Sentences with phrase «from illusionistic»

His grid - based paintings incorporating rectangles of primary colors were completely divorced from illusionistic painting.

Both movements represented a step away from the illusionistic perspective that had ruled painting since the Renaissance.

From illusionistic, or trompe l'oeil (trick of the eye), paintings to more ephemeral and conceptual gestures, these artworks challenge what we see and prompt us to appreciate and even enjoy experiences of dissonance.

Not exact matches

1 How to create an illusionistic space and to draw from first hand observation using blind drawing skills, contour line drawing, upside - down drawing and mark - making.

The spaces herein are not wrought out of illusionistic ambiguities, but from plastic certainties.»

Cheat River, is not only illusionistic intentionally; but it is a criticism of criticism; it reintroduces subject matter when subject matter was taking a beating from Judd, Fried and Greenberg.

There is a well - worn narrative of twentieth century painting that goes like this: From Cezanne to Picasso to Pollock, the illusionistic space of painting flattened more and more until the picture plane and the surface created by the paint itself became the primary subject matter, eliminating images altogether in favor of abstraction.

Thus, with no formal training in sculpture, but an interest in exploring the illusionistic potentials of three - dimensional space, Simpson began making constructed forms, both wall based and freestanding, from corrugated cardboard, some titled Corrugated Drawings (1978 — 1980).

«In the 20th century, it was impossible to get away from the notion that the canvas or the painted surface was no longer beholden to illusionistic depth,» he tells me.

The image is built from precisely balanced muted colours and glossy details against a background of pure red to give an illusionistic depth that is both vertiginous and seductive.

Ms. McEneaney is seen infrequently, usually from the back or from a distance or when she's asleep, her pets arrayed around her in settings notable for their bold colors, dense details and distortions of illusionistic space that exert a magnetic pull.

Rauschenberg's abandonment of illusionistic depth effects — whether of conventional representational art or of the abstract expressionists» vast, immeasurable spaces — seems to come in part from an attachment to the physical realities of this world rather than to the less tangible possibilities of an inner vision.

By cutting, folding, weaving, bending, collage - ing and sewing these artists explore the diverse properties and applications of paper while moving away from utilizing it's illusionistic aspects.

More than 100 artists from over 35 countries will tear the roof off the sucker (or insert your preferred architecture - based P - Funk reference here), including at least one of Morgan's curatorial favourites: Urs Fischer will be re-creating his New York apartment at 1:1 scale, «replicating the interior walls through three - dimensionally illusionistic wallpaper», which will serve as a base for other artists» work.

Working in stainless steel, glass, copper, stone or paint on plaster, he employs subtle illusionistic devices, instigating a play of depth that remains consistent from piece to piece.

Inasmuch as actual physical parts form shapes and surfaces to be painted, Stella's rich illusionistic mix has pushed composition outward from the wall, while retaining the idea of pictorialism in the use of pattern and gesture to create an anomalous fictive space on any given surface.

In other pieces in the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular Geometry).

While artists such as Vija Celmins, Rudolf Stingel and Paul Sietsema employ illusionistic painting and drawing, others» use of materials is surprising — Thomas Demand's video of what appears to be a rainstorm is made from animated candy wrappers; Susan Collis» sculpture of construction debris is fashioned from exotic hardwoods, mother of pearl and silver.

Here, however, each layer of paint is applied from the far edges of the canvas working inward toward the center, thus resulting in an illusionistic depth, the lighter tones of the composition acting as a framing device.

While from a distance (or reproduced in images) my paintings may seem illusionistic, the technique denies neither the physical texture of the paint nor the flat surface of the canvas.

In 1949, the then Queen bought two paintings from it; Hockney's Tea Painting in an Illusionistic Style and The Third Love Painting were in the 1962 exhibition, now both in the Tate Collection; Hirst's fifth and sixth «Medicine Cabinets» were in the 1989 iteration, bought by Charles Saatchi.

Asked about his recent departure from purely illusionistic painting, Cockrill remarks: «I'm just experimenting... it's almost like, I don't know whether it's the work, or the fact that I've changed, but there's a lot of curiosity about this and what am I doing and where am I going, and I don't know.

From the nineties to his death, Golub's work shifted toward the illusionistic, with forms semi-visible, and appropriated graphic styles from ancient carvings, medieval manuscripts, and contemporary graffFrom the nineties to his death, Golub's work shifted toward the illusionistic, with forms semi-visible, and appropriated graphic styles from ancient carvings, medieval manuscripts, and contemporary grafffrom ancient carvings, medieval manuscripts, and contemporary graffiti.

In «Chromatic Geometries,» her seventh solo exhibition at Arden Gallery, Mattera has decisively moved away from the layered, atmospheric approach of earlier «Silk Road» and «Vicolo» series to explore, with her customary virtuosity, the possibilities of figure - ground relationships and the illusionistic space conjured by dividing the square into two horizontal rectangles.

Ferguson's paintings are comprised of built - up troweled layers of plaster with uneven surfaces, repeated patterns and illusionistic depth that suggest something representational yet actually derived from geometric variations created on her computer.

As in the best Hodgkin paintings, a tension arises from the precarious balance of illusionistic space and the purely abstract, tactile richness of the surface.

Her newest works emphasize the ceiling as pictorial space, drawing inspiration from Renaissance and Baroque murals that made ceilings into illusionistic, mythological zones.

At the time, they caused a sensation: Stella, at the age of 23, had single - handedly purged illusionistic representation from the canvas.

Frank Stella's approach to abstraction evolved from his minimalist geometric works in the early 1960s to gestural «narrative abstraction,» of which this print is an example, with illusionistic references to forms and shapes of the world.

These abstract canvases are then overlaid with illusionistic motifs taken from, among other images, Baroque painting, Hollywood studio advertisements, televised war coverage, and political propaganda.

So the show begins in 1967 — an explosive moment of optimism and excitement — with huge illusionistic, brightly colored, even day - glo paintings, and from there follows the different directions that experimental abstraction painting took in expanding the definition of painting in the post-Greenbergian era.

All the works featured in the show are the product of Stella's diverse approach to the conventions of illusionistic and literal space, not just from a pictorial viewpoint but also from the architectural and sculptural.

By deconstructing the figure into fragments on two two - dimensional plans, Amy pleasant makes abstract portraits that become illusionistic when seen from different angles.

Her time in Japan and study of calligraphy followed by a move to New York City influenced her seminal works from the 1960s and 1970s, which shifted dramatically from the purely gestural to more representational and illusionistic — albeit highly abstract.

Here, Backman archly plays with a few painting - theory chestnuts from the 20th century, from foregrounding the material reality of the paint itself in contradiction of its illusionistic properties to the notion of «breaking the picture plane,» done bluntly with a paint can protruding from the middle of his nice photorealistic oceanscape.

His works, which depict scenes ranging from urban, rural, and wooded landscapes to artists» studios and lone figures in fishing boats, concentrate on the illusionistic properties of paint.

The work features an illusionistic torn portal, which also brings to mind another art - historical predecessor: Ilya Kabakov and his «The Man Who Flew into Space from His Apartment,» 1988, an installation centered around an empty makeshift sling, from which the protagonist had just catapulted into the cosmos leaving behind a prosaic Soviet apartment.

Group show I thrill of deception, from ancient illusionistic art to virtual reality, Kunsthalle münchen, germany I AUGUST 17TH, 2018 — JANUARY 13TH, 2019