Thanks a lot for sharing a commercial site that takes business away
from hard working artists such as myself.
Not exact matches
My Rotman Executive MBA class was a diverse group of forward - thinking,
hard -
working individuals
from surprising backgrounds: in a team of doctors, lawyers, general managers, senior executives, financial whizzes and real estate directors, we also had musicians,
artists and educators.
The finalists raked
from obscurity really do have fine voices and
work very
hard and very intelligently to improve quickly as performing
artists.
To this end St Philip
worked hard to invent diversions which would keep his charges occupied, especially at what he considered the most dangerous times — the long sultry Roman afternoons, and the period of the pre-Lenten carnival, when Renaissance society gave itself up to a distinctly un-Christian preparation for Lent (and if anyone doubts that Sixteenth Century Rome could be fully as immoral as our own times, let him read the Autobiography of Benvenuto Cellini, a great
artist, but far
from a good man).
Special Features: • Brand new 2K transfer
from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and
hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up
artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about
working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters
The software development community has been under siege
from so - called «patent trolls» for several years, and it is only a matter of time before a bunch of lowlifes find out that indie publishing is big business and there's money to be stolen
from the
hard work of
artists via the legal system.
[Feature] Film Society Lincoln Center - Lineup For 45th Dance On Camera Festival Announced (Dec 8, 2016)[Interview] The Resident
Artist - #Spotlight: In Conversation with Mickela Mallozzi (Nov 23, 2016)[Interview] Rudy Maxa's World with The Careys - 12 November 2016, Hour 2 (Nov 12, 2016)[Award Nomination] Taste TV - 8th Annual Taste Awards Finalists & Honorees Announced (Nov 8, 2016)[Feature] Travel With Val - How To Dance with Mickela Mallozzi (Nov 4, 2016)[Feature] Skirting The Rules - I Succeeded in Hosting My Own Travel Show Without Any TV Experience (Nov 3, 2016)[Feature] UPROXX - How To Travel The World Solo, According to Seven of Our Favorite Globe Trotters (Nov 1, 2016)[Feature] Greenwich Academy - Scholarship Breakfast (Oct 28, 2016)[Mention] NIAF.org - NIAF 41st Anniversary Gala Review (Oct 21, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 1 (Oct 16, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 2 (Oct 16, 2016)[Feature] CT Post - «Bare Feet with Mickela Mallozzi»: TV Host Dives Into Dances of The World (Oct 2, 2016)[Feature] The Adventure Sum - Bloggers Giving Back: How To Use Your Influence For Social Good (Sept 29, 2016)[Feature] WhereTraveler.com - How To Travel Like A Local: 17 Essential Tips
From Travel Pros (Sept 1, 2016)[Interview] Around The World Beauty - Mickela Mallozzi Experiencing The World One Dance At A Time (Aug 15, 2016)[Interview] The Italian - American Podcast - IAP 22 - Mickela Mallozzi on
Hard Work and Making Our Ancestors Proud (Aug 7, 2016)[Interview] National Endowment for the Arts - Art
Works Podcast «Mickela Mallozzi» (Aug 5, 2016)[Feature] American Express OPEN - Motivational Monday (Jul 19, 2016)[Feature] WhereTraveler - 7 Great Destinations For Cultural Dance Experiences (Jul 19, 2016)[Feature] Travel With Val - Mickela Mallozzi's «Bare Feet» Series Returns to TV (Jul 11, 2016)[Mention] The Italian American Podcast - Is Our Reverence For La Famiglia Genetic?
Daily Propaganda — Daily Propaganda travel blog provides a healthy does of fresh photography & travel writing
from a passionate traveller David M Byrne — David M Byrne is a travel site by a passionate photographer, talented Getty Image
artist and around the world traveller Daydream Away — Abby is a life - long travel junkie journalist who
works hard to find adventure in everyday life after two years of travel De La Pura Vida Costa Rica — Come check out this great travel blog
from a freelance graphic designer and teacher lbased in Costa Rica Delusional Journey — Travels with Harrison to Nepal Departing Melbourne — This is a wonderful travel blog featuring lighthearted narrative covering holidays and planning to inspire others Destination Savvy — Destination savvy is a travel site that will encourage and inspire you to explore & discover life on the road as a vagabond Destination Unknown — Travel blogger, photographer and solo wanderer Different Doors — A travel blog providing you with more stories per journey Digital Nomad Community — If you're an aspiring nomad — or just thinking about living that kind of lifestyle — this is the site for you Discount Travel Blogger — Travel cheap, fun and worry free... Let's go Backpacking Discovering Ice — A travel blog by Steph and Andres.
