Sentences with phrase «from filmmaking»

Steven Soderbergh said he was retiring from filmmaking back in 2013, but he returned to the big screen for 2017's heist film Logan Lucky.
In celebration of the 6th Annual International Surfing Day on June 20th, the Surfrider Foundation and Surfing Magazine have announced a variety of on - site challenges from filmmaking to beach cleanups, art projects to surf contests at 200 locations worldwide.
From filmmaking to sculpture, Huyghe often creates ecosystems which he then shows as part of a larger exhibit.
Vom Gröller went on a hiatus from filmmaking after her marriage to Peter Kubelka, fervently returning to it after their divorce.
[7] The unusual paean that resulted, The Girl With the Black Helmet, is a remarkable chronicling of Brooks» life in Hollywood, her tutelage under German filmmaker G.W. Pabst in Berlin, and the subsequent anonymity that cloaked Brooks following the Great Depression and her exit from filmmaking and theater altogether.
At this time that he was shifting his focus from filmmaking back to painting and perhaps viewed her coincidental screen exit as the perfect opportunity to commemorate and idolize her in art.
It argues that game developers could learn from filmmaking creatives how to make their games more broadly or generally appealing.
Saira retired from filmmaking in 2003 and divides her time between the UK and France.
Filmmaking serves as a vehicle of transfer, a way for learning outcomes to be transferred from the filmmaking process to other aspects of life.
Whether it was the embittering production experiences or the hit their reputations took after the film was trashed by critics and shunned by audiences, both Beatty and May seemed to take a step back from filmmaking after Ishtar.
Director: Jafar Panahi, Mojtaba Mirtahmasb Starring: Jafar Panahi Country: Iran Synopsis: Banned by Iran from filmmaking for 20 years and threatened with imprisonment, Jafar Panahi offers a remarkable portrait of an artist at the crossroads.
That is just the beginning of the clever ideas from the filmmaking team of Docter and co., as we see the story progress in parallel — inside and outside of the mind.
There are no cheesy silent film gags; everything emerges organically from the filmmaking.
Exhausted from the experience of making two genre classics (They Live and Prince of Darkness) back to back, Carpenter took a couple of years off from filmmaking.
Jafar Panahi's Taxi Year: 2015 Director: Jafar Panahi In the seven - plus years since Iranian director Jafar Panahi was sentenced by government authorities to a 20 - year ban from filmmaking in his homeland, the acclaimed auteur has turned inward — and kept making movies.
So when Steven Soderbergh — an accomplished workhorse who pumped out two dozen movies between 1989 and 2013, ranging from micro-budget indies to Hollywood blockbusters from across the genre spectrum — announced his retirement from filmmaking a few years back, few thought it would stick.
But he took a break from filmmaking after 1998's The Last Days of Disco, and it's only now that he's returning to the silver screen with Damsels in Distress.
But the film also suffers from a dearth of issues from a filmmaking standpoint.
It might leave you scratching your head, but this offbeat science - fiction thriller from the filmmaking tandem of Justin Benson and Aaron Moorhead (Spring) has an ambitious vision that can't be dismissed.
For his comeback movie since «retiring» from filmmaking in 2011, which led to a brilliant stint directing Cinemax's grisly medical drama The Knick, he worked outside of the major studio system by selling off overseas distribution rights before a second of Logan Lucky was in the can.
Winchester (formerly known as Winchester: The House That Ghosts Built) is the latest spooky offering from the filmmaking siblings Michael and Peter Spierig, and was inspired by the myths and legends that have sprung up over the years around the infamous Winchester Mystery House.
None of it comes from the filmmaking itself, which is a big problem.
This eyes - open - to - the - world NYC crime thriller from filmmaking brothers Benny and Josh Safdie (Heaven Knows What) is cocky, grubby and electric.
The details: This is the latest film clandestinely made by Jafar Panahi (This Is Not A Film), the Iranian director who is officially banned from filmmaking, but keeps doing it anyway.
Ramsay who has been away from filmmaking for nine years, thanks to her shafting from the Lovely Bones adaptation by Peter Jackson and Steven Spielberg (oh the film we could have had if Ramsay had been allowed to continue on that project!)
Curtis, who retired from filmmaking after About Time, returned to directing to make it.
Miyazaki Hayao may have retired from filmmaking, but Studio Ghibli is still bringing us beautiful fare.
