Sentences with phrase «from graphite on paper»

From graphite on paper to spraypaint and tape interventions and mural on the facade, the whole place recently went through a complete Biskup makeover.

Not exact matches

Her large - scale and labor - intensive works range in size from 7 to 12 feet, and envelope the viewer in expressive and analytic gestures made in graphite, gouache, and conté crayon on paper.

A self - portrait and a portrait of an elderly woman, both clothed and on seven - foot tall canvases from 1983, plus a number of intense, graphite pencil - on - paper portraits display skills that few young artists today are bothering to acquire.

Leslie Tonkonow did the same last year at her booth at Art Basel Miami Beach, where densely rubbed graphite drawings on paper scrolls unspooled from the wall with a majesty that attracted gaggles of admirers.

Ten works on paper from 2010 are exhibited in the second room of the gallery in which Whitten experiments with dry pigment, graphite and oil stick, and creates grid - like compositions by transferring the structure of objects, such as a radiator, directly onto paper with a graphite block.

In each work — a cut sheet from an artist's drawing pad mounted on its cardboard backing — he employs gestures with paint, graphite, line, or the shadow of the paper on its cardboard ground that resonate with his expanded notion of drawing.

Scott Wolniak: Landscape Record includes a selection of recent work from related, ongoing projects: graphite drawings on paper, carved and painted plaster tablets, and small sculptures.

Over the past five years, Martí Cormand has been rendering iconic conceptual works from the 1960s, 1970s, and 1980s in graphite on paper and with an extraordinary amount of attention.

The works on paper range in material from graphite pencil and watercolor to india ink imprints, wax crayon, gouache, butterfly - wing collages, incised scratchboards, and paint with gum arabic.

This exhibition highlights the artist's diverse range of art making since relocating from Milan to the United States in 2009, bringing together 40 recent graphite drawings and a selection of works on paper and ceramic sculptures.

In addition to the exhibition's namesake, highlights in the show from this period include Rauschenberg's 1964 Self - Portrait, consisting of his thumbprint in ink and graphite on paper, created for a profile of the artist in The New Yorker.

Graphite and charcoal on paper mounted on board 120 x 128 cm / 47 1/4 x 50 3/8 inches (unframed) 125 x 133 cm / 49 1/4 x 52 1/4 inches (framed) Unique From the Freud Drawings Series Execute...

ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; number 16 from an edition of 20 unique variations).

2 MATRIX 245, the artist's first solo museum exhibition in the United States, brings together fourteen paintings and a series of graphite works on paper from 1991 to 2006.

Untitled Diagram No. 14, from Diagrams with my Father, 2014 Graphite on paper in artist made oak frame, 83.82 x 60.96 x 6.35 cm, Image courtesy of the artist and Monique Meloche Gallery, Chicago

Created with a dry palette of graphite, gouache, and conté crayon on paper, the works feature biomorphic forms drawn from the worlds of physics, science fiction, anatomy, and horticulture.

His graphite drawings on walls, paper, and found maps are created from a layering process where the representational image is built only to be destroyed by the gestural strokes of erasers, electric sanders, diluents, and other corrosive materials.

The works in the exhibition see the artist testing out pastels, graphite, charcoal, conté, pencil, ballpoint pen, and enamel on surfaces ranging from Chemex coffee filter paper and plexiglass to anodized aluminum and matte Mylar panel.

The show also includes graphite works on paper and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing «the meander» to the edge of the canvas to create nearly monochrome black or white surfaces.

From left: Toyin Ojih Odutola, «Hold It in Your Mouth a Little Longer,» 2013, charcoal, pastel and graphite on paper © Toyin Ojih Odutola.

It presents more than 50 color reproductions of graphite, watercolor and ink on paper drawings made by Richter over a period of five decades, from 1966 to 2005.

(Works from the 1970s stand next to works from two decades earlier; casein and graphite on paper flanks enamel on copper.)

The gallery's its inaugural exhibition: Parameters by New York - based artist Ryan Sarah Murphy, featuring collaged works on paper made from found, colored cardboard and graphite.

Many of the drawings are reproduced here for the first time, and cover the full range of her drawing techniques, from graphite, ink and pastel to acrylic on paper.

Lewis presented works from three untitled ongoing series in graphite on paper: nine collages of altered

Felling a Horizon, 60 graphite drawings on paper, Single - channel video, Fell from the Same Tree, Y Gallery, New York, NY, curated by Cecilia Jurado, 2011.

