Sentences with phrase «from more screen time»

Not exact matches

Feld deploys what he calls tactical steps — no more coffee or alcohol, no screen time from Friday evening to Sunday morning — when he feels vulnerable to despondency.

Personally, I want to spend more time away from the screen and get real life inspiration.

In recent times, it has evolved from simple screen blockers demanding payments to something far more dangerous.

Use online screening tools to identify the patients at higher risk than the general population, so you can focus more time on analyzing data than gathering it from scratch.

Prior research has shown that the use of social media may detract from face - to - face relationships, reduce investment in meaningful activities, increase sedentary behavior by encouraging more screen time, lead to internet addiction, and erode self - esteem through unfavorable social comparison.

Once I became a fully converted price action trader, by learning from the work of others, my own experiences and screen time, my trading results began getting more consistent and eventually I was managing money for private clients and producing double digit annual percentage returns for them.

Sure, we've had some hearts stop for some amazing lengths of time and been able to revive people before they go completely brain dead and there are many claim from people about their NDE's but I do not believe they are seeing anything more than a few screens of our brains operating system reboot sequence since we are but electrochemical biomechanical machines.

Watch him do something ludicrous on screen and it's only a few seconds until the television shows it to you again, first a bit slower, then again from behind the goal, then one more time from overhead.

They've often settled for moments of shock value over substance, and while they've spent the last few years trying to correct that course — eliminating the Divas Belt and replacing it with Women's Championships, getting rid of the concept of «Divas» altogether by naming their women performers «Superstars» like the men, and introducing more screen time and more talented performers from around the globe — there remains work to be done.

Why can't people for God sake understand the angle the young man was coming from, this is a guy who has come out to suggest what he feel will be of great glory to the team, futbol is about winning trophy not the samba, champaign, tick taka or jambody style Of playwill be accredited to ur cv after retirement, every professional player will wants to be identify with a medal, mind you he have limited years to his career, therefore we should not allow sentment or affections we have for our various teams erode the basic objective of the game.we should also think about their future too, this guys are proffessionals which young lads are looking up to and questions will be ask tomorrow about theirs playing days.can people tell me why pele and some other famous players in the world both present and past are been celebrated today the answer is simply cos they are successful in their career and have trophy to show for it in their respective clubs or countries, why the complain in nigeria?its simply cos our team for quite a while now has not recorded any troph to her glory, fans should learn how to call a spade a spade in order to balance situation and also for better performance of the team.why then did arsene wenger hurridly went to buy more experienced players after the poor outing he had at the beggining of last season?this players know beta cos they are at the centre of it all, we don't have to trash what they say, we fans are only watching from screen, in as much as we beliv in arsen wenger, we should also know that without the boys no arsen wenger, fans should try to reason along with the players too.an hypotetical cases of similar to rvp has been tested by some players and have put them right over the coach and the team.so, whatelse does the fans needs to prove that futbol has gone beyond living in the past.for example, fabrigas and nasri were able to prove their critics wrong.thank God for them, we should always be objective in our submission, how else do we expect players to show their commitment to a team that was in 8 on the log table and later fought their way back to 3rd this boys are commendable and deserve to be encouraged, I think is high time the manager and the mgt board of arsenal futbol team get to know that game of futbol has gone beyond two teams domination, its now like a pendilum which can swing either way only with a powerful insrument called money.you can't eat ur cake and have.

My experience with the Newcastle football team in Oklahoma leads me to believe that, as long as impact sensors are strictly used for the limited purpose of providing real - time impact data to qualified sideline personnel, not to diagnose concussions, not as the sole determining factor in making remove - from - play decisions, and not to replace the necessity for observers on the sports sideline trained in recognizing the signs of concussion and in conducting a sideline screening for concussion using one or more sideline assessment tests for concussion (e.g. SCAT3, balance, King - Devick, Maddocks questions, SAC)(preferably by a certified athletic trainer and / or team physician), and long as data on the number, force, and direction of impacts is only made available for use by coaches and athletic trainers in a position to use such information to adjust an athlete's blocking or tackling tec hnique (and not for indiscriminate use by those, such as parents, who are not in a position to make intelligent use of the data), they represent a valuable addition to a program's concussion toolbox and as a tool to minimize repetitive head impacts.

