Bringing together more than 30 works
from numerous international collections spanning almost two decades of genre - defying production, this volume presents an overview of the artist's striking and often humorous work from the late 1990s to the present.
Not exact matches
Numerous significant works
from the
International exhibitions have been acquired for the museums» permanent
collection including Winslow Homer's The Wreck (1896) and James A. McNeill Whistler's Arrangement in Black: Portrait of Señor Pablo de Sarasate (1884).
«The exhibition features masterworks
from the DMA's
collection in dialogue with works
from the VMFA and
numerous international collections, providing our audiences with a new experience of the genre.»
One such individual is the
international art dealer Gian Enzo Sperone, whose
collection comprises the heart of this exhibition, to which has been added
numerous works borrowed
from public and private sources.
Featuring
numerous loans
from major
international museums and private
collections, it provides an extremely rare opportunity to view Eva Hesse's late works, some of which are being shown in Germany for the very first time.
In the course of over 20 years she has founded the Israel Museum's
international contemporary art
collection and curated
numerous exhibitions including James Turrell: Two Spaces (1982), Anselm Kiefer (1984), Three British Sculptors: Richard Deacon, Julian Opie, Richard Wentworth (1985), New York Now (Jeff Koons, Sherrie Levine, Allan McCollum and others, 1987), Christian Boltanski: Lessons of Darkness (1989), Life Size: A Sense of the Real in Recent Art (1990), Hidden Reflections (Marylène Negro, Christian Marclay, Hiroshi Sugimoto and others, 1992), Kiki Smith (1994), Gerhard Richter (1995), Marks: Artists Work Throughout Jerusalem (David Hammons, Juan Muñoz, Sarkis and others, 1996) Skin - Deep: Surface Appearances in Contemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella
Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art
from The Israel Museum, Jerusalem.
Through revisiting the contested histories of how Egyptian
collections have been amassed by
numerous museums
from the 19th century onwards, it brings together antiquities, modernist works, archives, and 26
international contemporary artists and artist collectives to explore the mechanisms by which artworks come to acquire a range of meanings and functions that can embody a number of diverse, and at times conflicting narratives.
Chiurai has held
numerous solo exhibitions since 2003 and has participated in various local and
international exhibitions, most recently Figures & Fictions: Contemporary South African Photographyat the Victoria and Albert Museum in London and Impressions
from South Africa, 1965 to Nowat the Museum of Modern Art in New York, which acquired Chiurai's work for their
collection.
Chiurai has held
numerous solo exhibitions since 2003 and has participated in various local and
international exhibitions, including Figures & Fictions: Contemporary South African Photography at the Victoria and Albert Museum in London and Impressions
from South Africa, 1965 to Now at the Museum of Modern Art in New York, which acquired Chiurai's work for their
collection.
Through revisiting the contested histories of how Egyptian
collections have been amassed by
numerous museums
from the 19th century onwards, this exhibition brings together antiquities, modernist works, archives and 26
international contemporary artists and artist collectives.