Sentences with phrase «from future exhibitions»

Is this a first glimpse into what we can expect from future exhibitions?

Not exact matches

From Rockwell Automation's Best Future Machine awards to the special exhibition hosted by VDMA, there are hundreds of examples of Industry 4.0 applications that are delivering transformative improvements right now, even while much of the talk is about where we will be in 2020.

Food, clothes and building materials made from mycelial threads impress Sjef van Gaalen at the Fungal Futures exhibition in Utrecht, the Netherlands

Other highlights include Fox recalling the original film's royal screening, in which he was seated next to Princess Diana and had to use the bathroom the whole time; Secret Cinema's alluring Back to the Future exhibition (in which the 1955 Hill Valley was impressively recreated); a discussion of BTTF books that have been published; and homages to the franchise from ABC's «The Goldbergs» (whose creator Adam F. Goldberg is both an executive producer and interview subject here) to «American Dad» and Harmon's «Rick and Morty.»

The superhero blockbuster trend shows no signs of slowing down, with upcoming releases of Thor: The Dark World, Captain America: The Winter Soldier, X-Men: Days of Future Past and dozens of other planned films, including the much - anticipated sequel to Avengers Assemble, and new television series such as Agents of S.H.I.E.L.D. Superheroes are everywhere, from shirts to toys to exhibitions like the Marvel Super Heroes 4D experience at Madame Tussauds.

More than 70 exhibits by automakers from around the world stretched across the vast exhibition centre with crowds gawking at displays of concept cars from Chevrolet and Faraday Future and lining up to slip behind the wheel of a Tesla.

Proceeds from the auction will benefit future Barkin» Arts NYC art exhibitions and children's educational art workshop programming and a portion of proceeds will be donated to Animal Haven Shelter.

From 12th May - 4th November 2018, receive two complimentary tickets to see the The Future Starts Here exhibition at the Victoria and Albert Museum when you stay with us at The May Fair Hotel.

Celebrating three decades of art, SQUARE ENIX invites you to an exhibition that showcases some of the timeless pieces from FINAL FANTASY's past, present, and future.

Sou Fujimoto Futures of the Future exhibition at Japan House London from 22 June.

2005 Visitors From the East, Billy Shire Fine Arts, Los Angeles, CA Group Show, District & Co., Santo Domingo, Republica Dominicana Fur, Feathers & Friends, ASU Art Museum, Tempe, AZ Animal Tales, DFN Gallery, New York, NY Future Perfect, Claire Oliver Gallery, New York, NY The Other Mainstream, The Weithorn Collection, ASU Art Museum, Tempe, AZ Group Exhibition, Mendenhall Sobieski Gallery, Pasadena, CA

China Art Today, Collateral Event of the 57th Venice Biennale, Giardini Arsenale, Italy (2017); Fire Within: A New Generation of Chinese Women, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI (2016); Animaux Biennale, Museum of Contemporary Art Shanghai, China (2016); 4th Jakarta Contemporary Ceramics Biennale, National Gallery of Indonesia, Indonesia (2016); International Youth Animation Biennale, China Academy of Art, Hangzhou (2016); Here Out There, Helsinki Festival, Finland (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin, Madison, WI (2015); China 8 - Contemporary Art from China on the Rhine and Ruhr, Lehmbruck Museum, Duisburg, Germany (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin - Madison, WI (2015); Busan Biennale, South Korea (2014); Landscape of Mind, Artmia Foundation, Beijing, China (2014); Caissa Rising Arting, Today Art Museum, Beijing, China (2014); The Start of a Long Journey, CAFA Art Museum, Beijing, China (2014); A Call - Girls - Attack, Kalrsruhe University of Arts and Design, Germany (2013); CAFAM Future, CAFA Art Museum, Beijing, China (2013); Gathered World, Ceramics Gallery, Aberystwyth Art Centre, Wales, UK (2010); Mahjong: Contemporary Chinese Art from the Sigg Collection, University of California, Berkeley Art Museum and Pacific Film Archive, CA (2008), and The Chinese Contemporary Art Exhibition, Miro Museum, Barcelona, Spain (2008).

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

The Kitchen Follies accompanies Atlas» exhibition the past is here, the futures are coming, in The Kitchen gallery from March 28 — May 12.

Next year's exhibitions will take us from a legendary British collection to the far seas of the South Pacific, and from centuries past to a glimpse into the future of art.

On the occasion of his multimedia exhibition, «Future People,» at the Rebuild Foundation, Derrick Adams sat down with VoCA Board Member and Virginia Steele Scott Chief Curator of American Art at The Huntington, Chad Alligood, to discuss his arts practice and the experience of incorporating elements from the Stony Island Arts Bank archive into his work.

Wide - open gaps in the gallery walls of this important exhibition, which offer glimpses of future works from earlier bays and vice versa, allow us to conceive of Stella's career as a single, unceasing effort to grapple with painting's potential.

