Pulling
from more than a decade of work to make classroom instruction more effective and manageable, she sets out to guide classroom teachers and administrators through the process for crafting high - quality assignments.
Not exact matches
She
worked at Yahoo for
more than a
decade, fighting off a copyright infringement suit
from Sony BMG, helping the company navigate issues
of online privacy and
working on deals like a Microsoft search agreement (which was just revised this year).
The partners had the help
of leaks
from staffers inside the Public Company Accounting Oversight Board, the entity created by Congress
more than a
decade ago to make sure auditors are doing
work that meets regulatory standards.
Mariano notes that roughly 75 percent
of sellers within the industry are women, down
from about 90 percent a few
decades ago, but
more men and married couples are joining the ranks and finding a better
work / life balance
than the corporate world provided.
According to a recent NBER
Working Paper, Berkshire has the highest Sharpe ratio
of all US stocks
from 1926 to 2011 and a higher Sharpe ratio
than all US mutual funds around for
more than three
decades.
A trained winemaker with a diploma in Wine Technology and Viticulture
from the University
of Melbourne, McDougall has
more than a
decade of winemaking experiences
working with wineries such as Vietti and Innocent Bystander.
She has had the opportunity to learn the art
of midwifery
from several midwives, midwifery study groups, workshops and through self - study for
more than a
decade and has been immersed in birth
work since 1997.
«For my part, I have
worked on LGBT issues with Governor Cuomo for
more than a
decade, and he was instrumental in helping me become the first openly gay member
of Congress
from New York,» Maloney said.
Miller - Struttmann and her colleagues then compared other
decades - old data about plants visited by the bees with recent
work on bee visits, and discovered that these two species had acquired broader tastes
than their recent ancestors, taking nectar
from many
more kinds
of flowers
than before.
Still, the payoff could be huge: While mainstream fusion research programs are still
decades from fruition, Lerner claims he requires just $ 750,000 in funding and two years
of work to prove his process generates
more energy
than it consumes.
In
work that has spanned
more than a
decade, the researchers analyzed blood
from adults living in malarial regions
of Africa and eventually traced the protection to antibodies against a previously unknown malaria parasite protein called MSP3.
In making their award, the Kavli Nanoscience Prize committee has selected a scientist whose
work, over
more than five
decades, has improved understanding
of how and why the thermal, electrical, and other characteristics
of materials structured at the nanoscale can be dramatically different
from those
of the same materials at larger dimensions.
«The Grand Old Man
of Westerns,» as film historian William K. Everson called him, retired in the early»40s after
more than three
decades of yeoman
work opposite every cowboy hero on the Hollywood range,
from Franklyn Farnum to Gary Cooper.
The MTC's
work is not entirely original, though, and takes its lead
from a number
of public schools — most notably in New England — that have been rethinking traditional methods
of assessing students for
more than a
decade.
Dede has been studying immersive technology and issues at the juncture
of science, education, and technology for
more than three
decades,
working with students
from public schools, the military, higher education, and the corporate world.
And, for older children, we are
working a lot with data
from the Tripod Project [now based at Tripod Education Partners, Inc.], which I founded
more than a
decade ago to help school leaders understand what students
of different racial, ethnic, and social class backgrounds experience at the classroom level.
In this book, Kafele draws
from more than two
decades of experience
working in inner - city schools to help K — 12 educators focus on five areas that will help them achieve remarkable results for their students.
Regie Routman has
more than four
decades of experience as a national and international leader, teacher, and coach
working in diverse schools with large populations
of students
from low - income families and English language learners.
Immediately after the apex
of his career, a huge event celebrating his life's
work, Mallarino receives an unexpected visit
from a young woman who makes him rethink everything he knew about one
of his career's biggest takedowns
from more than two
decades before.
Venning knows well
of what he speaks: He has spent
more than a
decade and a half
working with mature (55 +) clients who have migrated
from corporate employment to self - employment.
In the
more than three
decades I ve been
working with animals, I can honestly say that San Diego Humane Society s continued involvement in rescuing dogs
from the cruelty
of the Korean dog meat trade stands out as one
of the most important missions we ve ever tackled.
This landmark regulatory change took
more than a
decade of hard
work to accomplish,
from identifying and researching the issue, to educating and alerting lawmakers, agency officials and the public about the nature and scope
of the problem, to adding the appropriate language to the 2008 Farm Bill, resulting in the publication
of these regulations.
In addition to
more than a
decade of experience as a professional dog trainer, Alice is also a Licensed Clinical Social Worker (LCSW) and has her master's degree in social
work (MSW)
from Columbia University.
This session is a culmination
of more than a
decade of work in player satisfaction modelling (not to mention game design experience
from fifty published games), and presents a new way
of understanding the psychology
of videogames in terms
of Player Motives.
Guildhall students learn
from and are mentored by our full - time faculty
of industry veterans, who have
worked on
more than 290 professional games across three
decades, and our adjunct faculty, who are leading game developers that make games by day and teach here in the evenings.
More than three
decades later, the museum's curators placed two
of Kahlo's
works from the original exhibit alongside a selection
of contemporary artists who share Kahlo's rebellious, passionate and socially conscious spirit.
On view through May 13, 2018, Jasper Johns: «Something Resembling Truth» features
more than 120 rarely loaned artworks by one
of America's greatest artists —
from his iconic targets, maps and numbers, to
works from throughout his influential six -
decade career.