Now that he's officially un-retired from filmmaking, Steven Soderbergh looks to be getting right back to the weird experimentation that's marked so much of his career, with Deadline noting that the Logan Lucky director is getting set to release a new thriller that he recorded entirely on his iPhone.
Hired by an ambitious small - town pastor to find sacred relics in the Holy Land, a self - proclaimed Biblical archaeologist comes up short and his attempt to cover up his failure fuels a comic conspiracy from the filmmaking team behind Napoleon Dynamite and Nacho Libre.
Since returning from his 20 - year hiatus from filmmaking, Terrence Malick has not shied away from making films that eschew the tenets of traditional narrative in favor of frank yet enigmatic explorations of philosophy and spirituality.
Jafar Panahi and Mojtaba Mirtahmasb's semi-documentary was given its title because on a certain level, it isn't a film in the way of Panahi's past work — it has no script or actors, it was shot in the Tehran apartment in which he's been serving out his house arrest, and it's centered around his talking through the feature he would have made had he not been banned from filmmaking for 20 years.
This part of the movie is less fun, because from a filmmaking standpoint (and in life), picking on the 98 - pound weakling doesn't take any courage or risks.
The 109 minutes may bask in a plot motivated by immaturity — and a concept we've seen before from the filmmaking team of Edgar Wright and Simon Pegg (Shaun of the Dead, Hot Fuzz)-- yet it has a cleverness to it that enables a fresh feeling in a genre fad that more studios have shoved in our faces the last couple years (i.e..
Forgive me if I get verklempt about Hayao Miyazaki's retirement from filmmaking before I even start reviewing his self - declared final film, The Wind Rises.
The fact that Soderbergh can weave all these things together seamlessly speaks to his talents, and we can only hope that he'll reconsider his early retirement from filmmaking.
When Steven Soderbergh announced his plans to retire from filmmaking around the time he turned 50, many had their doubts that he would follow through.
While acknowledging that Underworld is far from filmmaking at its best, as a series of films, it's always remained true to itself.
Kevin Smith's «Tusk» may not have ignited the box office back in September 2014, but the outlandish horror - comedy did earn the writer - director some great reviews after a three - year hiatus from filmmaking.
The movie is the third feature from the filmmaking team of Boden and Fleck, following Half Nelson (2006), for which lead actor Ryan Gosling received an Academy Award nomination, and Sugar.
Based on an idea that stemmed from an episode of one of Smith's podcasts, SModcast, which he hosts with his best friend and former producer pal Scott Mosier, Tusk is a twisted horror - comedy that certainly features some memorable images, but mainly serves as a way of telling us that Smith has no desire to really move beyond entertaining his own fanbase, despite stepping away from his comfort zone, from a filmmaking standpoint.
After a four - year absence from filmmaking, I'm happy to see the versatile Steven Soderbergh (Traffic, Magic Mike, and the Ocean's trilogy) return with Logan Lucky.
es up short and his attempt to cover up his failure fuels a comic conspiracy from the filmmaking team behind Napoleon Dynamite and Nacho Libre.
This is a guy who walked away from filmmaking in 2013, done with the entire business, and ended up directing all 20 hours of The Knick before his «official» return with the upcoming Logan Lucky.
At an MPAA screening at the National Archives on Thursday, Schrader answered questions from the audience afterward that included a mix of topics, from filmmaking technique to the influence of «Taxi Driver» to one viewer, who asked him bluntly, «Are you in despair?»
Overall, the film is an uncharacteristically vague on thematic intention from the filmmaking duo, despite all of the comedic precision and immaculate craft.
When the long end credit sequence features family snaps of the real men who died, soundtracked to Peter Gabriel's version of «Heroes», it's clear that at some point Berg switched from filmmaking to hagiography, and that he's much better at making movies than he is at making saints.
A fake suicide attempt lands Kristin Wiig's Imogene back with her mother (Annette Bening) in this comedy from the filmmaking team of Shari Springer Berman and Robert Pulcini.
Since being banned from filmmaking in 2010 and barred from leaving Iran, Jafar Panahi has produced three highly regarded works: This Is Not a Film, Closed Curtain, and Taxi.
A promising first effort from a filmmaking newcomer and the crowning achievement of a veteran performer's repertoire.
In 2014 (directly after Jimmy's Hall) Loach decided to announce his retirement from filmmaking.
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