Sentences with phrase «from flat planes»

Experimentalism also informed Clark's movement outwards from the flat plane into the three - dimensional realm, including small maquettes for architectural designs.
The 1990s saw his relief works, freed from the flat plane, transform into sculptures in painted metal, and in 1999, Transfiguration (Metamorphosis) a retrospective of Honegger's painting and sculpture work was shown at Jean Nouvel - designed Fondation Cartier in Paris — itself a fusion of design and form in steel and glass.
The 1990s saw his relief works, freed from the flat plane, transform into sculptures in painted metal, and i

Not exact matches

Nobody has figured out how they can be worked by such a tiny brain, using six different kinds of silk, and reckoning angles and three dimensional forms so accurately from a point of view on a flat plane.
The glancing rays of the sun, shining almost exactly along the plane of Saturn's flat rings, draw long shadows from subtle features that bulge out from the plane to a height of up to about 1.5 miles.
In a flat plane, distance increases linearly as you move away from a point, but a hyperbolic plane expands exponentially.
Past the 50 AU point, the study authors explained, the orbital plane should be relatively flat — but it isn't, and between 50 and 80 AU, it actually bends away from the expected plane.
Whenever Alton interacts with anyone besides his parents, Lieberher's attempt to appear as if from another, more developed plane is more often flat and borderline silly than foreboding.
The standards covered in Unit 6 are: describe objects in the environment and the relative positions of these objects as above, below, beside, in front of, behind, and next to, classify and sort, correctly name shapes, identify shapes as 2D or 3D (flat / plane or solid), analyze and compare two and three dimensional shapes, model shapes in the world by building shapes from components, and compose simple shapes to form larger shapes.
A new limited run of Shelby GT350 and GT350R models will make 526 hp and 429 lb - ft from a 5.2 - liter flat - plane - crank V - 8 with an 8,250 rpm redline.
Donut Media's latest video features drifter Ryan Tuerck performing smoky burnouts in his GT4586, a Scion FR - S powered by a 4.5 - liter flat - plane V - 8 from a Ferrari 458 Italia.
«Make no mistake,» Ford Global Performance Vehicles chief engineer Jamal Hameedi said in a statement, «this is an American interpretation of a flat - plane crankshaft V - 8, and the 5.2 - liter produces a distinctive, throaty howl from its four exhaust tips.»
The wail of a flat - plane crankshaft V - 8 has long been a hallmark of the low - displacement, high - redline supercars from Ferrari and Porsche.
More than 500bhp has reportedly been squeezed from the flat - plane crank unit, with power sent through a Torsen limited - slip diff to substantially improve traction.
From a little over tickover, this 4.3 - litre, flat - plane - crank V8 feels and sounds like one of the sweetest and fruitiest twin - cam in - line fours you've ever heard.
Anoraks like us would probably guess from the hollow howl and slightly plain idle that the heat to be extracted is generated by a flat - plane crank Ferrari V8, and a glance through the engine cover confirms this.
These types of V - 8 engines don't usually go above 4.5 liters or so, primarily due to problems controlling excessive vibrations, but Ford is reportedly testing its 5.2 - liter engine with extras like vibration dampers and a beefed - up electric system to deal with the excess shaking effects that come from a flat - plane crank engine of this size.
There's still a flat - plane crank but the noise coming from behind your shoulders and resonating across the plain has a deeper, hollower blare to it.
The Asterion, like all Lamborghini cars, has clearly defined lines, separating flat planes from the side of the car and distinguishing between panels.
The most powerful Mustang made by the Blue Oval is the Shelby GT350R, with 526 hp and 582 Nm of torque from a naturally - aspirated 5.2 litre flat - plane crankshaft V8.
The 2015 Shelby GT350 debuted at the Los Angeles Auto Show late last year with «more than 500 hp and 400 lb - ft of torque,» Ford says, from a 5.2 - liter flat - plane - crank V8.
The music pouring from the 2016 Shelby GT350's 5.2 L flat - plane crankshaft engine is unmistakable and euphoric.
The Senna boasts 789 hp and 590 lb - ft of torque from a twin - turbo V8 with a flat - plane crankshaft and dry - sump oiling.
If you haven't yet had the occasion to hear the flat - plane crank, 5.2 - liter V8 of the 2016 Ford Shelby GT350 Mustang, do yourself a favor and head over to Motor Trend; the folks at that publication recently got one on the dynamometer, and the sound from the resulting video clip is nothing short of world - shattering.
Featuring a dry sump for optimal lubrication at high cornering loads and a «flat plane» crankshaft, the design allowed for more efficient exhaust scavenging without the need to have header primaries cross over from one bank to the other enabling optimal flow at high rpms.
The car features the first - ever production 5.2 L V8 from Ford with a flat - plane crankshaft — the most powerful naturally aspirated engine Ford has ever produced with with more than 500 horsepower and more than 400 lb. - ft.
French bulldogs are brachycephalic breeds — flat nosed dogs — and those breeds are banned from flying commercial airlines underneath the plane.