The foundation's support has been particularly meaningful for us, since it recognizes the
hard work BURNAWAY has done to support and promote
artists in and
from the South,
from providing valuable exhibition coverage and taking readers into
artist studios to offering professional development workshops, lectures, and visiting critic residencies.
«The
artists who exhibited at Feature Inc. —
from Tom of Finland to Lily van der Stokker;
from Takashi Murakami to B. Wurtz;
from Judy Linn to Raymond Pettibon — were, and remain, to use Lynne Cooke's poignant term «outliers»:
artists who are
hard to pigeon - hole and whose
work actively resists easy categorization.
Many
artists began moving away
from geometric,
hard - edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions
worked in a loose gestural style.
One of the few big installations in «America Is
Hard to See,» this signature
work by the «scatter
artist» Karen Kilimnik was acquired just last year
from the collector Peter Brant at the urging of curator Scott Rothkopf.
Lateness became part of the myth: of an underdog determined to make it the
hard way; an
artist working from daybreak to sunset in a studio so small it could hold only a single canvas; a secretive man who kept neither diaries nor notes, nor even talked to his wife about his
work.
Artists Lorser Feitelson (Lorser Feitelson and the Invention of
Hard Edge Painting, The Late Paintings, and The Kinetic Series:
Works from 1916 - 1923), Karl Benjamin (Karl Benjamin: Paintings
from 1950 — 1965, Drawings
from 1950 — 1965, Dance the Line: Paintings by Karl Benjamin, and Karl Benjamin and the Evolution of Abstraction) and Helen Lundeberg (Helen Lundeberg and the Illusory Landscape, Infinite Distance — Architectural Compositions by Helen Lundeberg) have each been featured in extensive retrospective exhibitions.
In the piece, the kitchen is empty; in the nursery, a monster fills the cradle and a giant black spider climbs over an open egg shape; and in the studio, the
artist's husband, naked except for his cowboy boots, models for an abstract painting that's a miniature of «Silver Windows» (1967), a grid - based
work from the
hard - edge period (that's also included in the show).
Hundreds of thousands of independent
artists and iconic brands... millions of unique products... 14 global production facilities in 5 different countries running 24 hours per day... and the world's
hardest working staff running the show
from Santa Monica, California.
The sheer tonnage of sculptures that borrow none of the emotional weight of the colossi of Memnon, together with the 3D - printed, spray - painted
hard resin aggregates of shapes recycled
from previous
works, give the impression of an
artist gone awol.
Born
hard - of - hearing and diagnosed early with autism, the Belgian
artist creates
work from strange juxtapositions of everyday objects, revealing new facets of their daily existences.
And maybe they are a distraction
from the real
work of getting to know an
artist, by
hard looking.
At its opening of «America Is
Hard to See,» the Whitney had only recently acquired its
work by Carmen Herrera,
from an
artist who had not had exhibited here in almost twenty years.
They are examples representative of the ambiguous line that separates an artwork
from everything in the
artist's practice that surrounds it, the reason why Lozano characterized her own removal through Dropout Piece as «the
hardest work I have ever done.»
The exhibition will include
works produced over the last 25 years of the
artist's career and examine their evolution
from softer, more decorative forms to
harder - edged abstraction.
Setting forth a distinctly new narrative, America Is
Hard to See presents fresh perspectives on the Whitney's collection and reflects upon art in the United States with over 600
works by some 400
artists, spanning the period
from about 1900 to the present.
Another consideration is that if there is a catastrophe, such as fire, earthquake, tornado or a Katrina, an
artist's
work that is stored on a
hard drive at a distance
from the studio, will live on, even though the artwork itself is destroyed.
Ranging
from photography to drawing to installation, the more than four dozen
works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a
Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an
artist early in her career; and the latest project
from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making
work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).
In this sense, Cesarco is a type of composer for his own practice, whose structural and methodological approach both embraces and distances the
artist from the final
work — a type of
hard to place, yet intimate, familiarity that one feels when they hear a chorus or refrain
from a song whose words they can no longer remember.
The boundries between outsider and insider are shifting: I watch academically trained
artists work hard to shake loose
from all the scholarship and technique to channel their emotions and experiences in more immediate material and formal ways,» Boesky said.
«
Work Hard,» the graffiti message enhancing this Lausanne public sculpture
from 1945 by Pierre Blanc is the title of Swiss Institute's latest exhibition and curatorial debut of celebrated
artist Valentin Carron.
In one group of
works from 1976, paint is applied in layers of subtle color (a signature of her
work in all media); a 1966 series of distilled,
hard - edged abstractions evoke the architecture of the
artist's childhood home with its white clapboard siding and picket fence.
Oursler's
work is
hard to categorise, and he has been described as everything
from a conceptual
artist to a pop
artist to a surrealist.
