Sentences with phrase «from hard working americans»

Hope we will all wake up one day to realize how «entitlements» can only be paid by taking hard earned money away from hard working Americans.

To once and for all end the 60 year battle against a term that has matured into a pure marking tool, to take jobs and taxable income away from hard working Americans.

Hope we will all wake up one day to realize how «entitlements» can only be paid by taking hard earned money away from hard working Americans.

Not exact matches

«I have been forced to make a difficult decision: to become complicit in crimes against the American people or walk away from nearly ten years of hard work by shutting down Lavabit,» Ladar Levinson, the company's founder, said in a letter to users.

Despite data from an ABC News poll that indicated only 26 percent of Americans felt they worked too hard, analysts have found that not only do people from the United States work longer hours than individuals in other countries, but they also take less time off and retire later.

The RAISE Act's lower quotas and emphasis on English and other skills would make it harder to fill those jobs with immigrants, and thus mean more Americans would be diverted from higher - paid, more productive tasks into cleaning - or else have to live and work in dirtier conditions.

One can fairly view this policy as redistributing opportunity to those real Americans who work hard, from those accidental and undesirable «Americans» who don't.

If Obama gets a second term... ALL Americans will be fasting for 4 years... while Obama and his cronies wash down steak and lobster with $ 400 bottles of wine... followed by dessert from the Obama's personal, full time pastry chef... and, all paid for by us hard working tax payers!!!

Also slighted in «The American Bible» are more recent voices, since it is harder to generate a vast commentary tradition for a work from the 1990s or 2000s than for one published during the revolution or the Civil War.

My point...... these guys should learn from the south American footballers and start puttn in the hard work.

However, with a lot of hard work, persistence, and a strong desire to prove I could reach my goal of reaching the Olympics, I went from a skinny high school thrower to an NCAA All - American and Olympic trails finalist.

The problem, according to legendary blogger, economist, and best - selling author Tyler Cowen, is that Americans today have broken from this tradition - we're working harder than ever to avoid change.

Khojasteh, who was born in Iran, and moved to the U.S. with his parents after the Islamic Revolution and during the early years of the Iran - Iraq War, says he and his wife, Anjella, also a child of immigrants from Iran, «are blessed to be products of that long - talked - about «American Dream» — raised by parents with nothing more than hard work, determination and a dream to provide their children as much possibility as possible.»

Remember, predicitons of Wall Street collapse are coming from the «birther in chief» and a guy who predicted that providing hard working Americans health insurance would cause massive unemployment.

«Like many of you, I have had many opportunities and difficult struggles; but with hard work, dedication and a strong community of friends and support, I have been able to attain that American dream — from a child of very limited means to a small business owner,» Murphy wrote.

There will be a marked shift away from the traditional generous British welfare system to more punitive, American - style, one that ultimately comes down hard on those who refuse to work.

When materialistic consumers believe in the American dream — that it's possible to improve their economic status through hard work — they are less likely to spend impulsively, according to new research from the University at Buffalo School of Management.

The key point, he says, is that bright Americans «are turning away from science as a career because it offers a life of tremendously hard work, delaying all sorts of personal milestones — starting a family, buying a home --» while providing «almost no future job security.»

Hi Mike, I'm from the north east of England and been using various proteins for a good few years mostly sticking to whey protein mainly because I don't ear until a good hour or so after my work out, recently a colleague tried to introduce me to Herbalife but on research of this company I found it hard to find anything good about them via Google, you being American what's your opinion on them and their products.

50 + years ago the average lifestyle was very different to what Americans and western Europeans experience now — previously we used walk places, used work doing hard manual labour and be on out feet much of the day, this would have given us quite a different aerobic base to build from.

Elena, Good response to the reporter... I don't know if the following is useful to you: I had a horrible marriage to an American woman who made my life a living hell, I worked hard to provide for her, we had a high standard of living and I worked from home, allowing her to stay at home with our children; but nothing was ever good enough for her.

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hard working african - american from los angeles, ca 44 yrs.old.

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Wringing subtle wit and hard - won honesty from humdrum life has become something of a trademark in the work of Frank V. Ross, a perennially under - appreciated talent of American independent cinema.

Since coming home from the sumptuous, if lopsided, American road trip of My Blueberry Nights, Wong Kar - wai has been hard at work on his martial - arts epic The Grandmaster.

It is hard to nail down just what the meaningful differences would be from having an American studio work on Zelda rather than only Japanese ones, but Miyamoto himself was vague in telling Wired what he thinks the difference may be: «People often say that videogames made by Western developers are somehow different in terms of taste for the players, in comparison with Japanese games.

However, while American Pie 2 is worth some merit, the rest of them failed to capture that same charm, divulging into what they had worked so hard to move away from.

WHAT Dr. Bridget Terry Long, a renowned higher education researcher who specializes in the transition from high school to higher education and beyond, will deliver a public lecture titled «Supporting College Student Access and Success: Making Sure Hard Work Pays Off,» as part of the American Educational Research Association's Centennial Lecture Series.

Since the success of Singapore's programs relies in many ways on more traditional approaches to math education, such as explicit instruction and giving students many problems to solve, in some ways its very success represented a slap in the face to American math reformers, many of whom have worked hard to eliminate such techniques from the teaching canon.