As to plunges from high in the mountains towards the flatter coastal plane it falls through a spectacularly green and luscious canyon filled with cascading waterfalls and picturesque basalt columns.
Even though SeatGuru.com shows the seats on the A340 - 300 to be of the old «angled lie flat» variety, a Lufthansa spokesperson tells TravelSkills that the planes have been reconfigured with the carrier's latest, greatest true lie - flat offering, like what you'll find on its A380 and A340 flying from SFO.
It was a conundrum that proved to be a stumbling block for many games in their transition from the flat, 2D plane of the sprite - based era.
While they did add many new features and the fighting was much more enjoyable on a 3 - D plane verses the flat screen of a Game Boy, Re: Chain of Memories still suffered from the same dismal plot which is something the beautiful graphics couldn't save me from and I ran out of steam halfway through the game, feeling, «I beat the game once, why am I bothering a second time?»
Creating an image on, in and behind this material plane, the paintings alternation from «flat» to «deep», when simply viewed from the front and then the side.
His use of flat planes of color arranged in rows that relate to one another horizontally, vertically and diagonally suggests the synesthetic blending of the senses — «hearing» color, «seeing» sound — and evokes the painterly experiments of the synchromists from a century ago.
One of the celebrated Japanese artist Yayoi Kusama's seminal series of paintings called Infinity Nets, the undulating paintwork summons volume and light from the flat surface plane.
The corner not only defies the flat plane of most painting and photography, but also reduces the workable space of a sculptural object from 360 degrees to just 90 degrees.
These painting - strata remain distinct from each other, rather than resolving into one cohesive and flat picture - plane.
Tawney freed tapestry from the wall to float in space, transforming flat planes into dramatic, figurative volumes.
Among these works we find a full - scale sketch, a 12 - foot cartoon for Suchowola, and a Polish Village relief, drawing attention to Stella's leap from a flat, two - dimensional plane to the literal three - dimensional depth of these constructions.
All these elements are superimposed over a background plane of paper that decays (viewing left to right) from a flat cream to beige and black cut strips, the old order seemingly broken and reassembled into novel arrangements: here, narrative is never formally established, but the title and the elements seem to speak to one another nevertheless.
Naturally, the sculptural elements only synch with the flat image from a single angle and so the sculpture was conceived by thinking in a series of flat planes.
Drawing on inspirations ranging from Buddhism and American modernist painting to psychedelia and Amy Winehouse, Brooklyn - based painter Chris Martin (born 1954) «lets the paintings make themselves,» with often generously scaled canvases characterized by flat yet textured planes of bright, saturated color, frequently incorporating found materials and highly personal paper ephemera.
Brazilian artist, Hélio Oiticica, was occupied by the attempt to liberate colour from a flat, two - dimensional plane and the removal of the space between the art object and viewer.
From there, his almost flat, almost abstract works, with their contrasting planes of colour and reminiscences of doorways and cheerful bunting, provided Brazilian artists with a bridge between the bright, figurative paintings of Brazilian modernists such as Emiliano di Cavalcanti and Tarsila do Amaral and the geometric abstraction of the 1950s Neo-Concrete movement and Grupo Ruptura.
In his abstract paintings from the 1960s, single - colored geometric shapes pulse rhythmically across their flat ground planes, or torque the surface of the canvas.
Bolotowsky was evidently also inspired by Picasso's Studio of 1927 — 28 (on view at the Museum of Modern Art from 1935 onward), with its heavy black outlines and its geometric forms lying flat within the picture plane.
Influenced equally by the pointillism of Seurat, the dynamism of the Futurists, and the abstractions of Pollock, her work from the»60s onwards consisted of flat planes of simple, repeated shapes (first in black and white, later with colour) assembled in often dizzying configurations.
For example, in a painting on paper from c. 1946 - 1949 inscribed and gifted to Anni Albers, Asawa uses subtle modifications in color and form to create a sense of depth and motion within the otherwise flat picture plane.
NG: The egg shape is appropriated from a shaped canvas by Lucio Fontana (1899 - 1968); on a formal basis, it is concerned with finding space on the flat picture plane.
Sultan writes that the works on view, «drawn from the museum's extensive collections, [are] a fascinating survey showing the enduring interest in cubism's way of... taking apart of the visual world and reassembling it in flat planes, a new understanding of form.»
From 1970 onward, he developed several series in which he expanded the uniform picture plane, not only visually but also physically, by departing from the traditional flat format of the canFrom 1970 onward, he developed several series in which he expanded the uniform picture plane, not only visually but also physically, by departing from the traditional flat format of the canfrom the traditional flat format of the canvas.
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