From Neolithic hand axes, through William Morris, John Ruskin and the socialist movement, to David Bowie's 1972 Ziggy Stardust UK tour, 21st Century capitalism and the invasion of Iraq, the exhibition weaves a mythical narrative through moments and events from Britain's shared cultural memory, moving back and forth between the past, present and an imagined futFrom Neolithic hand axes, through William Morris, John Ruskin and the socialist movement, to David Bowie's 1972 Ziggy Stardust UK tour, 21st Century capitalism and the invasion of Iraq, the exhibition weaves a mythical narrative through moments and events from Britain's shared cultural memory, moving back and forth between the past, present and an imagined futfrom Britain's shared cultural memory, moving back and forth between the past, present and an imagined future.

Don't miss a series of curated exhibitions on the Factory Floor including Conscious Design and Oui Design; the Design Schools Workshop with students from around the globe collaborating around the theme Future Heirloom; a Career Day on May 17, open studio tours and a new mural by artist Camille Walala.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

Honoring Congress Heights — Past, Present, & Future exhibition features historic photographs from the community alongside paintings from students who currently attend schools in the community.

Without forecasting artistic trends or predicting future creation, 89plus manifests itself through panels, books, periodicals and exhibitions, bringing together individuals from a generation whose voices are only starting to be heard, yet which makes up nearly half of the world's population.

For ten years, Guston and Boghosian exchanged handwritten letters that touched on everything from their financial difficulties, medical updates and family stories to progress reports about their work, anxiety over upcoming exhibitions, elation over good reviews, and hopes for the future.

While the much - anticipated exhibition schedule for the museum, which opens its doors in fall 2017, hasn't yet been announced, James gave us a teaser, which hints at an exciting future for the space: an exhibition exploring the life and work of Mexican artist Martín Ramírez, whose obsessive, psychedelic drawings from the 1950s haven't yet gotten their due.

In the Spring, Visual Arts @ 50, our two - year long series of exhibitions marking the 50th Anniversary of the founding of the Visual Arts Department, turns its focus from the past to the future.

Domanović's recent solo exhibitions include: Glasgow International 2014, Gallery of Modern Art, Glasgow (2014); «Aleksandra Domanović», firstsite, Colcheste (2014); «The Future Was at Her Fingertips», Tanya Leighton, Berlin (2013); «Turbo Sculpture», SPACE, London (2012); and «From yu to me», Kunsthalle Basel (2012).

Selected exhibitions include: Solo Show at Green Art Gallery, Dubai (2014), Longing Persia, Exchange and Reception of Art in Persia and Europe in the 17th Century & Contemporary Art from Tehran, Museum Rietberg, Zurich (2013); Safar / Voyage at The Museum of Anthropology at the University of British Columbia, Vancouver (2013); When Attitudes Became Form Become Attitudes at the CCA Wattis Institute for Contemporary Arts and the Museum of Contemporary Art Detroit (2012, 2013); A Permanent Record For Future Investigation, Green Art Gallery, Dubai (2012) and Interior Renovations, Tehran, 2010, Green Cardamom, London (2011).

From hummingbird hats to oat - plant couture, an exhibition at London's V&A depicts fashion as a double - edged sword — and looks at its future

This year, Anatsui was awarded the prestigious Praemium Imperiale Award for Sculpture; in 2016 he was awarded an Honorary Doctorate from the University of Cape Town; in 2015 he received the Golden Lion for Lifetime Achievement Award at the 56th International Art Exhibition of the Biennale di Venezia — All the World's Futures; in 2014, he was made an Honorary Royal Academician and elected into the American Academy of Arts and Sciences; and, in 2009, Anatsui received the Prince Claus Award.

He Xiangyu has also been included in various group exhibitions including Tales of Our Time Film Program (Screening of the film «The Swim»), Guggenheim Museum New York, New York, USA (2017); Hedge House Wijlre: Family Tree, Contemporary Chinese art from the Sigg collection, Bonnefanten Museum, Maastricht, Netherlands (2016); Juxtapoz x Superflat, Vancouver Art Gallery, Vancouver, Canada (2016); Chinese Whispers, Paul Klee Zentrum, Kunstmuseum Bern, Bern, Switzerland (2016) The 13th Biennale de Lyon (2015), Fire and Forget, KW Institute for Contemporary Art, Berlin (2015), Shanghai Biennale (2014), Future Generation Art Prize: Exhibition of the Shortlisted Artists at the Pinchuk Art Centre, Kiev, Ukraine (2014), Busan Biennale, (2014), Yokohama Triennale, (2014), 28 Chinese and the Rubell Family Collection, Miami (2013).

Sponsored by J.P. Morgan, the exhibition showcases original artworks from more than 160 leading Asian artists, including Yayoi Kusama, Fang Lijun and Xu Bing in addition to Nara, and is the last stop of Future Pass World's global tour.

The 56th Venice Biennale International Art Exhibition entitled All the World's Futures, curated by Okwui Enwezor and organised by la Biennale di Venezia chaired by Paolo Baratta, is open to the public from 9th May to 22nd November 2015 at the Giardini della Biennale and the Arsenale.

