Sentences with phrase «from modern art history»

The art is created in a contemporary context, but reflects upon signs and codes from modern art history.

Not exact matches

What I'm inferring from Ohtani's request is that he's looking for a) a recently successful team with b) a history of developing talented players and keeping them healthy that c) plays in a modern, state - of - the - art ballpark that d) is in a market that wouldn't be a jarring transition to someone who's spent his last several years in Sapporo and e) has a plan to help someone who sends his checks to his parents and currently lives in a dorm adjust to his new home.

Drawing from the rich Southern history and tradition, Wren's Nest invites residents and tourists from all over to catch a fable or two, belied by mysterious and eclectic storytellers, modern day troubadours, who combine the art of the spoken word with lyric for an experience that's hard to encapsulate in words.

A reclaimed E.T. cartridge from the landfill now sits in the collection of the Smithsonian's National Museum of American History, complementing the copy of Warshaw's earlier game, the critically - acclaimed space shooter Yars» Revenge, which takes pride of place in the Architecture & Design collection at the Museum of Modern Art.

We're negotiating for films from UCLA Film & Television Archive, George Eastman House, Museum of Modern Art, the British Film Institute, the National Museum of African American History Culture, the Tyler Texas Black Film Collection at SMU and private collectors — we're calling in all favors.

Students at public and private schools from Maine and New York to Wisconsin and Wyoming are now enrolled in such courses as AP Physics, the Modern Middle East, Journalism in the Digital Age and AP Art History.

Palazzina Grassi - Venice, Italy (late summer 2007) Facing the famous Canale Grande and taking its diminutive name from the neighbouring art museum Palazzo Grassi, the small residence hotel embodies two eras of Venetian history, yet unites them in a distinctly modern way.

Perhaps one of the most romantic cities in Europe, it offers visitors a rich combination of inspiring possibilities spanning from ancient architecture, history and art to modern fashion, opera, sporting venues, and an abundance of Italian culinary delights.

Recently extended this exciting interactive museum recounts the history of the Yorkshire Dales from prehistoric times to the modern day, looking at aspects of the Dales» art, culture, tradition and industry in times past.

Its facilities offer a tour through the Peruvian history — with its colonial carvings, paintings from the Cusco Art School, as well as modern elements with unique touches of the Andes.

With a collection of classic arcade heroes that include Pac - Man to an anthology of Metal Gear Solid games from the amazing mind of Hideo Kojima, this exhibition touches on a variety of gaming genres from all eras that not only provides a blast from the past but will make new gamers appreciate the diverse history of this modern art.

Luckily, Peter Harrington, the rare bookshop, and gallery based in Mayfair, London, has released details of its forthcoming exhibition, History is a Nightclub: Downtown AREA, NYC, 1983 - 87, a spectacular array of 35 - 40 candid moments from the 80s featuring the greats of modern art at their most relaxed, alongside a host of celebrity friends including Sting, Tom Waits, The Beastie Boys, Jean - Paul Gaultier, Grace Jones and John Waters — saving you from a Jeff Goldblum, fly transformation moment.

At the same time, however, by recycling and affirming in 1967 his own words from nearly a decade earlier, Sylvester suggests that we can celebrate Bomberg for his genuine accomplishments as a painter and teacher while frankly acknowledging his important, if limited impact in the history of modern art — an impact which is still being assessed today.

As with many of Motherwell's works, the Elegies were both political and personal, and managed to pay tribute to the history of modern art while simultaneously departing and evolving from it.

Taking influence from classical portraiture, Egyptian hieroglyphs and Japanese woodblock prints, as well as public signage, information boards, and traffic signs, the artist connects the clean visual language of modern life, with the fundamentals of art history.

Drawn entirely from the permanent collection and spanning the nine collecting areas of Phoenix Art Museum - American, Asian, Contemporary, European, Fashion, Latin American, Modern, Photography, and Western American - these works reveal the loosely defined typology of portraiture, and provide a broad dialogue of art history, perception, and popular cultuArt Museum - American, Asian, Contemporary, European, Fashion, Latin American, Modern, Photography, and Western American - these works reveal the loosely defined typology of portraiture, and provide a broad dialogue of art history, perception, and popular cultuart history, perception, and popular culture.

From statements of value and prestige throughout recorded history to our elemental reliance in modern technology, this show examines the variety of meanings behind the color, the element, and it's usage in visual art.