Research With the premise that science isn't perfect, but it's the best guide we've got, Zero to Five draws on scientific research and studies from experts such as Dimitri Christakis (screen time), Diana Baumrind (parenting styles), Adele Diamond (neuroscience and executive function), Carol Dweck (growth mindset), Alison Gopnik (child psychology), John Gottman (marriage and conflict resolution), Megan McClelland (executive function), Patricia Kuhl (language acquisition and brain development), Ellyn Satter (feeding children), Dan Siegel (emotions), Paul Torrance (creative thinking), Grover Whitehurst (literacy and reading comprehension), and more.

We'll still let you in the club IF you agree to let your kids have at least 2 hours of screen time a day with no more than half of it being educational and you must pledge to abstain from kale and quinoa.

We had some advice from friends with older kids not to time limit screens when the kids actually got their hands on them because it starts the power struggle of «just 5 more minutes»,» just after this level» etc..

Add to that the increased fear of the outdoors and general lack of trust in society from most parents, and it's not surprisingly at all that children are spending more and more time indoors behind a screen.

Then, as time goes on, you hear more and more about prenatal screenings, things that can go wrong and horror stories of heartbreak from other women.

Screen - Free Week highlights the opportunity for the entire family to unplug from digital entertainment and spend more time reading, playing, daydreaming, creating and exploring.

As a group, kids from ages 6 months to 3 years who spent more time using mobile touch screen devices got less sleep at night.

Screen time, the authors say, is part of the problem, but so are well - meaning parents and schools, who are unwittingly taking from children the opportunities they need to grow stronger, more confident and more themselves.

Parents who directly and actively engage their children in healthy living behaviour — instead of passively «supporting» the behaviour — are significantly more likely to see their kids meet Canadian guidelines when it comes to physical activity, healthy eating and screen time, new research from Public Health Ontario (PHO) has found.

Of more than five dozen studies looking at youths ages 5 to 17 from around the world, 90 percent have found that more screen time is associated with delayed bedtimes, fewer hours of sleep and poorer sleep quality, the authors report.

Pick a day (or more) each week when your phone is put away, and your eyes and brain get a complete break from screen time.

The 3M Ergonomic Mouse ($ 58; amazon.com) got a nod from the Arthritis Foundation for making that screen time a little more comfortable.

According to a new study in the Journal of the American College of Cardiology, individuals who spend four or more hours of leisure time per day sitting in front of a screen (whether it be computer or TV) have a 48 percent increased risk of death from any cause, and a 125 percent increased risk of having a heart problem that results in hospitalization, compared to those who spend less than two hours a day relaxing in front of the TV / computer.

It demands us to pay more attention to the end consumer and their experience with the brand from the first time they see us pop up on their screen to them putting on that first t - shirt or pair of socks.

We could all stand to gain from a little less screen time and Italy makes the weaning easy, detoxing you from busy to slow down, savor more and figure out what makes you you again.

I think the summer months might be slow since people go out camping, cottaging or simply, spend more time away from the computer screen.

The steady cavalcade of cameo appearances, coupled with the inclusion of a few genuinely funny comedic set - pieces, prevents the movie from becoming an all - out bore, admittedly, yet it's worth noting that both Carell and Fey's small - screen work is, by and large, far more entertaining than anything within Date Night's appreciatively short running time.

And with such a vast slate of small - screen comedic options — ranging from low - brow to high, broad to eccentrically specific, and including network standouts like Black - ish and cable / streaming gems such as Veep, Insecure, Unbreakable Kimmy Schmidt and many more — it's hard to argue that anyone should spend time or money on this.

Since it ends with the (off - screen) death of Pusser in a car accident, Final Chapter: Walking Tall from 1977 rewinds to some vague time period in the middle of the second film for an even more sloppy and shapeless film.

Returning from The Avengers are Samuel L. Jackson and Cobie Smulders who both do well in their roles once again, Sam Jackson getting more screen time than most of his other appearances.

Not surprisingly, Lawrence steals the show throughout, along with a few of her female co-stars like Julianne Moore as the power hungry, skunk - haired President Coin, and Jena Malone who — despite (disappointingly) having little screen time — gives one of the more memorable performances in her continued portrayal of the wonderfully sardonic Johanna, the victor from District 7.

It's vital that she's as good as she is, because the story requires her to exert the kind of pull that might have men prepared to ruin themselves after just a glimpse of her — arguably also a central theme of «Two Lovers» but more persuasively sold here because of Cotillard's alluring aura of unknowability, even while she's entirely engaged (Of course she also benefits from far more screen time here than Gwyneth Paltrow in «Two Lovers» so it's probably an unfair comparison).

