Sentences with phrase «from lead composer»

Developers use some color and contrast to help players distinguish key elements while the musical score from lead composer Wilbert Roget, II is pretty basic.

Not exact matches

Professionally composed by Dr. Steven Halpern - the world's leading composer and recording artist for relaxation, wellness and «sound health» - this sound comes from Dr. Halpern's vast work on how his unique approach to composing and recording music can quickly and effectively relax babies and their loving parents.

In a moving and madly viral video last year, composer Eric Whitacre led a virtual choir of singers from around the world.

In terms of new participants, we find material from stunt performer Isaac Hamon, Weta Workshop lead concept designer Nick Keller, Weta Workshop sculptors Kim Beaton and Jamie Beswarick, Weta Workshop concept artists Frank Victoria, Lindsey Crummett, Greg Tozer and Johnny Fraser - Allen, hair and makeup designer Peter Swords King, costume designers Ann Maskrey and Bob Buck, costumer Amy Craven, textile artist Kelly Olatunji, Weta Workshop technician Kim Docherty, special makeup and prosthetics supervisor Jason Docherty, prosthetic makeup artist Georgia Allen, master swordsmith Peter Lyon, additional costumer Emma Evans, lead creatures designer Andrew Baker, digital creature supervisor Simon Clutterbuck, textures technical supervisor Glen Sharah, senior shader TD Christopher George, VFX supervisor Chris White, texture artist Daniel Bennett, actor Manu Bennett, Hobbiton Movie Set and Farm Tour owner Russell Alexander, supervising art director Simon Bright, art director Brian Massey, set dresser Ben Whale, Middle - Earth Minstrel editor / author Bradford Lee Eden, sound designer Dave Whitehead, composer David Long, and musician Neil Finn.

Check out the full interview at Sumthing's blog From Foundation To Creation: An Intimate Look At Metal Gear Solid V: The Phantom Pain's Score With Lead Composer Ludvig Forssell.

Horror at its most heartrending and operatic, the film boasts career best efforts from leading man Jeff Goldblum and Cronenberg's regular composer Howard Shore.»

«Stepping Into Darkness: The Visual Design of Sicario» focuses on crafting the film's look and defining cinematography, «Blunt, Brolin and Benicio: Portraying the Characters of Sicario» features interviews with the three leads, «Battle Zone: The Origins of Sicario» researches the brutal history of drug violence along the border (it features graphic imagery so beware), and «A Pulse from the Desert: The Score of Sicario,» which runs about 6 minutes, profiles composer Jóhann Jóhannsson.

His versatility as a composer has led to a busy and varied movie - scoring career taking him across musical boundaries from the acclaimed BAFTA - winning film TOUCHING THE VOID to THE LAST KING OF SCOTLAND.

Among the extras on this disc are a segment that pairs warmly anecdotal interviews with the lead actors with clips from the film, a comprehensive monologue from the director, and an off - the - cuff chat between Baumbach and his composers, Dean Wareham and Britta Phillips.

This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume designer James Acheson, textile artist Matt Reitsma, art department coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer David Lea, director of photography Ericson Core, sight - impaired consultant Tom Sullivan, Jon Favreau, special effects coordinator John McLeod, visual effects supervisor Rich Thorne, Shadow World fx lead Eric Horton, and composer Graeme Revell.

«Pursuing the Suspects» uses new interviews from the film's 5 leading actors (plus Chazz Palminteri), director Singer, writer McQuarrie, and editor / composer Ottman to dissect the film's casting process and the actors» approach to their respective roles.

November 18, 2014 • Hear a live performance from the eight - piece baroque pop band, led by composer Ellis Ludwig - Leone.

In A Composer's Guide to Game Music, Winifred Phillips — herself an award - winning composer of video game music — provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in thComposer's Guide to Game Music, Winifred Phillips — herself an award - winning composer of video game music — provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in thcomposer of video game music — provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in thcomposer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

Developed in collaboration with ω - Force (Omega Force) from KOEI TECMO GAMES and led by a legendary trio of creators including series mastermind Yuji Horii, revolutionary composer Koichi Sugiyama and world - renowned artist Akira Toriyama, the game brings DRAGON QUEST, a franchise with over 100 titles in Japan to - date, back to the West in full force.

That leads into the additions of the Hamlet Idyll game mode as well as the Construct the Luminith Tower alternate win condition, and there are also new map and land tile types, new music from our composer Pablo Vega, and more.

As an award - winning composer of video game music, Phillips provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field.

Currently represented in the 56th International Art Exhibition of this year's Venice Biennale by Librettos, a new series that brings together the score of the opera La Vida Breve by Spanish composer Manuel de Falla and a speech from 1964 by Black Panther Party member Stokely Carmichael, and Sound Text, a multipart series incorporating drawings on paper that lead to a performance by a seven - piece ensemble, Gaines continually produces ambitious and compelling work that is as challenging as it is inviting.

In Peru she was gathering mushrooms from the ruins of Machu Picchu when she encountered a woman who turned out to be the founder of the New York Mycological Society; this led to an invitation to join the Society's next «mushroom walk» in upstate New York, on which Helene met the composer John Cage, the dancer and choreographer Merce Cunningham and the artist Jasper Johns.

Led by Artistic Director Ari Benjamin Meyers, this exhibition includes a newly commissioned work by Dominique Gonzalez - Foerster, as well as a repetoire of existing pieces collected from Anri Sala and Tino Sehgal, among other artists and composers.

Musician and composer Bhob Rainey (2013) released his first solo electronic album From null lands led, starrily on October 2 through the label Anòmia.

For The Gainsborough Packet, Stokes collaborated with musician Jon Boden from acclaimed folk - big - band Bellowhead, composer Alistair Anderson (one of the UK's leading exponents of the folk tradition,) and Tim Kerr, an iconic figure of the US punk and early hardcore scene.

The Phillips Collection's music podcast features high - quality recordings of excerpts from the critically acclaimed Sunday Concerts (held weekly, October — May), the new Leading European Composers series, and Coda Sessions, the Phillips's post-concert discussions with the artists led by Phillips Music Director Caroline Mousset.