From the press release: James Siena's new work, completed in 2006 and 2007, includes approximately 20 enamel paintings on aluminum or copper and 60 works on paper created with mixed media, including ink, graphite, gouache, color pencil, and Conté crayon on paper or board.

Other work includes a series of drawings of graphite on paper, and an edition from his series, Artist Statement.

Gherard is best known for her powerfully physical paintings and works on paper, built from the accumulation and erosion of repetitive mark - making in charcoal, graphite, acrylic, and oil.

Pictured: Drawing for Nude with Blue Hair, drawing from a 1993 sketchbook Roy Lichtenstein (1923 — 97) Graphite and coloured pencils on paper, 10.5 × 6.7 cm Gift from the Estate of Roy Lichtenstein © Estate of Roy Lichtenstein

All images in slide show: Details from William Powhida and Jade Townsend, Bellum Omnium Contra Omnes, 2012, graphite on paper.

Tour the show — don't miss Camilla Huey's corset piece, made of silk, mica on tulle, paper and wood, for instance, or Simone Leigh's «Blue Torso,» created from porcelain, cobalt, epoxy, terracotta and graphite — and then come fall in love with Jasmin Zorlu's fish leather helmets in The Shop.

Study from May Day March, Los Angeles 2010 (Stop Ripping Families Apart), 2010; Graphite and colored pencil on paper, 14.5 x 11.5 in.

Iconic conceptual works from the 1960s and 1970s are rendered in graphite on paper with an extraordinary amount of attention.

Through gouache and graphite in his work on paper and acrylic on canvas, the works of Todd James challenges the boundaries between the viewer and what probably sees around him, trying to escape and get away from the current state of things, avoiding the contamination of the cruelest reality.

Set within what Thelen describes as «the unrestrained environment» of 21c's vault gallery, Hotel Theory includes individual drawings, collaged works on paper using watercolors, ink and graphite drawings, and wall painting, along with a new wall drawing and a fiber piece that utilizes fabrics sourced from Raleigh Denim.

The gallery will also present graphite works on paper, and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing the meander to the edge of the canvas, creating nearly monochrome black or white surfaces.

It hangs beside the concentric, minimal graphite ink wash on paper of Eva Hesse's No Title from 1967, and the bare, vertical stripes of Agnes Martin's Untitled from the 1990s.

Marti Cormand, Formalizing their Concept: Joseph Kosuth's «Four Titled Abstracts from S.M.S No. 3», 2014, Graphite on Paper, 48 x 48 in, (121.92 h x 121.92 w cm)

Richard Tuttle: This suite of seven from «Thirteen Spiral Drawings» made of graphite and gouache on paper was originally shown in New York in 1975.

This month's show explores a lavish world of colorful textiles and beguiling figures, consisting of works ranging from oil paintings on panel to exquisitely rendered graphite drawings on paper.

• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»

• American Drawings o Henry W. Waugh (American, 1835 - 1865): From the Buggy, pen and sepia ink on paper, 5 ⅝ × 8»; A Horse (In shafts, facing left), graphite on paper, 4 x 5»; Two Horses (In shafts, facing left), graphite on paper, sheet: 4 3/4 × 5 ⅞»; Animal Studies, five on one sheet, graphite on paper, various sizes.

One particularly striking work from this period, «Too Much Aspiration» (1947), is an opaque watercolor, with ink and graphite on paper.

For the show at Wunderkammern, Faith47 will present graphite and ink on paper artworks, as well as a video installation, from the new series 7.83 HZ Frequency which focuses on the ideas of human nature, sensitivity, and intimate relations.

Diverging from his small graphite drawings that determined his practice for so many years, Matthews focuses on large ink and gouache works on paper attached to canvas and stretched over wood supports.

Another artist collected and now deaccessioned by Sender, Tony Lewis (b. 1986) had a boffo debut in the Sotheby's day sale when one of his large, spare graphite - on - paper text works from 2012 overshoot an $ 8,000 to $ 12,000 estimate to take in $ 93,750.

Myron Stout graphite on paper, «Momento,» from 1977 - 79, just 3 by 9 1/2 inches that went to an American collector for $ 125,000.

ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; Number 12 from an edition of 20 unique variations, plus five artist's proofs and four printer's proofs.).

Spanning seventy - five years, the exhibition includes thirty - six works on paper by as many artists, from James Castle's found - paper work incorporating naïve lettering (c. 1935) to a meticulously rendered Jasper Johns graphite drawing (2010).