In planning Tate Gallery St Ives from 1991, I was sharply aware of how it had to combine respect for the history and tradition of modern art in Cornwall with fostering contemporary practice.

Portuguese sailors trailing the Silk Road, Chinese dragons and flying horses, Indian warriors and Buddha - like figures, floral patterns reminiscent of William Morris and the Arts and Crafts movement — for Kour Pour, Persian carpets aren't simply decorative artifacts; his meticulous and attentive selection of rugs dating from the 16th century to the 1960s traces a history of the modern age.

«An intimate collection of American masterworks from the Old Jail Art Center (OJAC) in Albany, TX, Modern Masters, Contemporary Icons includes works by the most highly acclaimed American artists in history.

Tessellations can be seen throughout art history, from ancient architecture to modern art.

Keith was chosen from among these nominations by review committee members assembled by the High: Dr. Kellie Jones, the inaugural Driskell Prize recipient and associate professor and director of undergraduate studies in the department of art history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael Rooart history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael RooArt, Michael Rooks.

The Audrey Flack exhibition at Hollis Taggart's downtown space, whimsically subtitled «Master Drawings from Crivelli to Pollock,» takes visitors along a broad sweep of art history, from which mythical and historical persona are gathered into reconfigurations spanning high and low, reverent and irreverent, ancient and modern.

The exhibition title references many facets of arts and culture traditions from ancient history to the modern day, arising out of Smith's meditations on the number's spiritual significance as a marker of immortality, as well a number of noteworthy cultural and historical facts and figures featuring the number itself.

References from Western art history provide points of engagement with Kansas City and Chicago - based artist Patty Carroll's photographic images, which employ distinctly modern elements of décor and consumerist culture to reveal psychological threads of domesticity's sometimes overwhelming tenor.

With an anticipated 2016 M.A. in Art History, Modern & Contemporary Art from CCNY, her primary focus is on installation art and contemporary art in the public spheArt History, Modern & Contemporary Art from CCNY, her primary focus is on installation art and contemporary art in the public spheArt from CCNY, her primary focus is on installation art and contemporary art in the public spheart and contemporary art in the public spheart in the public sphere.

Noticeably inspired by western art history and the great painters of the modern era, Orchard's works take cues from the past while also steadfastly looking to contemporary painting.

Nivedita Menon.Economic and Political Weekly, November 26th, 2005 «Artists seek to fill 9/11 Voids», Christine Lagorio, CBSnews.com, September 12, 2005 «This Mural Devours its Viewers,» Benjamin Genocchio, New York Times, NJ p. 11, July 24, 2005 «A Glimpse of New York from a Magic Carpet,» Dorit Cohen, NY Arts, May / June 2005 «Wall - to - Wall Drawings», Christopher Howard, Brooklyn Rail, July 2005 «Fatal Love», Courtney Martin, Flash Art May / June 2005, p. 94 «Telling Tales of History, Myth, Fantasy (and Real Life, Too)», Benjamin Genocchio, New York Times, Connecticut Desk, April 10, 2005 «The Artist's Tale», Benjamin Genocchio, New York Times, NJ April 10, 2005 «The Artist: Chitra Ganesh», Trikone Magazine, p. 11, March 2005 «Magical Flight Through Modern India,» Holland Cotter, New York Times, Friday March 4, 2005 «Brave New World,» Andrea Scott, Time Out NY, March 17 - 23, 2005

Current projects include In the Shadow of the Negress: A Brief History of Modern Artistic Practice, which explores the constitutive role played by fictions of black womanhood in Western art from the late - eighteenth century to the present, and a companion volume — tentatively entitled Touched by the Mother: Contemporary Artists, Black Masculinities, and the Ends of the American Century — that brings together many of his new and previously published critical essays.

Join us from July 12 — 15 for an exploration of world - class modern and contemporary art in a locale that overflows with natural beauty, cultural history, and a deep appreciation for the arts.

She received a BFA from the Kansas City Art Institute and an MA in Modern Art History, Theory and Criticism from the School of the Art Institute of Chicago.

This presentation of masterworks and experimental pieces from SFMOMA's collection of painting and sculpture explores themes that have shaped the history of modern art from the early twentieth century to our own time.

Color photography didn't get much respect until the Museum of Modern Art gave William Eggleston a show in 1976, but this sweeping survey spans the medium's history, from daguerrotypes to digital images.