Verdict: The second directorial feature from «Eastern Promises» writer Steven Knight after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a film set entirely within a moving car, shot in real time, with only one actor on screen (the rest of the cast are heard over the phone, but never seen).

It's a sweet romance and one that would have benefited from more screen - time.

If you release a movie in April it has more space, more screens and time than a release in October, November or December, when heavy hitters from the studios like «The Post» with Hanks and Streep and Spielberg are hurting the art films.

With each area being cordoned off from the rest of the stages, the pacing can feel a little off at times, with environmental transitions happening suddenly after a loading screen rather than dynamically occurring as in the Souls games, but this more concentrated focus on the levels also allows for condensed, goal based gameplay that is almost impossible to achieve in Dark Souls, which is certainly welcomed when you're short on time and just want to grind out a twilight mission or two.

The last film Bruce Broughton worked on that was released in cinemas was the 1998 big - screen retelling of Irwin Allen's tv show Lost in Space, with Gary Oldman, William Hurt and Matt le Blanc; sadly for Broughton, who surely saw the movie as a way of gaining more exposure and therefore more work, it tanked and became as critically - lambasted as other event movies from the time like Batman and Robin and The Avengers.

The retreat is much hastier for the underperforming Tomb Raider and A Wrinkle In Time, both of which disappeared from more than 1,000 screens this past weekend, and saw their place on the charts drop accordingly.

Aired by Fox just one other time after it premiered and later dropped from syndication, the superficially disturbing «Home» went on to become the show's best - selling episode on VHS; it was but a matter of time until some enterprising producer recognized the franchise potential in its heartland troglodytes — and it was even more inevitable that they should be paired with a WB cast - off for the first big - screen vehicle, since no modern horror flick is complete without one.

Serenity benefits from its larger big screen budget with better special effects than the TV series, and more time for prolonged action sequences.

Which is about all that we ever get from him as much of his screen time is given over to young Harry Osborne so that he can convincingly morph into the dreaded Green Goblin (thanks to a fatal genetic illness we learn about literally the first second he is introduced to us) and proving the modern adage that more than one super villain is too much for one of the films to juggle.

Their love lives are probably discussed entirely too much for Disney's comfort, but the pair gets down to brass tacks more often than not; for what it's worth, this is the first time I can recall hearing of a film getting longer as a result of the test - screening process — a lot of Bartha's performance was rescued from the cutting - room floor after preview audiences responded favourably to his character.

Many familiar faces such as Gabrielle Union, Cedric the Entertainer, Kevin Hart, Romany Malco, Jerry Seinfeld, Taraji P. Henson, and Tracy Morgan turn up in roles ranging from cameos to more full - fledged supporting roles, and everyone makes sure to not waste whatever screen time they have and make memorable impressions, also in varied ways, from riotous (most notably, Cedric) to unexpectedly cutting (Union, as Andre's reality TV star fiancée).

With Adam Sandler's Funny People looming on the horizon, what better time to revisit the original tonal detour of the most consistently successful big screen comedian of his era, away from the juvenilia that made him wildly rich and famous and into the waiting bosom of a more skewed cinematic sensibility?

More from Duane Byrge at The Hollywood Reporter, and Emily Brennan spotlights five essential performance by the actor on stage and screen for The New York Times.

Now in T3, the most famous screen robot of all time will rise again to shield a young adult Connor (Nick Stahl) from an even more powerful machine — not an easy task considering the last outing ended in a tightly wrapped package with no easy - to - pull sequel strings.

In an on - screen interview for the MGM standard - def Blu - ray, director David Lynch goes into detail on the process of color timing movies both for the theater screen and home video, and recounts some difficulty in getting it right for his insane, and insanely visually varied, 1990 lovers - on - the - road movie, adapted from a slightly more earthbound Barry Gifford novel.

It Rated R for violence / horror, bloody images and for language Rotten Tomatoes Score: 86 % The horror phenomenon from Stephen King finally gets its big screen debut, 31 years after its initial book release, and the timing couldn't be more perfect.

There are so many sub-plots squeezed into a two hours that I almost felt that the film could have benefitted from an extra 30 minutes or so as certain characters needed more screen time and more development.