Sentences with phrase «from major public collections»

It features loans from major public collections installed alongside rarely seen paintings from the artist's own collection.

The exhibition will include over thirty major paintings from the most significant period of the artist's career — the idealized northern landscapes of the 1920s and early 1930s — and will draw from the Art Gallery of Ontario's substantial holdings of paintings by Harris, the Thomson Collection at the AGO, as well as from major public collections across Canada including the National Gallery of Canada and the McMichael Collection.

Not exact matches

The California Teachers Association apparently thinks it scored a major legal victory last week when a federal judge in Santa Ana dismissed a lawsuit challenging the public teachers union's collection of fees from nonmember teachers for both collective bargaining purposes and political activity.

When the Digital Public Library of America launched last week, it brought millions of pieces of content from major universities, museums, and library collections together for public pePublic Library of America launched last week, it brought millions of pieces of content from major universities, museums, and library collections together for public pepublic perusal.

There is not merely one, but rather three major credit bureaus who compile data from lenders, credit card companies, collection agencies, public records, etc..

This special exhibition of works by Allen Jones is possible thanks to loans from major public institutions and private collections.

EXHIBITION Alma Thomas @ Tang Museum at Skidmore College, Sarasota Springs, N.Y. (Feb. 6 - June 5, 2016): This groundbreaking exhibition assembles major paintings from public and private collections including many rarely shown works by Alma Thomas (1891 - 1978), the first African American woman to have a solo exhibition at the Whitney Museum (1972).

The exhibition will include over forty major paintings and papiers collés by the artist, all on loan from prestigious international public and private collections.

This major show will exhibit more than 150 works from major public and private collections around the world, including 60 by Picasso.

Many works in the exhibition are drawn from major museums and galleries across the United States and Europe, and a number of paintings are borrowed from private collections, some of which have rarely been on public display.

Organized with the full support and assistance of Lewis» family, and curated by Ruth Fine, recently retired after a four - decade career at the National Gallery of Art in Washington, Procession brings together work from major public and private collections.

Working among Flowers will feature major loans from institutional members of FRAME (French Regional American Museum Exchange) as well as other important public and private collections.

Picasso and Britain will comprise over 150 works from major public and private collections around the world, including over 60 paintings by Picasso.

Over the years, La Salle de Bains has produced up to seven exhibitions a year, working with a wide range of international artists, from established names like Thomas Hirschhorn, Jonathan Monk and Nathaniel Mellors, to younger artists such as Magali Reus and Anthea Hamilton, resulting on several occasions in acquisitions by major public collections.

The presentation includes many objects that have seldom or never been exhibited before and offers a rare look at works from Lyon's archives alongside important loans from major public and private collections in the United States.

Classic bodies of work from his fifty - year career have been extensively published in monographs and are included in major public and private fine art collections around the world, including the Museum of Modern Art and International Center of Photography in New York, and the Smithsonian American Art Museum in Washington, D.C..

Van Gogh, Manet, and Matisse will feature major loans from institutional members of FRAME (French Regional American Museum Exchange) as well as other important public and private collections.

Van Gogh, Manet, and Matisse: The Art of the Flower features major loans from institutional members of FRAME (French Regional American Museum Exchange) as well as other important public and private collections.

Drawn from major public and private collections in the United States, the paintings are accompanied by more than one hundred beautifully fluid studies in various media: drawings, oil sketches, sculptures, digital composites, photographs, and prints — many never previously seen by the public.

The exhibition celebrates this new acquisition, explores Durand's significant contribution to the history of landscape painting in the United States, and features several major works from both public and private collections.

This latest installment of SFMoMA's ongoing New Work series is organized by Alison Gass, assistant curator of painting and sculpture, and gathers approximately 20 sculptures from public and private collections worldwide, marking both artists» first exhibition at a major U.S. museum.

Featuring over eighty major watercolors, drawings, and oil paintings drawn from important private and public collections, this exhibition also weaves together myriad ephemeral objects including doodles, journals, scrapbooks, and letters from the Burchfield archive at the Burchfield Penney

This exhibition precedes a major retrospective devoted to the artist at The Museum of Modern Art, New York, which will examine the development of the artist's career over nearly seven decades through more than 200 works from public and private collections, representing nearly every type of technique and subject matter that the artist worked in.

[13] The Whitney holds the largest public collection of her work and presented a major retrospective from February 28 through June 2, 2013.

This landmark exhibition will feature an important selection of over 75 drawings and photographs from major European and American public and private collections, including the Maison de Victor Hugo, the Bibliothèque nationale de France and the Musée d'Orsay in Paris, the Nationalmuseum in Stockholm, the Metropolitan Museum of Art and the Morgan Library in New York, and the Art Institute of Chicago.

This exhibition, with work from major European and American public and private collections, traces Serra's investigation of drawing as an activity both independent from and linked to his sculptural practice.

