects and their struggFrom actor Luzer, still reeling from the effects of leaving the fold nearly a decade earlier, to teenager Ari, haunted by years of abuse, the film turns a sensitive eye on its subjects and their struggfrom the effects of leaving the fold nearly a decade earlier, to teenager Ari, haunted by years of abuse, the film turns a sensitive eye on its subjects and their struggles.

On the Pocahontas laserdisc, there was a highly - praised audio commentary, a making - of documentary with location footage, highlights of the film's premiere in Central Park, a multi-language reel of «Colors of the Wind», and interviews from the filmmakers.

There are still plenty of things to see in Crimson Peak, but unfortunately the trailer shows multiple shots from the final reel of the film.

A gruesome yet hilarious mockumentary about a serial killer and the film crew that slowly crosses the line from reel to real with him.

The plot of the film reels forth from Baby Doll's (Browning, A Series of Unfortunate Events) incarceration in a all - girls mental institution resulting from the death of her mother and accidental death of her younger sister while trying to keep her evil stepfather (Plunkett, Snakes on a Plane) from inflicting the kind of abuse on her he's been inflicting on her.

They will unveil a sizzle reel from their new film American Mary.

«Before Midnight» director Richard Linklater received a lifetime achievement award too, and if the talk from presenters Ethan Hawke and Julie Delpy wasn't up to their sizzling patter from the films, it did justice to their director, whose clip reel demonstrated just what an influence he's been over independent cinema over the last two decades.

The benefit of a creepy, powerful villain, from whom audiences will reel as he lays down his baton to wash his hands, is that his emotional heft filters throughout the entire film.

This work will necessarily be pivotal to the film's mood and the stills thus far have reminded me somewhat of Emmanuel Lubezki's phenomenal photography of «Children of Men» (an Oscar loss I'm still reeling from, despite «Pan's Labyrinth» being my # 1 film of 2006).

How can women in the film take back their own community, one still reeling from allegations that have emerged after decades of abuse?

Warner Bros. premiered a sizzle reel from Snyder's film at the Comic - Con 2012 Man of Steel panel, and there are chunks of that footage in the official theatrical trailers.

A gag reel (5:30), which was an Easter egg on DVD, captures outtakes, ad libs, and miscellany from the unusually long filming period.

This highly underrated film appears on DVD with commentary from Black, Kilmer, and Downey, plus a gag reel.

Following the release of The Director and the Jedi, a documentary that provides an extensive behind - the - scenes look at the production of the critically acclaimed Star Wars: The Last Jedi, the official Star Wars YouTube channel has now released a blooper reel featuring a few outtakes from the film.

The funniest extra bits on the disc come from an uncut scene wherein Megan Fox tutors Adam Scott on how to play a video game (of which she's a huge fan both in real life and in the film) only to watch as he tries ineptly, and a rather lengthy blooper reel.

A new Ant - Man and the Wasp trailer debuted today, and for those still reeling from the heavy events of Avengers: Infinity War, it appears this Marvel Studios sequel will do exactly what the first film did following Avengers: Age of Ultron: allow some levity and fun to permeate the Marvel Cinematic Universe.

Similarly, the token gag reel also includes amusing outtakes from the talking - head EPK shoot in addition to bloopers from filming.

Commercially speaking, this probably doesn't matter: The Disaster Artist's target audience are people who have already semi-memorized The Room and who will appreciate Franco's studious recreations of scenes from the film, as well as the lengthy clip reel coda that plays his recreated scenes side - by - side with the originals to further demonstrate their studiousness.

In the devastating first film of the Three Colors trilogy, Juliette Binoche gives a tour de force performance as Julie, a woman reeling from the tragic deaths of her husband and young daughter.

Also on hand are six «Deleted Scenes» (9:05, HD), the film's «Gag Reel» (7:19, HD) and a pointless «A-Team Theme Mash - Up Montage» (1:36, HD) of action clips from the feature, and the film's «Theatrical Trailer» (2:25, HD).

It was a time when the studios, reeling from their failure to attract the new generation of filmgoers, briefly threw their gates open to outsiders — mainly young directors formed by film schools and highly conscious of the European art film tradition.

The «Gag Reel» (1:42) is actually a collection of unused snippets of film, and on / off - set antics from the cast.

Steadily paced and bursting at the seams with humor (shout - out to Groot's «finding Yondu's fin» montage), the film works on nearly every conceivable level, from special effects sizzle reel to big studio comedy to the aforementioned family drama that Marvel hasn't yet pulled off with its Avengers films.