FOR GOOGLE CLASSROOM Included in this resource: • Title page • Native Americans of the Southwest reading passage with graphic organizer • Application / Closing / Higher Order thinking question • Answer Key for graphic organizer Students will research and analyze the lives and culture of the Native Americans of the Southwest region of the United States: present - day areas, groups, geography / climate, adaptations, cultures / spiritual rituals / roles of men and women Adheres to Social Studies Common Core Standards - research, application, literacy, vocabulary; lifting evidence from text Differentiation: graphic organizer; cooperative (students may work in groups / teams / partner to complete graphic organizer based on teacher's discretion) ★ ★ Looking for the pen and paper, hard - copy version of this resource?

What comes out of the press office of a teachers» union should be treated no more seriously than an announcement from Dunkin' Donuts about its plans to make «hard - working Americans stay slightly more productive.»

Americans for some reason assume that Recovery groups work, when in fact there is little or no hard evidence of their ability to help people recover from anything, as this book will document.

In 2013, it won the twenty - five - thousand - dollar Robert W. Bingham Prize from the PEN American Center, showing what can be accomplished with that rare combination of talent, hard work, dogged perseverance — and a little luck.

What helped create LendUp — our mission, our values, and our success saving working class Americans millions of dollars, improving credit scores, and delivering over a million financial education courses — came from the hard work of LendUp's 200 + employees — whether their families have lived in the US for years, they come from a line of immigrants, are first generation Americans or they're here on visas and work permits.

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On Friday, Sept. 16, the Whitney Museum of American Art opens «Carmen Herrera: Lines of Sight,» her first solo museum exhibition in New York in almost 20 years, focusing on work from 1948 to 1978, when she was finding her signature style: a hard - edged, radiantly colored, vertiginously geometric way of making very little do a lot.

Several exhibitions in recent years have drawn works primarily from the collection today in the care of the Souls Grown Deep Foundation, including The Quilts of Gee's Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which traveled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, and four other museums; Thornton Dial in the 21st Century at the Museum of Fine Arts, Houston in 2006; Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to the New Orleans Museum of Art, the Mint Museum, and the High Museum of Art; and Fever Within: The Art of Ronald Lockett, organized by the Ackland Museum of Art in 2016, which traveled to the American Folk Art Museum and the High Museum of Art.

2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) Around 1984: A Look at Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago Collectors: The Collection of Fondation Cartier for Contemporary Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York Sandra Gering Gallery, New York

Works from the Souls Grown Deep collection have been featured in numerous exhibitions, including The Quilts of Gee's Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which travelled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, among others; Thornton Dial in the 21st Century at the Museum of Fine Arts, Houston in 2006; and Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to New Orleans Museum of Art, the Mint Museum, and the High Museum of Art.

Exhibitions in recent years have drawn works primarily from the collection today in the care of the Souls Grown Deep Foundation, including The Quilts of Gee's Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which traveled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, and other museums; Thornton Dial in the 21st Century at the Museum of Fine Arts, Houston in 2006; and Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to New Orleans Museum of Art, the Mint Museum, and the High Museum of Art.

The selected works range from the pioneering geometric abstraction of Rafael Soriano, Mario Carreño and José Mijares executed in Cuba in the 1950s, the concrete art of Carmen Herrera and constructive experiments of Zilia Sánchez produced in the diaspora, to the hard - edge abstraction of Fernando García from the 1980s and the more recent multi-dimensional installations by Cuban - Americans María Martínez - Cañas, Leyden Rodríguez Casanova, and Vanessa Díaz, to name only a few.

Exhibitions in recent years have drawn works primarily from the collection today in the care of Souls Grown Deep Foundation, including The Quilts of Gee's Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which traveled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, and other museums; Thornton Dial in the 21st Century at the Museum of Fine Arts, Houston in 2006; and Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to New Orleans Museum of Art, the Mint Museum, and the High Museum of Art.

Works such as Yodel Me Back to Orville Overhaul (1998) extends the vocabulary that Wirsum began in the 1970s, which combined motifs from graphic illustration and comics with hard - edged geometric patterns and designs that spoke to the flat horizontality of Color Field Painting as well as the intricate patterns and rhythms of Latin American and Oceanic folk art.

In the series of works on paper Tell Me Your Thoughts on Police Brutality Miss «Spank Me Harder», 2015, Kara Walker conflates different eras, idioms and attitudes to explore racism, its symbols and legacy from the American Civil War to very recent killings and assaults that have fuelled the Black Lives Matter campaign.

Of course, there were many thematic and visual references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadia.

Atomica Gallery is proud to present SOFT LIFE / HARD NITES, a solo exhibition of new works from visionary American artist Charlie Roberts (b. 1984).

«The gallery talk will be a conversation with gallery visitors to provide context about the artists featured in A Harder Task,» Barrett said, «and to compare their work to other well - known American artists from the South, including Jasper Johns, Noah Purifoy, Robert Rauschenberg and Cy Twombly.

On view thru Sept. 27, America Is Hard to See — drawn entirely from the Museum's collection — reexamines the history of art in the United States from the beginning of the twentieth century to the present and examines the themes, ideas, beliefs and passions that have inspired American artists in their struggle to work within and against traditional conventions.

Our conversation centered on the issue of the survival of folklore (songs, dances, stories, and good times after hard days at work) from early American slavery through the present, by way of oral tradition.