Classic bodies of work from his fifty - year career have been extensively published in monographs and are included in major public and private fine art collections around the world, including the Museum of Modern Art, International Center of Photography in New York, and Smithsonian American Art Museum in Washington, DC.

Major examples from most periods in Mr. Stella's long career are here, many on loan from prominent public and private collections.

Amy Sillman Is New York - based artist Amy Sillman whose major 2014 solo exhibition «One lump or two» travelled from Institute of Contemporary Art, Boston to Aspen Art Museum, Colorado and the Center for Curatorial Studies at Bard College, New York and whose works are held in the public collections of many prominent US institutions.

Opening in August 2012 at the height of the Olympic celebrations, Picasso and Britain will comprise over 150 works from major public and private collections around the world, including over 60 paintings by Picasso.

The public sculpture initiative enables this major work from the museum's collection to remain on long - term view in ICA Miami's former space in the Design District's Moore Building.

Major loans from private collections — including works never displayed in public before — will be united with iconic paintings from museums around the world.

It featured 30 major works made throughout the artist's career, from 1965 to 2011, on loan from public and private collections in America and Europe and was curated and organized by Paul Nesbitt and Chloe Reith (Curator of Exhibitions, Inverleith House).

The core of the exhibition features more than 30 of Harris» most significant and rare northern landscapes from the 1920s and 1930s, drawn from major public and private collections across Canada including the AGO, the Thomson Collection of Canadian Art at the AGO, the National Gallery of Canada and the McMichael Canadian Art Collection.

At the core of this exhibition are more than 30 of Harris's most significant northern landscapes from the 1920s and 1930s, drawn from major public and private collections across Canada.

Largely drawn from the Newark Museum's superb collection of U.S. geometric abstraction, the exhibition also includes major works on loan from acclaimed private and public collections across both continents, such as Colección Patricia Phelps de Cisneros, Malba - Costantini Foundation (Museo de Arte Latinoamericano de Buenos Aires), Philadelphia Museum of Art, Pinacoteca do Estado de São Paulo and Whitney Museum of American Art.

Drawn primarily from the holdings of the Arts Council Collection and augmented with major loans from important UK public and private collections, Making It is curated by Dr Jon Wood, Research Curator at the Henry Moore Institute in Leeds.

Drawing from major public and private collections including The Museum of London and London School of Economics, the display offers a new interpretation of Kibbo Kift's unique vision for the present day and sheds light on the diversity of the Whitechapel Gallery's educational ethos in the early 20th century.

Nelson Shanks: A Brush with Reality brings together more than 20 major paintings from public and private collections around the country and from the artist's personal collection.

Featuring over 100 works, including sculpture, drawings, and photography, the exhibition draws on loans from private and public collections, including major institutions in Poland.

This major survey features works drawn from public, private, and royal collections around the world.

Featuring some 40 paintings, etchings, and drawings drawn from major public and private collections in Europe, the installation marks the first time in decades that many of these works have been on view in the US.

These works, on loan from the Foundation as well as major public collections including the Albright - Knox Art Gallery, Buffalo; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; The Metropolitan Museum of Art, New York; Solomon R. Guggenheim Museum, New York; and The Whitney Museum of American Art, New York, are reunited for the first time since 1994 when The Phillips Collection in Washington, D.C. organized an exhibition devoted to the series.

This research brings together key pieces of each artist in various media: paintings, photographs, installations and works on paper from major public and private collections worldwide.

Touted as the first major retrospective of Jean - Michel Basquiat's work in Canada, this important exhibition features nearly 85 large - scale paintings and drawings gathered from public and private collections in North America and Europe.

The exhibition at Tate Liverpool gathers together more than 70 works from public and private collections across Europe, Russia and the United States — including his last major work before he left Russia for good in 1922, a sequence of monumental wall paintings for a Jewish theatre in Moscow which only survived because admirers hid them for decades after the theatre closed.

Bringing together works from major international public and private collections, the exhibition is organized with the full support of Lewis» family.

The Contemporary Art Evening Auction on 29 June in London will present a selection of works of major significance, including 34 lots from The Duerckheim Collection, the most important private collection of post-war German Art ever to be offered for public sale.

Supported by a catalogue essay in which the curator Catherine Lampert discusses their habits and methods and introduces previously unseen writing by the artists, the exhibition will look at the way their conversations impacted on the development of their work, demonstrating that despite their wide - ranging styles they are each linked by a desire to catch what Bacon describes as «the mystery of appearance within the mystery of making», and in doing so broke new ground in contemporary painting The exhibition includes major works by each artist, several borrowed from public collections, among them Francis Bacon's Pope I 1951 from Aberdeen Art Gallery, David Hockney's Man in a Museum 1962 from the British Council and others like Frank Auerbach's Primrose Hill, Winter Sunshine 1962 - 64 and Euan Uglow's Nude, Lady C 1959 - 60 which have not been seen in public for many years.

In addition to the cash prize, the laureate benefits from a residency at the Atelier Calder and the placement of a signature work in a major public collection.