The history of modern art, from dada onwards, is littered with movements whose subversive force has been emasculated by cultural acceptance, a fact of which the artists here are painfully aware.

Easily passing as one of the most innovative artists emerging from the neo avant - garde period, Yves Klein was a French mastermind who wrote out some very interesting and exciting pages of modern art history.

Picking up the theme of appropriation from a different angle, the artist Melissa Gordon has in recent years been blowing up examples of textbook Modern art history onto canvases that explore the nooks and crannies of classic geometric abstraction.

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

The National Portrait Gallery, meanwhile, looks at the origins of art photography via the work of four celebrated figures of the Victorian era, and Tate Modern takes things further with Shape of Light, which entwines the histories of photography and abstract art from the early 20th century to now and positions work by the likes of Man Ray and Thomas Ruff against abstract paintings, sculptures and installations.

One work which the artist made from the same materials a tarp is normally made of, takes us back through Modern Art History by referencing a tradition of sculpture.

Caitlin Swindell received a master's degree in art history from the University of North Carolina at Chapel Hill (2016) where she focused in modern and contemporary American art and twentieth century African - American art.

Exhibition: September 12 - 15, 2015 Opening Reception: Saturday, September 12, 6 - 9 pm, Artist Talk at 7 pm Art History 101: Dance of Death: Mavo artists and Modern Tokyo: Sunday, 9/13, 3 PM Open Hours: Sunday, 9/13 from 2 - 6; Monday and Tuesday 9/14 -9 / 15 from 4 - 8 pm

He has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine ArArt History and Archaeology from the Institute of Fine Arts.

Israel has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine ArArt History and Archaeology - from NYU's Institute of Fine Arts.

The Guggenheim Museum Bilbao's dynamic program of temporary exhibitions featuring modern and contemporary art, as well as its periodic exhibitions of art from earlier centuries, offers a sweeping view of international art over the course of art history.

2016 Passages in Modern Art: 1946 - 1996, Dallas Museum of Art, Dallas, TX Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY 2017 Delirious: Art at the Limits of Reason, 1950 - 1980, The Metropolitan Museum of Art - Met Breuer, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY Body of Work, Honolulu Museum of Art, Honolulu, HI Beyond Boundaries: Feminine Forms, Pennsylvania Academy of the Fine Arts, Philadelphia, PA An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 - 2017, Whitney Museum of American Art, New York, NY Pratt Survey Exhibition Part 1: Camerado, this is no book, Dekalb Art Gallery, Pratt Institute, Brooklyn, NY 1072 Society Exhibition, Jule Collins Smith Museum of Fine Art, Auburn University, Auburn, AL Figuratively Speaking, Michael Rosenfeld Gallery LLC, New York, NY

Drawing influence from classical portraiture, Egyptian hieroglyphs and Japanese woodblock prints, as well as public signage, information boards and traffic signs, the artist connects the clean visual language of modern life, with the fundamentals of art history.

Art and China after 1989: Theater of the World is a major exhibition of contemporary art from China spanning 1989 to 2008, arguably the most transformative period of modern Chinese and recent world histoArt and China after 1989: Theater of the World is a major exhibition of contemporary art from China spanning 1989 to 2008, arguably the most transformative period of modern Chinese and recent world histoart from China spanning 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history.

Born in Toronto in 1956, he holds an honours bachelor of arts in Canadian history from Carleton University, a master of philosophy in modern European painting and sculpture from the Courtauld Institute of Art, and an honorary Doctor of Laws from Queen's University.

Kathryn M Davis graduated with her master's degree in art history from the University of New Mexico, where she focused on the modern and contemporary Art of the Americart history from the University of New Mexico, where she focused on the modern and contemporary Art of the AmericArt of the Americas.

Professor Amirkhani obtained her PhD in the History and Philosophy of Modern European Art at the University of Kent in the United Kingdom in 2015, and has published articles and catalogue essays on a diverse range of material including: the British conceptual art group Art & Language; the Serbian art activists Grupa Spomenik; and contemporary art from IrArt at the University of Kent in the United Kingdom in 2015, and has published articles and catalogue essays on a diverse range of material including: the British conceptual art group Art & Language; the Serbian art activists Grupa Spomenik; and contemporary art from Irart group Art & Language; the Serbian art activists Grupa Spomenik; and contemporary art from IrArt & Language; the Serbian art activists Grupa Spomenik; and contemporary art from Irart activists Grupa Spomenik; and contemporary art from Irart from Iran.