Then there's «John Wesley: The Henry Ford Syndrome» at Waddington Custot (until 22 October), which features
works from more than five
decades by perhaps the most surreal
of American Pop artists — if indeed the flat eroticism that has long been his calling card does fit that artistic category.
For
more than three
decades, the artist created
work with K.O.S. (Kids
of Survival), a fluid group
of young at - risk students
from the South Bronx.
Comprising
more than 100 artworks
from public and private collections, the retrospective will include a range
of media
from five
decades — video, performance, painting, sound,
works on paper, and graphics.
Featuring
more than 300
works made
from 2002 to the present, the 18,000 square foot exhibition highlights one
of the most prolific
decades of the artist's career.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits
of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices
of a «fia backström production,» a lesser production
of curated ephemera such as press releases, invites, posters, and so on culled
from found materials and the
work of a greater local network
of friends and peers; the lesser aesthetics
of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images
of a lesser art industry itself within a critique
of a greater institutional relationship to art production; as such, the lesser display
of curated ephemera (
from nonartists and artists alike) not only comments on the greater vortex
of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection
of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or,
more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution
of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value
of the pasted paper and its repetition, which dispels the greater value
of precious originals; so the act
of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a
decade earlier — speaks to the nefarious long arm
of Capitalism that can morph into an owner
of its own critique; so that lesser new york is greater
than its initial critique, greater
than a
work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit
of artists
working together playfully is lesser, whereas the critique
of how artists can imagine
working alongside the institution is greater, or vice versa; the lesser gesture
of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities
of the organizing systems by Backström continue to put pressure on both the defining features
of art production in both the lesser context and the
decade - later greater one; further, the greater question
of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
Queensland Art Gallery Director Tony Ellwood said «21st Century: Art in the First
Decade» would showcase over 180
works by
more than 110 senior and emerging artists
from over 40 countries, with most
of the
work from the Gallery's own expanding collection.»
This month, the British painter and sculptor Allen Jones returns to New York for his first solo show in
more than two
decades, a mini retrospective at Michael Werner that includes key examples
of his
work from the early 1960s to the present.
The essence
of her
work has not been changed for
more than five
decades, reflection, thinking, and analysis were present in her paintings
from the 1960s to the latest videos and installations.
Entitled Drip, Drape, Draft, the show presents
works by Robert Davis, a close friend
of Johnson for
more than a
decade; Angel Otero, who he has known for some six years; and Sam Gilliam, an older artist
from what Johnson refers to as «an almost lost generation
of black abstract painters», with whom he recently struck up a mutually significant friendship.
Work by architects and artists spanning
more than seven
decades is exhibited alongside materials
from Kiesler's Endless House design and images
of its presentation in MoMA's 1960 Visionary Architecture exhibition.
This exhibition precedes a major retrospective devoted to the artist at The Museum
of Modern Art, New York, which will examine the development
of the artist's career over nearly seven
decades through
more than 200
works from public and private collections, representing nearly every type
of technique and subject matter that the artist
worked in.
More than a
decade since many
of them graduated
from Goldsmiths, this gang still drift in and out
of one each other's studios, and in and out
of each other's
work.
Cindy Sherman, the first comprehensive U.S. retrospective
of the artist's
work in over a
decade will bring together
more than 170 key photographs
from a range
of Sherman's acclaimed bodies
of work, in which she created myriad constructed characters and tableaus.
Curated by the Menil's Michelle White, the first retrospective exhibition
of Bontecou's drawings spans
more than five
decades of her career,
from the late 1950s, when she began her innovative
works on paper using a welding torch and soot, to ongoing
work from her Pennsylvania studio.
Additional Kelly
works coming to the museum
from the Fisher Collection will result in combined holdings that span
more than five
decades and feature important examples
from all stages
of the artist's career, with a particular strength in
works made in Paris between 1948 and 1954.
The exhibition at the Museum features thirty - four quintessential
works, many large in scale,
from among the hundreds created by Wardlaw over the course
of more than six
decades.
I have been a Bontecou fan since writing about her magisterial wall sculpture in the Koch Theater lobby at Lincoln Center
more than two
decades ago, and the intimate scale
of this untitled
work from 1960 is a phenomenal entry point for understanding this reclusive and serious artist.
But Trecartin's curatorial input is bound to be even
more closely scrutinized
than this
work — after all, the tech - suffused aesthetic
of identity art that he unleashed over the past
decade has influenced many
of today's most interesting artists,
from DIS magazine to Jacolby Satterwhite.
Italian Futurism, 1909 — 1944: Reconstructing the Universe is a groundbreaking, mammoth exhibit
of 360
works from 80 artists, poets, architects, and designers who had a dramatic impact on art across
more than three
decades.
The majority
of the exhibition (21 April - 20 August), which features 50
works spanning
more than three
decades, is drawn
from Hirst's collection.
For
more than three
decades, she has created
works of exceptional power and beauty, spanning mediums
from sculpture and printmaking to installation and textiles.
Conversely, while recent
decades have seen hard - core male sexuality and phalluses in greater evidence on gallery walls,
more often
than not these
works are instances
of men being depicted by other men,
from Lucian Freud to David Hockney, Paul McCarthy, and Juergen Teller to, most notoriously, Robert Mapplethorpe.
According to TUC figures, the number
of people spending
more than two hours travelling to and
from work every day has jumped by 72 per cent over the past
decade to
more than three million.