The early evidence of the
artist's ability with the brush is first revealed in the late 1960s when he pulls away
from the
hard - edge elliptical dots that had come to signify his
work by stretching and enlarging them, ultimately giving the shapes a translucent appearance that, by the»70s, would eventually disappear into the surface.
On Proyectos Monclova's booth, the Mexican collective Tercerunquinto are painting Mexican political campaign murals directly onto the walls and there's more
hard - hitting political
work in a new series
from Santiago Sierra on Milan's Prometeogallery di Ida Pisani, together with a never before seen installation by Manuel Ocampo on Tyler Rollins Fine Art which, in the Filipino
artist's inimitable style, draws on religious iconography to reflect on current global events.
Works by seven
artists — Colin Cina, Bernard Cohen, Noel Forster, Derek Hirst, Michael Kidner RA, Jack Smith and Richard Smith — developed the form in divergent directions,
from the
hard - edged paintings of Hirst to Kidner's optically expanding pattern pieces.
But separate the historical context of the
artist from the
work, and it becomes
harder to decipher the content
from the decorative.
These new paintings were inspired by a string of Chinese embroidered pandas purchased by the
artist from the Pearl Emporium in New York, which Rae describes as having given her «a reason to make a painting» explaining that «sometimes it's
hard to justify the act of painting; its expressive and gestural marks can seem unwarranted and unconnected to anything much in the so - called real world...» Cartoon - like pandas recur somewhat mysteriously throughout the
works, combined in other cases with mathematical and astronomical symbols.
NORTH ADAMS, MASSACHUSETTS — In the Abstract brings together a mix of multi-generational
artists whose
works represent a potent and muscular approach to contemporary abstraction that adopts and adapts various formal strategies of painting —
from hard - edge geometries and dense color blocks to gauzy color fields and expressionist marks — with that of sculpture, photography, digital processes, and video.
Artists such as Clare E. Rojas, Chris Johanson, Shara Hughes, and David X. Levine — a self - taught
artist whose colored pencil on paper
works are among the most
hard - won objects that I have ever come across - all have very different aesthetic points of view, but all construct images that draw energy
from the space in between knowing and naivete.
They
work closely with local farmers, resident chefs, and artisanal culinary entrepreneurs like Aaron Burr Cider, which is producing a
hard cider made of wild heirloom apples
from Denniston Hill's orchard in collaboration with the
artist Zoe Leonard.
It's
hard to look away
from the
work of Ohio based
artist Alfred Steiner.
Atomica Gallery is proud to present SOFT LIFE /
HARD NITES, a solo exhibition of new
works from visionary American
artist Charlie Roberts (b. 1984).
Excommunicated
from the art world in the early»90s for her cheerful paintings of
hard - core pornography — Minter said feminists accused her of sexism — today she shows her
work at the Venice Biennale; she's collected by the Guggenheim and Jay Z and is a godmother to a new generation of
artists experimenting with what she calls «the feminine grotesque.»
«The gallery talk will be a conversation with gallery visitors to provide context about the
artists featured in A
Harder Task,» Barrett said, «and to compare their
work to other well - known American
artists from the South, including Jasper Johns, Noah Purifoy, Robert Rauschenberg and Cy Twombly.
Our continued success is a result of
hard work by the gallery team, as well as phenomenal support
from artists, audiences and funders.»
On a typical Torpedo Factory day, you'll see painters, potters, and metalworkers bringing vivid visions to life — but our associate
artists who've moved far
from Alexandria are
hard at
work as well.
In his newest body of
work, the
artist explores ideas
from architecture, graphic design, and the visual languages of Constructivism and California
Hard Edge painting.
Notable
works included Cuz the Boyz «N the Hood are Always
Hard by husband - and - wife
artists Madison and Matthew Creech, a 2015 quilt created with inkjet on cotton that was suspended
from the ceiling using several gold - colored metal chains.
Drawing upon the historical framework of minimalist impulses in painting, this exhibition investigates the interwoven histories of black
artists working within the monochromatic and geometric or «
hard edge» impulses
from the 1960s to the present.
On view thru Sept. 27, America Is
Hard to See — drawn entirely
from the Museum's collection — reexamines the history of art in the United States
from the beginning of the twentieth century to the present and examines the themes, ideas, beliefs and passions that have inspired American
artists in their struggle to
work within and against traditional conventions.
Peggy Meckling, «Homage to the Sunbird» (collagraph) On a typical Torpedo Factory day, you'll see painters, potters, and metalworkers bringing vivid visions to life — but our associate
artists who've moved far
from Alexandria are
hard at
work as well.
In the exhibition «
Hard Copy», the
artist shows a series of new sculptures and prints that challenge our notion of an object, insofar as they are
works generated
from the same code but represented in different forms.