She has also participated in «VOCA 2010» at The Ueno Royal Museum, Tokyo, as well as international exhibitions such as «Future Pass — From Asia to the World» a Collateral Event of the 54th International Art Exhibition la Biennale di Venezia (Palazzo Mangilli - Valmarana, Venice, 2011), in addition to other group exhibitions in Seoul, Grenoble, and Berlin.

Listen to commentary from scholars Elisabeth Sussman, Todd Gitlin, Julian Cox, and artist Danny Lyon on selected works in the exhibition Danny Lyon: Message to the Future.

Future Shock is a group exhibition comprising work from 11 international artists, who provide multiple interpretations of the theme through installation, video, drawing, painting and audio recordings.

This exhibition brings together different approaches and «ways of seeing,» drawing inspiration from the present, facts from the past, and projections of the future.

This exhibition looks to the past, present and future of the artistic process of life drawing — from the 18th century Academy to tomorrow's innovations in virtual reality.

Indeed, from 1967 the Department of Education enabled all schools to take a day out of school to visit the Rosc exhibitions, a visionary policy which had a significant impact on future generations of artists and arts audiences.

The less than reliable curatorial voice from Powhida's future proposes an authoritative account of our present and near future through institutional forms — wall texts, videos, an exhibition catalogue, as well as fictional works of art, speculative drawings, and research - based diagrams, that point to the ways exhibitions shape and reflect histories.

With over 60 works displayed across the three floors of SongEun ArtSpace in Seoul, the exhibition — organized by guest curator Jasmine Prasetio — leads the viewer through the past 15 years of Ay Tjoe's practice by following recurring spiritual metaphors in her works: from darkness and light to somewhere between and within, and also the future.

Ochoa's work has also been included in a host of group exhibitions, most notably, Down These Mean Streets, Smithsonian American Art Museum, Washington D.C. (2017); 99 cents or Less, Museum of Contemporary Art, Detroit, MI (2017); Mi Tierra, Denver Art Museum, Denver, CO (2017); Routes of Influence, Perez Art Museum, Miami, FL (2016); Apparition: Frottages and Rubbings from 1860 to Now, Hammer Museum, Los Angeles, CA and Menil Collection, Houston, TX (2015); X-Change, Nasher Sculpture Center, Dallas, TX (2013); The Future Generation Art Prize Exhibition, Venice, Italy (2011); The Artist's Museum: Los Angeles Artists 1980 - 2010, Museum of Contemporary, Los Angeles, CA (2010); Phantom Sighting, LACMA, Los Angeles, CA (2008); and the 2008 Whitney Biennial, New York, NY amongst others.

The recipient of The John McCaughey Memorial Prize for her commission for the National Gallery of Victoria in Melbourne, Johnson's works has been the subjects of recent solo exhibitions at Talbot Rice Gallery at The University of Edinburgh, at the National Gallery of Victoria in Melbourne, at Ivan Anthony Gallery in New Zealand, at Darren Knight Gallery in Sydney, and at the TSB Bank Wallace Arts Centre in New Zealand; as well as part of group shows like «Future Nature» at Jack Hanley, «Hiding in Plain Sight: A Selection of Works from the Buxton Collection» at the Bendigo Art Gallery in Australia, «Believe Not Every Spirit, But Try The Spirits» at the Monash University Museum of Art in Melbourne, and «Don't Hide The Hate» at the Slopes Gallery in Melbourne.

Stedelijk Museum Amsterdam opens the exhibition «Jump into the Future - Art from the»90s and 2000's - the Borgmann Donation», with works donated by German collector Thomas Borgmann.

Hornig and Barsch also contributed pieces to the exhibition with, respectively, a Ceratosaurus nasicornis titled «Stop Aids redux» and a Tyrannosaurus rex titled «O. K.'s Time Travels (Back to the Future)», accompanied by written contributions from Johannes Thumfart and Hendrik Niefeld.

Solo exhibitions include The Future is Elsewhere (If it Breaks Your Heart) at Jack Hanley Gallery, Bent Idle at Jack Hanley Gallery and Shadows from Other Places at Premier Regard, Paris.

Although Telescope does not keep any money from its exhibition sales, Elaine does ask the artists to voluntarily donate a small portion to support their future peers.

The New Museum Triennial is the only recurring international exhibition in New York City devoted to emerging artists from around the world, providing an important platform for a new generation of artists who are shaping the current discourse of contemporary art and the future of culture.

The earliest works in the exhibition from the 1960s by the visionary designer Buckminster Fuller, and the Japanese collective, The PLAY provide a further through - line from the»60s countercultural sentiment that artists, designers, and free thinkers could redirect us toward a more sustainable future.

The exhibition will run from 11 - 17 October 2011 New Sensations and The Future Can Will be presenting the largest ever exhibition of emerging art to take place during London's Frieze Week.

As an independent curator marking her return to South Africa from the US with an exhibition at Goodman, Becker is in an excellent position to further explore this territory and its legacy in the future.